Cinecon 2006
Among the highlights at this year’s Cinecon event, to be held in Hollywood from Aug. 31-Sep. 4, are the restored 1926 version of Kiki (Fri., Sep 1, 3:50pm), starring Norma Talmadge — at the time quite possibly the biggest female star in Hollywood — and Ronald Colman; Chicago (1928, Sat., Sep 1, 10:25am), another rare and recently restored film, starring Phyllis Haver as murderess Roxie Hart (more on Chicago here); the ultra-rare Romance of the Underworld (1928, Sat., Sep 2, 10am), with a very young Mary Astor; the Mabel Normand vehicle Head Over Heels (1922, Sun. Sep 3, 11am); and the recently restored The Barker (1928, Mon, Sep 4, 11:25am), directed by George Fitzmaurice, and starring Milton Sills, Dorothy Mackaill, Betty Compson (who was "considered" for a Best Actress Academy Award — there were no official nominations that year), and Douglas Fairbanks, Jr.
Note: Norma Talmadge’s sister, Constance Talmadge, can be seen in Up the Road with Sallie (1917, Thu. Aug 31, 9:20pm). The film is unremarkable, but Talmadge’s performance is a delight.
Cinecon 42 Schedule:
Thursday August 31
7:00 Flora (cartoon)
7:10 THE SLEEPING CITY (1950) starring Coleen Gray and
Richard Conte
8:35
Q&A w/ Coleen Gray
9:20 UP THE ROAD WITH SALLIE (1917) directed by William Desmond Taylor starring Constance Talmadge and Norma Kerry
10:30 THE CHEAT (1931) starring Tallulah Bankhead
Friday September 1
9:00 The Iron Claw, ch. 6
9:20 OVERLAND STAGE RAIDERS (1938) starring John Wayne and Louise Brooks
10:25 CHICAGO (1928) starring Phyllis Haver and Victor Varconi
12:20
Lunch Break
2:05 The Star Boarders (1915) Ham and Bud
2:20 NOTHING BUT THE TRUTH (1929) starring Richard Dix and Helen Kane
3:50 KIKI (1926) starring Norma Talmadge and Ronald Colman
5:30 STRICTLY IN THE GROOVE (1942) starring Ozzie Nelson
6:30 Dinner Break
8:15 Fair Play (cartoon)
8:20 THIS THING CALLED LOVE (1939) starring Rosalind Russell and Melvyn Douglas
10:10 Tom Mix fragment
10:15 SELFISH YATES (1917) starring William S. Hart
10:55 GRAFT (1931) with Boris Karloff
Saturday September 2
9:00 business meeting
10:00 ROMANCE OF THE UNDERWORLD (1928) directed by Irving Cummings starring Mary Astor
11:20 ASK A POLICEMAN (1938)
12:40 Lunch Break
2:30 Peculiar Patients’ Pranks (1915) starring Harold Lloyd
2:40 RED LIGHTS (1922) starring Raymond Griffith
4:05 Ernie Kovacs color special
4:40 MOONRISE (1948) directed by Frank Borzage starring Dane Clark
6:10 Dinner Break
7:45 Wet and Warmer starring Billie Ritchie
8:05 PHIL-FOR-SHORT (1917) starring Evelyn Greeley
9:30 ONE HYSTERICAL NIGHT (1929) starring Reginald Denny
10:55 THE SHADOW RETURNS (1946) starring Kane Richmond
Sunday September 3
9:00 Vitaphone: The Sound of the ’20s
10:50 Hollywood: City of Celluloid
11:00 HEAD OVER HEELS (1922) starring Mabel Normand
12:00 Lunch Break
1:45 Photoplay Magazine #5 (1917)
1:50 BETTY TAKES A HAND (1918) starring Olive Thomas
3:00 THEY CAME TO BLOW UP AMERICA (1943) starring George Sanders and Anna Sten
4:25 THAT KIND OF WOMAN (1959) starring Tab Hunter and Sophia Loren directed by Sidney Lumet
6:00 Q&A w/ Tab Hunter
7:15 COCKTAIL RECEPTION
8:00 BANQUET
Monday September 4
9:00 The Iron Claw, chs. 7 – 9
10:00 LORD JIM (1925) directed by Victor Fleming, starring Percy Marmont
11:25 THE BARKER (1928) starring Milton Sills, Dorothy Mackaill, Betty Compson, Douglas Fairbanks Jr.
12:45 Lunch Break
2:10 Pluck of the Irish
2:30 GIRL IN THE PULLMAN (1927) starring Marie Prevost
3:35 START CHEERING (1938) starring Jimmy Durante and Charles Starrett
5:00 BEYOND THE ROCKS (1922) starring Gloria Swanson and Rudolph Valentino
Subscribe / Syndicate
Leave a Comment
Tags: Classic Movies, Film Festivals, Los Angeles Screenings, Silent Films
Comments
Leave a Reply
NOTE:
All comments are moderated and may take some time before they are posted. Different views and opinions are welcome, but courtesy is imperative. Rude/crass/bigoted comments and name-calling of any sort will be immediately deleted.
Also, please be aware that the Alternative Film Guide has no contact information for the talent mentioned in this blog and no information pertaining to or access to distributors'/producers' film prints.
