Best Films – 1928
Evelyn Brent, Emil Jannings in The Last Command
FILM
The Crowd
d: King Vidor; scr: King Vidor, James V. A. Weaver; titles: Joseph W. Farnham
The Docks of New York
d: Josef von Sternberg; scr: Jules Furthman; titles: Julian Johnson
The Last Command
d: Josef von Sternberg; scr: John F. Goodrich; titles: Herman J. Mankiewicz
Sadie Thompson
d & scr: Raoul Walsh; titles: C. Gardner Sullivan
Street Angel
d: Frank Borzage; scr: Marion Orth, Philip Klein & Henry Roberts Symonds; titles: H. H. Caldwell & Katherine Hilliker
The Wind
d: Victor Sjöström; scr: Frances Marion
L’Argent by Marcel L’Herbier
CHECK THESE OUT
L’Argent
d: Marcel L’Herbier; scr: Marcel L’Herbier & Arthur Bernède
The Patsy
d: King Vidor; scr: Agnes Christine Johnson; titles: Ralph Spence
Show People
d: King Vidor; scr: Laurence Stallings & Agnes Christine Johnson; titles: Ralph Spence
The Trail of ‘98
d: Clarence Brown; scr: Benjamin Glazer & Waldemar Young; titles: Joseph W. Farnham
The Wedding March
d: Erich von Stroheim; scr: Erich von Stroheim & Harry Carr
A Woman of Affairs
d: Clarence Brown; scr: Bess Meredyth; titles: Marian Ainslee & Ruth Cummings
Eleanor Boardman, James Murray in The Crowd
ACTOR
Pierre Alcover (L’Argent)
George Bancroft (The Docks of New York)
Lionel Barrymore (Sadie Thompson)
Wallace Beery (Beggars of Life)
John Gilbert (A Woman of Affairs)
Lars Hanson (The Wind)
Jean Hersholt (The Battle of the Sexes)
Emil Jannings (The Last Command)
James Murray (The Crowd)
Janet Gaynor in Street Angel
ACTRESS
Eleanor Boardman (The Crowd)
Betty Compson (The Docks of New York)
Marion Davies (The Cardboard Lover)
Marion Davies (The Patsy)
Marion Davies (Show People)
Greta Garbo (A Woman of Affairs)
Janet Gaynor (Street Angel)
Lillian Gish (The Wind)
Phyllis Haver (The Battle of the Sexes)
Sally O’Neil (The Battle of the Sexes)
Gloria Swanson (Sadie Thompson)
SUPPORTING ACTOR
William Bakewell (West Point)
Harry Carey (The Trail of ‘98)
SUPPORTING ACTRESS
Olga Baclanova (The Docks of New York)
Olga Baclanova (The Man Who Laughs)
Brigitte Helm (L’Argent)
Dorothy Sebastian (A Woman of Affairs)
Dorothy Cumming, Ramon Novarro in Forbidden Hours (Courtesy of Matias Bombal)
CINEMATOGRAPHY
G. W. Bitzer, Karl Struss & Harry Jackson (Drums of Love)
William H. Daniels (A Woman of Affairs)
Nicolas Farkas (Das Schiff der verlorenen Menschen / The Ship of Lost Men)
Merritt B. Gerstad (Forbidden Hours)
Bert Glennon (The Last Command)
A. L. Golovnya (Potomok Chingis-Khana / Storm over Asia)
Carl Hoffman (Die Wunderbare Lüge der Nina Petrowna / The Wonderful Lies of Nina Petrovna)
Hal Mohr & Ben F. Reynolds (The Wedding March)
Ernest Palmer & Paul Ivano (Street Angel)
Harold Rosson (The Docks of New York)
"Best Films of …" Annual List
1913 1914 1915 1916 1917 1918 1919
1920 1921 1922 1923 1924 1925 1926 1927 1928 1929
1930 1931 1932 1933 1934 1935 1936 1937 1938 1939
1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
Subscribe / Syndicate
Leave a Comment
Tags: A Woman of Affairs, Agnes Christine Johnson, Bert Glennon, Best Films, Brigitte Helm, Carl Hoffman, Clarence Brown, Classic Movies, Drums of Love, Eleanor Boardman, Emil Jannings, Erich von Stroheim, Forbidden Hours, Frank Borzage, Gloria Swanson, Greta Garbo, Harold Rosson, Harry Carey, Janet Gaynor, Josef von Sternberg, Jules Furthman, King Vidor, L'Argent, Lars Hanson, Laurence Stallings, Lillian Gish, Marcel L'Herbier, Marion Davies, Olga Baclanova, Phyllis Haver, Pierre Alcover, Ramon Novarro, Raoul Walsh, Sadie Thompson, Sally O'Neil, Show People, Silent Films, Storm over Asia, Street Angel, The Cardboard Lover, The Crowd, The Docks of New York, The Last Command, The Patsy, The Trail of '98, The Wedding March, The Wind, Victor Sjöström
Comments
Leave a Reply
NOTE:
All comments are moderated and may take some time before they are posted. Different views and opinions are welcome, but courtesy is imperative. Rude/crass/bigoted comments and name-calling of any sort will be immediately deleted.
Also, please be aware that the Alternative Film Guide has no contact information for the talent mentioned in this blog and no information pertaining to or access to distributors'/producers' film prints.
