THE DOOR IN THE FLOOR by Tod Williams
The Door in the Floor (2004)
Director: Tod Williams. Screenplay: Tod Williams, from John Irving’s novel A Widow for One Year. Cast: Jeff Bridges, Kim Basinger, Jon Foster, Elle Fanning, Mimi Rogers
SEX AND THE BEREAVED MOTHER
At times, The Door in the Floor has the feel and the sensibility of a mature European film. At other times, it feels and looks like your typical Hollywood melodrama. The chief problem lies with director-screenwriter Tod Williams‘ uncertainty whether the subject of a 40-something woman having an affair with a teenager (and the affair’s incestuous undertones) should be treated with erotic seriousness or with adolescent goofiness. The same applies to Williams’ handling of the sexual escapades of the film’s middle-aged male protagonist. Those are depicted
with as much flair — or lack thereof — as your average teen flick. That approach is particularly grating partly because it throws the film off balance (while signaling that Williams doesn’t trust his audience), but mainly because if The Door in the Floor had kept its focus on the story’s delicate observations about human nature it could have become the outstanding motion picture it aims to be.
Based on the first third of John Irving’s novel A Widow for One Year, The Door in the Floor revolves around the vicissitudes of a well-to-do middle-aged couple: a famous children’s book author, Ted Cole (Jeff Bridges), and his wife, Marion (Kim Basinger), both of whom are incapable of coping with the death of their two teenage sons in a car accident. While Marion has shut herself off emotionally, even ignoring her little daughter, Ruth (Elle Fanning), Ted tries to find solace in his writing, and in the arms and legs of numerous women. Jon Foster’s character, Eddie O’Hare, serves as the catalyst that will make Ted and Marion’s relationship go over the edge. A teenage prep school student hired for the summer to help Ted with literary and household chores, Eddie becomes enamored and sexually involved with Marion, who sees him as a replacement for one of the sons she has lost.
Although Tod Williams’ mishandling of the sexual elements of the film are a serious problem — a supposedly comic scene in which Ruth catches her mother being penetrated doggie-style by Eddie belongs to a (NC-17) Laurel & Hardy flick — the director must be given credit for depicting characters that are neither heroes nor villains, but victims. Ted and Marion are victims of the past and of life’s randomness, while Eddie has fallen prey to youthful idealism and selfishness.
When Eddie begins the affair with his boss’ wife, it’s more than just a case of teen lust. The young man does believe that Ted lacks what it takes to provide Marion with the affection she so desperately needs. For their part, Ted’s womanizing and Marion’s emotional distance are portrayed as emotional wounds that have not and will not heal. Even Marion’s use of Eddie as a comforting tool comes across as an act of desperation, not seedy calculation. (Though at the end, Williams can’t resist poking fun at Ted, a middle-aged man who enjoys having sex with multiple partners.) In order to convey such complexities, The Door in the Floor needed — and got — top talent to bring the main characters to life. The results, however, have been disappointingly mixed.
Jon Foster (of TV’s Life As We Know It) manages to bring forth both Eddie’s callowness and self-righteous determination, but the other male side of the triangle, Jeff Bridges, usually a superb, thoroughly believable actor, overdoes the effusiveness of his free-spirited and womanizing writer. True, Ted Cole is doing his utmost to take his mind away from the emotional void created by the death of his sons and his crumbling marriage, but only sporadically does Bridges convey the pain that underlies his character’s outward exuberance.
Kim Basinger, on the other hand, is a revelation. In what is probably the best performance of her career, Basinger is immensely touching as the grieving mother. The simmering volcano underneath her despondent behavior is painfully tangible without the actress ever feeling the need to telegraph her emotions to the audience. Hers is a beautifully restrained performance — without an iota of self-pity — that stands as the film’s emotional axis. In fact, although Basinger’s role is smaller than either Bridges’ or Foster’s, The Door in the Floor belongs to her.
DVD:
The Door in the Floor Region 1 DVD ( U.S. / Canada / U.S. territories) release date: April 26, 2005.
- Picture: Anamorphic widescreen – 2.35:1
- Audio: English (Dolby Digital 5.1), French (Dolby Digital 5.1), Commentary (Dolby Digital 2.0)
- Closed captioning
- Subtitles: Spanish, French
- Commentary by director Tod Williams and his production team
- Featurette "Author John Irving: From Novel to Screen"
- Making-of featurette
List price: US$29.98.
A Focus Film Entertainment release.
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I found Jeff Bridges as heartbreaking as Kim Basinger. Overall, “The Door in the Floor” was a deeply moving film the likes of which I rarely see.