CONTACT/TERMS OF USE            HELP WANTED

Federico Fellini’s 8½ Screening



Marcello Mastroianni in 8 1/2

Claudia Cardinale, Federico Fellini on 8 1/2 setIn conjunction with its exhibition “Fellini’s Book of Dreams” — which is definitely worth a visit — the Academy of Motion Picture Arts and Sciences will present a special screening of Federico Fellini’s Academy Award-winning 1963 extravaganza on Friday, April 17, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. The evening will be hosted by Robert Rosen, dean of the UCLA School of Theater, Film and Television.

There have been homages and imitations ever since (Bob Fosse's All That Jazz comes to mind), but no self-analytical film that I've seen gets even close to what Fellini accomplished in , while very few films about the art of moviemaking have been nearly as artful or movieish.

In , Marcello Mastroianni stars as Fellini's alter-ego, Guido Anselmi, a renowned film director struggling to find inspiration for his next project. Overwhelmed by the world around him — the lights, the cameras, the biz, the wife, the mistress — Anselmi immerses himself in a semi-dreamlike state in which past and present, fantasy and reality become inextricably intertwined. According to Fellini himself, is the story of “a film director who is trying to put together the pieces of his life … and to make sense of them, to understand what they mean.”

I'm not sure if Fellini achieved what he wanted, but whether or not it's all clear at the end is all but irrelevant. What truly matters is the hallucinogenic ride getting there. And I probably should add that the first time I saw (on television) I found it a big bore; the second time around (on the big screen) — even without the help of drugs — it was pure magic.

Barbara Steele in 8 1/2Also in the cast: Anouk Aimée (as Anselmi's wife, though Aimée had nothing in common with Giulietta Masina), Claudia Cardinale, Barbara Steele (right), Sandra Milo, and Rossella Falk. Nino Rota composed the film's brilliant score. Gianni Di Venanzo provided the dreamy black-and-white cinematography.

should have won nearly every Oscar that year, but the film had to content itself with statuettes for Best Foreign Language Film (Italy) and Black-and-White Costume Design (Piero Gherardi).

was nominated in only three more categories: Best Directing (Fellini), Writing – Story and screenplay written directly for the screen (Fellini, Ennio Flaiano, the recently deceased Tullio Pinelli, Brunello Rondi) and Black-and-White Art Direction (Gherardi).

Fellini's exploration of his own dreams can be experienced in the exhibition “Fellini’s Book of Dreams,” on display through April 19 in the Academy’s Grand Lobby Gallery. On April 17, the Academy will host special evening exhibition viewing hours from 6:30 to 7:30 p.m. and immediately following the screening.

Tickets for are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office or by mail. Doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. All seating is unreserved. For more information, call (310) 247-3600.

Photos: Courtesy of the Margaret Herrick Library

Click on the photos to enlarge them.

Marco Gemini, Giuditta Rissone in 8 1/2

 

MY FAIR LADY, THE GREAT RACE Screening

2009 UCLA Festival of Preservation Schedule III: SECRET BEYOND THE DOOR

2009 UCLA Festival of Preservation Schedule IV: BEHIND THE SCENES IN HOLLYWOOD

Howard Hawks at LACMA

Douglas Fairbanks' THE THIEF OF BAGDAD and THE IRON MASK Screening

If you liked this post, please share it:


Continue Reading: THE RAPE OF EUROPA, OCHBERG'S ORPHANS Screening

Previous Post: SOLD FOR MARRIAGE – Lillian Gish

Ann Sheridan: Q&A with Biographer Ray Hagen
THE MISLEADING LADY - Claudette Colbert, Edmund Lowe
Sun Xun: The Dark Magician of New Chinese Animation
Gabriel Byrne at the Aero
John Barry Dies: BORN FREE, James Bond Movies, SOMEWHERE IN TIME
MILDRED PIERCE Review: Joan Crawford, Ann Blyth, Zachary Scott


Text © 2004-2012 Alt Film Guide and/or author(s). Not to be reproduced without prior written consent.


2 Comments to Federico Fellini's 8½ Screening

  1. amaro
    March 26, 2009 | Permalink

    81/2 maybe Fellinis masterpiece, but I still like better Amarcord

  2. steele forevever
    March 24, 2009 | Permalink

    Barbara Steele is a DIVA!

Leave a Comment

All comments are moderated and may take some time before they are posted. Comments are welcome on posts old and new. Note: Different views and opinions are perfectly fine, but courtesy is imperative. Abusive/bigoted comments and/or remarks will be deleted, and abusive commenters may be banned.

Also, please note that Alt Film Guide has no contact information for the talent mentioned in this blog and no information pertaining to or access to distributors'/producers' film prints.

You can use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Notify me of followup comments via e-mail. You can also subscribe without commenting.

Loading

SUBSCRIBE / RSS