Irene Jacob in Three Colors: Red by Krzysztof Kieslowski

HomeAboutContactArchivesHelp WantedSyndicate / Subscribe

Dr. Seuss' Horton Hears a Who! by Jimmy Hayward, Steve Martino

Dr. Seuss’ Horton Hears a Who trampled to the top of the North American box office this weekend with US$45.1 million in revenues, according to studio estimates.

Released by 20th Century-Fox and directed by Jimmy Hayward and Steve Martino, the computer-animated film features the voice of Jim Carrey as an eccentric elephant who struggles to protect a microscopic community living on a speck of dust.

10,000 B.C. by Roland Emmerich

Last week’s box-office champion, 10,000 B.C. (above), slipped to No.2, collecting $16.4 million from ticket sales at 3,410 locations. Roland Emmerich’s prehistoric epic, which follows the adventures of a mammoth hunter traveling to the ends of the world to secure the future of his tribe, lifted its domestic total to $61.2 million after a strong two-week run.

Never Back Down by Jeff Wadlow

New entry Never Back Down (above) debuted in third place with $8.6 million. Summit Entertainment’s action drama directed by Jeff Wadlow tells the story of a rebellious teenager who gets thrust into the world of underground martial arts.

Meanwhile, Walt Disney’s comedy College Road Trip tumbled to No. 4, taking home $7.8 million. The Roger Kumble-directed film, which stars Martin Lawrence as an overprotective father who takes his daughter (Raven-Saymone) on a road trip, reached a cumulative gross of $24.2 million after two weeks in release.

At No. 5, Pete Travis‘ terrorism thriller Vantage Point pulled in $5.4 million from 2,761 sites. Starring Dennis Quaid as a Secret Service agent who tries to uncover the truth behind an assassination attempt on the U.S. president, the film lifted its total haul to $59.2 million after a solid four-week run.

Meanwhile, Lionsgate’s crime thriller The Bank Job ranked sixth this weekend, picking up $4.9 million. Starring Jason Statham as the leader of a gang of amateur robbers, the Roger Donaldson-directed film brought its domestic total to $13.3 million.

Universal’s new entry Doomsday opened at No. 7 with $4.7 million. Directed by Neil Marshall, the action-adventure drama follows a commanding officer ordered to investigate the causes of a deadly virus that is threatening to destroy London.

Down from No. 5 to No. 8, New Line Cinema’s Will Ferrell sports comedy Semi-Pro brought in $3 million, while The Other Boleyn Girl earned $2.9 million in ninth place.

Paramount’s adventure tale The Spiderwick Chronicles rounded out the top ten with $2.3 million. The Mark Waters-directed film about three siblings who must protect a magical book from the claws of a ruthless ogre lifted its cumulative gross to $65.4 million after five weeks in release.

Near the top ten list this weekend were Doug Liman’s thriller Jumper with a $75 million domestic total, and Bharat Nalluri’s Miss Pettigrew Lives for a Day, starring Amy Adams and Frances McDormand, with a total haul of $5.3 million.

Source: Box Office Mojo (boxofficemojo.com)

 

Technorati Tags: , , , , ,

 

10,000 BC Tops North American Box Office

DEEP SEA 3D, MAGNIFICENT DESOLATION, ROVING MARS: Contemporary Documentaries Screening

SEMI-PRO Tops Weak Weekend

CLOVERFIELD Crushes Competitors at Box Office

BOOK OF SECRETS Buries Competition at the Box Office

NATIONAL TREASURE: BOOK OF SECRETS Tops Box Office

BEOWULF Slashes Competition at the Box Office

BEE Stings GANGSTER at the Box Office

AMERICAN GANGSTER Swats BEE at the Box Office

SAW IV Scares Up US$32.1 Million at the Box Office

Vampires Suck the Blood Out of the Competition at the Box Office


 

 

Comments RSS

Leave a Reply

 
Note: All comments are moderated, and may be edited at the discretion of the moderator. Different views and opinions are welcome, but abusive/bigoted remarks, and both flaming and generic (spam) comments will NOT be approved. Also, please be aware that the Alternative Film Guide has NO contact information for the talent mentioned in this blog or any information pertaining to or access to distributors'/producers' film prints.