London’s Lesbian & Gay Film Festival 2008 – Tuesday, April 1

Follow us on Twitter Follow us on Facebook

Tim Streeter in Mala Noche by Gus Van Sant

Mala Noche (1985) was Gus Van Sant’s first feature film. Its stream-of-consciousness narrative may be off-putting to some, but Tim Streeter’s performance as a Portland man madly in lust-cum-love with a Mexican immigrant (Doug Cooeyate) should impress just about everyone.

Cate Blanchett in I'm Not There by Todd Haynes

Todd Haynes‘ all-star homage to Bob Dylan, I’m Not There, was considered innovative by some, tedious by others. Others yet found it both innovative and tedious. Academy Award-nominee and Venice Film Festival winner Cate Blanchett (pictured) is one of the many Bob Dylans in the film.

Margherita Buy in Saturn in Opposition by Ferzan Ozpetek

Directed by Ferzan Ozpetek, Saturno Contro / Saturn in Opposition received 5 nominations (including 1 win) for the Italian Film Academy’s David di Donatello. The story of a group of sophisticated Romans who band together when one of them is taken ill, the film stars David di Donatello nominee Margherita Buy, Stefano Accorsi, Ennio Fantastichini, David di Donatello best supporting actress winner Ambra Angiolini, and Pierfrancesco Favino.

The Chinese Botanist's Daughter by Dai Sijie

"Hidden in the seclusion of a botanical garden in rural China, two young women fall tenderly in love. But their plans for a shared future put their fragile existence under threat." That’s Däi Sijie’s The Chinese Botanist’s Daughter, starring Mylène Jampanoi and Li Xiaoran.

The Naked-Boy Business by Andre Hereford

The "Obsessions" program features a series of shorts about, well, obsessions, including Michael Palmieri’s Sing Me Spanish Techno ("Classy music video featuring the music of the New Pornographers and a drag queen who pulls"), Matthias vom Schemm’s My Little Boy ("In Berlin 1933, a gay photographer has a chance to flee but refuses to acknowledge what’s happening"), David Quantic’s Dish — which sounds like a horror flick ("Gay men talk frankly about their Oprah obsession"), Sidney Karger’s Daddy ("a gay man discovers he is pregnant"), and André Hereford’s The Naked-Boy Business, vol. 1 (above, "Can straight boys tell you what a beautiful man looks like? Vox pops and Peter Berlin styled poser").

Freeheld by Cynthia Wade

Two documentaries: Michael Jacoby’s feature Ten More Good Years and Cynthia Wade’s short Freeheld. The former deals with "the challenges facing the ageing Stonewall generation" while the latter revolves around "a lesbian policewoman whose dying wish is to see her pension go to her girlfriend." Ironically, Freeheld’s Oscar 2008 win was announced by US military servicemen — who, if attracted to others of their sex, can’t tell anyone about it.

More details at the festival’s website

 

John Huston Documentary Double Bill: SAN PIETRO and LET THERE BE LIGHT

London’s Lesbian & Gay Film Festival 2008

PAN’S LABYRINTH

Béla Tarr Is a No Show at LACMA

Full Frame Film Festival 2008 Film Line-Up

Ann Arbor Film Festival 2008: Alternative Films

THE PIANO Kicks Off "Great To Be Nominated" Series

Ingmar Bergman Salute in Hollywood

San Francisco Asian American Film Festival Reviews at ASIAN WEEK

Censorship at Melbourne’s Queer Film Festival

William Greaves to Be Honored at Full Frame Documentary Film Festival

 


Next: London’s Lesbian & Gay Film Festival 2008 – Thursday, April 3 « « | Previous: » » STRANGE CULTURE: Q&A with Lynn Hershman-Leeson, Steve Kurtz, and Lucia Sommer

Share This on Facebook/Twitter:  

Text © 2004-2009 Alternative Film Guide and/or author(s). Not to be reproduced without prior written consent.

Comments

Leave a Reply

NOTE:

All comments are moderated and may take some time before they are posted. Different views and opinions are welcome, but courtesy is imperative. Rude/crass/bigoted comments and name-calling of any sort will be immediately deleted.

Also, please be aware that the Alternative Film Guide has no contact information for the talent mentioned in this blog and no information pertaining to or access to distributors'/producers' film prints.