The DGA vs. the Academy: 1990s


Harrison Ford in The Fugitive (top); Madeleine Stowe, Tim Robbins in Short Cuts (bottom)
The DGA vs. the Academy: 1980s
1990
DGA: Barry Levinson for Avalon and Giuseppe Tornatore for Cinema Paradiso [the 1988 best foreign language film Oscar winner; ineligible for the 1990 Academy Awards]
AMPAS: Stephen Frears for The Grifters and Barbet Schroeder for Reversal of Fortune
1991
DGA: Barbra Streisand for The Prince of Tides
AMPAS: John Singleton for Boyz n the Hood
1992
DGA: Rob Reiner for A Few Good Men
AMPAS: Martin Brest for Scent of a Woman
1993
DGA: Martin Scorsese for The Age of Innocence and Andrew Davis for The Fugitive
AMPAS: Jim Sheridan for In the Name of the Father and Robert Altman for Short Cuts
1994
DGA: Mike Newell for Four Weddings and a Funeral and Frank Darabont for The Shawshank Redemption
AMPAS: Woody Allen for Bullets Over Broadway and Krzysztof Kieslowski for Three Colors: Red
1995
DGA: Ron Howard for Apollo 13 and Ang Lee for Sense and Sensibility
AMPAS: Chris Noonan for Babe and Tim Robbins for Dead Man Walking
1996
DGA: Cameron Crowe for Jerry Maguire
AMPAS: Milos Forman for The People vs. Larry Flynt
1997
DGA: James L. Brooks for As Good As It Gets and Steven Spielberg for Amistad
AMPAS: Peter Cattaneo for The Full Monty and Atom Egoyan for The Sweet Hereafter
1999
DGA: Frank Darabont for The Green Mile
AMPAS: Lasse Hallström for The Cider House Rules
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Tags: Academy Awards, Andrew Davis, Classic Movies, DGA Awards, Film Awards, Robert Altman, Short Cuts, The Fugitive
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