
Martin Scorsese on Michelangelo Antonioni in "The Man Who Set Film Free" in the New York Times:
"Nineteen sixty-one … a long time ago. Almost 50 years. But the sensation of seeing L'Avventura for the first time is still with me, as if it had been yesterday.
"Where did I see it? Was it at the Art Theater on Eighth Street? Or was it the Beekman? I don't remember, but I do remember the charge that ran through me the first time I heard that opening musical theme — ominous, staccato, plucked out on strings, so simple, so stark, like the horns that announce the next tercio during a bullfight. And then, the movie. A Mediterranean cruise, bright sunshine, in black and white widescreen images unlike anything I'd ever seen - so precisely composed, accentuating and expressing … what? A very strange type of discomfort. The characters were rich, beautiful in one way but, you might say, spiritually ugly. Who were they to me? Who would I be to them?"
Ingmar Bergman and Michelangelo Antonioni NEW YORK TIMES Article
Defending Bergman and Antonioni
UCLA's International Preservation 2007 Series
Michelangelo Antonioni at LACMA
L'Avventura is one of the greatest films ever made. Period. End of discussion.