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Nine films have been shortlisted for the second round of voting for the 80th Academy Awards’ Foreign Language Film category.

The films, listed in alphabetical order by country, are:

August Diehl in The Counterfeiters, Stefan Ruzowitzky

Austria, The Counterfeiters, Stefan Ruzowitzky, director - Nazis have a Jewish prisoner create fake American and British currency in order to weaken their enemies’ economies

The Year My Parents Went on Vacation, Cao Hamburger
Brazil, The Year My Parents Went on Vacation, Cao Hamburger, director - In 1970, during the height of the military dictatorship in Brazil, a boy is left alone in São Paulo’s Jewish quarter after his parents "go on vacation"

Marc Labreche in Days of Darkness by Denys Arcand
Canada, Days of Darkness, Denys Arcand, director - A civil servant finds solace from his drab existence by coming up with all types of Walter Mitty-like fantasies

Beaufort, Joseph Cedar
Israel, Beaufort, Joseph Cedar, director - Israeli platoon leaves the last Israeli outpost in Lebanon

Kseniya Rappoport in The Unknown, Giuseppe Tornatore
Italy, The Unknown, Giuseppe Tornatore, director - An Ukrainian house servant’s violent past comes back to terrorize the wealthy Italian family for whom she works in this David di Donatello winner


Kazakhstan, Mongol, Sergei Bodrov, director - the early life of Genghis Khan


Poland, Katyn, Andrzej Wajda, director - Poles are slaughtered by the Russian Red Army, which then blames the Nazis


Russia, 12, Nikita Mikhalkov, director - 12 Russian jurors decide the fate of a Chechen teenager charged with murdering his stepfather


Serbia, The Trap, Srdan Golubovic, director - a father turns to crime in order to save the life of his young son

 

When I stated in my Oscar 2008 predictions that the Academy’s foreign-language film category is the most difficult to predict, I wasn’t kidding.

Nowhere to be found in the shortlist are Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days — last year’s Cannes Film Festival winner and considered by numerous U.S. critics one of the best films of 2007; Marjane Satrapi and Vincent Paronnaud’s much-ballyhooed and New York Film Critics Circle winner Persepolis — which may still get a best animated feature nod; and J.A. Bayona’s box-office hit and multiple-Goya nominee The Orphanage.

Additionally, there was a major surprise among those that did make the cut: Sergei Bodrov’s Mongol, about the early life of Genghis Khan, and a curious Kazakh entry. After all, Mongol is a Russian-German-Mongol-Kazakh production mostly shot in China. Director, co-writer, and co-producer Bodrov is Russian, and so are co-producers Sergei Selyanov and Anton Melnik, and co-cinematographer Sergei Trofimov; co-cinematographer Rogier Stoffers is Dutch; co-editor Valdís Óskarsdóttir is Icelandic; co-editor Zach Staenberg is Hollywoodian (The Matrix); composer Tuomas Kantelinen is Finnish; and so on.

Late last year, the Academy turned down Lust, Caution as a Taiwanese entry because Ang Lee was the only Taiwanese national with a key role in the production. (Admittedly, some of the Mongol cast probably hails from Kazakhstan.)

The other potential nominees were considerably more predictable, what with Nazis (The Counterfeiters, Katyn), little boys (The Year My Parents Went on Vacation, The Trap), and Jewish characters (The Year My Parents Went on Vacation, Beaufort, The Counterfeiters), plus three-time nominee Denys Arcand (who won for his 2003 drama The Barbarian Invasions), two-time nominee Giuseppe Tornatore (who won for the 1988 drama Cinema Paradiso), three-time nominee Andrzej Wajda (his last nominated film was the 1981 political drama Man of Iron), and two-time nominee Nikita Mikhalkov (who won for his 1994 drama Burnt by the Sun).

As was the case last year, the foreign-language film nominations for 2007 are being determined in two phases.

The Phase I committee, "consisting of several hundred Los Angeles-based members," as per the Academy’s press release, screened 63 eligible foreign-language films. Their votes narrowed down the field to the nine films above.

Left unsaid in the release is that those "several hundred" members don’t have to view all 63 films. They only need to watch a certain percentage of 20 or 30 films assigned to their particular screening group. In previous years, the foreign-language film screenings was divided into two groups of 25 films or so. Recently, as more countries have been submitting entries for Oscar consideration, there have been three groups of about 20 films, with two screenings per evening.

A Phase II committee is made up of ten randomly selected members from the LA-based Phase I group, joined by ten New York and LA-based members invited just for the occasion. Those 30 members will watch the shortlisted films and select the five nominees for the category.

And that’s how shoo-in Volver failed to make the cut last year.

Phase II screenings will take place from next Friday, January 18, through Sunday, January 20, in both Hollywood and New York City.

In any case, this is one category whose voting and eligibility rules and regulations should be fully revamped.

Nominations for the 80th Academy Awards will be announced on Tuesday, January 22, 2008, at 5:30 a.m. Pacific Time at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

Unless the WGA strike derails things, the Academy Awards ceremony will be held on Sunday, February 24, 2008, at the Kodak Theatre at Hollywood & Highland Center.

 

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3 Responses to “Oscar 2008: Foreign-Language Film Shortlist”

  1. on 16 Jan 2008 at 12:18 am Boyd

    Just for info: Bodrov also has a Kazakh passport, so that’s why it sneaked in the way it did.

  2. on 16 Jan 2008 at 11:02 am Andre Soares

    Thanks for the info, Boyd. I did an online search, but couldn’t find any info about it. I wonder if Bodrov got his Kazakh passport just for the movie — or for his previous Kazakh entry, “Nomad.” (I’m being facetious, of course. Or perhaps half-facetious…)

  3. on 19 Jan 2008 at 3:42 pm jincheng

    What bunch of crap that Secret Sunshine didn’t make the list…The Hollywood oscars will never give asia cinema the respect they deserve

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