GOSSAMER CONDOR, PAUL ROBESON, BEST BOY at Academy’s “Oscar Docs” Series
In the next installment of "Oscar’s Docs, Part Three: Academy Award-Winning Documentaries 1977–1988," The Flight of the Gossamer Condor, Paul Robeson: Tribute to an Artist, and Best Boy will be screened on Monday, September 24, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences‘ Linwood Dunn Theater in Hollywood.
The 1978 short subject documentary winner The Flight of the Gossamer Condor (top photo) tells how the recently deceased Paul MacCready and his team created the first successful human-powered — i.e., pedal-powered — flight. Producer-director Ben Shedd will participate in a post-screening discussion.
Saul J. Turell’s Paul Robeson: Tribute to an Artist (right), the 1979 short subject documentary winner, gives a glimpse into the life and career of the multitalented — actor, singer, athlete, scholar, linguist — Paul Robeson, who also happened to be a (eventually blacklisted) political activist for liberal causes. Narrated by Sidney Poitier.
Ira Wohl’s Best Boy (below, right), the 1979 feature-length documentary winner, shows how Wohl’s aging uncle and aunt Pearl and Max Wohl worry about the future of their middle-aged mentally-impaired son, Philip. Producer-director Wohl will participate in a post-screening discussion.
"Oscar’s Docs" is a comprehensive screening series of every short subject and feature to win the Academy Award for documentary filmmaking since the category was established in 1941.
The retrospective will present the best available prints, often featuring newly struck or restored editions from the documentary collection of the Academy Film Archive. The series will continue each Monday evening through November 19 and will be complemented on many nights with on stage discussions with the filmmakers (schedules permitting).
Tickets to "Oscar’s Docs" are $5 for the general public and $3 for Academy members and students with a valid ID. A limited number of series passes are available for $30 for the general public and $25 for Academy members and students with a valid ID. Tickets and passes are available for purchase by mail at the Academy box office during regular business hours, or online at www.oscars.org. Doors open at 6:30 p.m. All seating is unreserved.
The Linwood Dunn Theater is located at 1313 Vine Street in Hollywood. Free parking is available through the entrance on Homewood Avenue (one block north of Fountain Avenue). For additional information, visit www.oscars.org or call (310) 247-3600.
Complete "Oscar’s Docs" screening schedule:
September 17
Gravity Is My Enemy (1977)
Post-film discussion with producer John Joseph
Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977)
Post-film discussion with producer John Korty
Scared Straight! (1978)
Post-film discussion with producer Arnold Shapiro
September 24
The Flight of the Gossamer Condor (1978)
Post-film discussion with producer Ben Shedd
Paul Robeson: Tribute to an Artist (1979)
Best Boy (1979)
Post-film discussion with producer Ira Wohl
October 1
Karl Hess: Toward Liberty (1980)
Post-film discussion with producers Roland Halle and Peter Ladue
From Mao to Mozart: Isaac Stern in China (1980)
Post-film discussion with producer Murray Lerner
October 8
Close Harmony (1981)
Genocide (1981)
Post-film discussion with producer Arnold Schwartzman
October 15
If You Love This Planet (1982)
Just Another Missing Kid (1982)
October 22
Flamenco at 5:15 (1983)
He Makes Me Feel Like Dancin’ (1983)
October 29
The Stone Carvers (1984)
The Times of Harvey Milk (1984)
November 5
Witness to War: Dr. Charlie Clements (1985)
Broken Rainbow (1985)
Women — for America, for the World (1986)
November 12
Down and Out in America (1986)
Post-film discussion with producer Joseph Feury and director Lee Grant
Artie Shaw: Time Is All You’ve Got (1986)
November 19
Young at Heart (1987)
The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table (1987)
You Don’t Have to Die (1988)
Photos: Shedd Productions, Inc. (The Flight of the Gossamer Condor), Janus Films (Paul Robeson: Tribute to an Artist), International Film Exchange, Ltd. (Best Boy).
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