Marion Davies, Ronald Colman, Constance Talmadge, Phyllis Haver: “Sound and Silents”
"Sound and Silents" is the title of a four-film series — part of the wider "Birds Eye View Film Festival" celebrating women filmmakers — to be held at London’s bfi Southbank and the Barbican from March 6-10.
The four screening silent films are: King Vidor‘s The Patsy (1928), starring Marion Davies; Sidney Franklin‘s Her Sister from Paris (1925), starring Constance Talmadge and Ronald Colman (right); Cecil B. DeMille‘s Chicago (1927), with Phyllis Haver and Victor Varconi; and Lotte Reiniger’s animated The Adventures of Prince Achmed (1926). All four films will feature live musical accompaniment.
The most enjoyable of the four is Sidney Franklin’s Lubitschesque Her Sister from Paris, which offers Constance Talmadge at her screwballish best — and this before screwball comedies became known as such. In the film — written by frequent Lubitsch collaborator Hans Kräly — housewife Talmadge decides to spice things up with hubby Ronald Colman by pretending to be her wordly sister (from Paris). George Cukor would remake it in 1941 as a Greta Garbo vehicle called Two-Faced Woman. The film lost (a little) money and turned out to be Garbo’s last. Jane Gardner will provide a "specially commissioned" live musical accompaniment for Her Sister from Paris.
King Vidor’s The Patsy has its ups and downs, but Marion Davies’ imitation of fellow silent-screen stars Lillian Gish, Mae Murray, and Pola Negri is a masterpiece of comic acting, while the now totally forgotten Orville Caldwell proves himself a likable leading man. The Patsy will have another specially commissioned musical accompaniment, this one by Gwyneth Herbert.
Chicago, for its part, has Victor Varconi at his handsomest and Phyllis Haver at her sluttiest. In my view, Haver’s ambitious, selfish, self-centered Roxie Hart is a much superior comic performance to any I’ve seen by Buster Keaton, Charles Chaplin, Harold Lloyd and all other revered comedy geniuses of the silent era. Cecil B. DeMille, who had made the pious (and all but unwatchable) The King of Kings that same year, opted to have assistant director Frank Urson credited as the official director of the eye-popping Chicago. Rob Marshall should have watched this one before directing the dreadful — and dreadfully miscast — (Oscar-winning) 2002 remake. Patti Plinko will provide the live musical accompaniment.
The Adventures of Prince Achmed is a bit on the slow-moving side. In fact, I’d say it’s less a "movie" than animated "performance art." If you look at it that way, Prince Achmed a stunning piece of artwork. Mira Calix will be present to premiere her new musical accompaniment for this animated classic.
More information about: Cecil B. DeMille, Chicago, classic movies, Constance Talmadge, Her Sister from Paris, King Vidor, London screenings, Lotte Reiniger, Marion Davies, Phyllis Haver, Ronald Colman, Sidney Franklin, silent films, The Adventures of Prince Achmed, The Patsy, Victor Varconi
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