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	<title>Alternative Film Guide &#187; Abraham Lincoln</title>
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	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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		<title>UP and THE HANGOVER Top Box Office</title>
		<link>http://www.altfg.com/blog/box-office/up-and-the-hangover-top-box-office/</link>
		<comments>http://www.altfg.com/blog/box-office/up-and-the-hangover-top-box-office/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 00:38:08 +0000</pubDate>
		<dc:creator>Franck Tabouring</dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[Abraham Lincoln]]></category>
		<category><![CDATA[Alison Lohman]]></category>
		<category><![CDATA[Angels and Demons]]></category>
		<category><![CDATA[Anna Friel]]></category>
		<category><![CDATA[Ben Stiller]]></category>
		<category><![CDATA[Brad Silberling]]></category>
		<category><![CDATA[Bradley Cooper]]></category>
		<category><![CDATA[Chris Pine]]></category>
		<category><![CDATA[Christian Bale]]></category>
		<category><![CDATA[Dance Flick]]></category>
		<category><![CDATA[Danny McBride]]></category>
		<category><![CDATA[Donald Petrie]]></category>
		<category><![CDATA[Drag Me to Hell]]></category>
		<category><![CDATA[Ed Helm]]></category>
		<category><![CDATA[J. J. Abrams]]></category>
		<category><![CDATA[Land of the Lost]]></category>
		<category><![CDATA[My Life in Ruins]]></category>
		<category><![CDATA[Nia Vardalos]]></category>
		<category><![CDATA[Night at the Museum: Battle of the Smithsonian]]></category>
		<category><![CDATA[Pete Docter]]></category>
		<category><![CDATA[Ron Howard]]></category>
		<category><![CDATA[Sam Raimi]]></category>
		<category><![CDATA[Shawn Levy]]></category>
		<category><![CDATA[Star Trek]]></category>
		<category><![CDATA[Terminator Salvation]]></category>
		<category><![CDATA[The Hangover]]></category>
		<category><![CDATA[Todd Phillips]]></category>
		<category><![CDATA[Up]]></category>
		<category><![CDATA[Will Ferrell]]></category>
		<category><![CDATA[Zach Galifianakis]]></category>
		<category><![CDATA[Zachary Quinto]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=13115</guid>
		<description><![CDATA[
Pixar’s Up topped the North  American box office for the second consecutive weekend with $44.2 million in  ticket sales, according to studio estimates Sunday.
Playing at 3,818 locations, the  Pete Docter-directed animated adventure brought its domestic gross to $137.3  million after a strong two-week run. The plot follows a 78-year-old widower who  takes his entire house on a trip to South America.

Debuting in second place with  $43.2 million from 3,521 locations was Todd Phillips’ latest comedy, The  Hangover. The R-rated film stars Bradley Cooper, Ed Helm and Zach Galifianakis  as three guys who lose their best friend on a night out in Vegas. 

Following at a distant No. 3 was  Brad Silberling’s [...]]]></description>
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		<title>Griffith Masterworks 2: ABRAHAM LINCOLN, THE STRUGGLE</title>
		<link>http://www.altfg.com/blog/dvds/griffith-abraham-lincoln-the-struggle/</link>
		<comments>http://www.altfg.com/blog/dvds/griffith-abraham-lincoln-the-struggle/#comments</comments>
		<pubDate>Sun, 21 Dec 2008 22:18:21 +0000</pubDate>
		<dc:creator>Dan Erdman</dc:creator>
				<category><![CDATA[DVDs]]></category>
		<category><![CDATA[Abraham Lincoln]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[D. W. Griffith]]></category>
		<category><![CDATA[Hal Skelly]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Stephen Vincent Benet]]></category>
		<category><![CDATA[The Struggle]]></category>
		<category><![CDATA[Walter Huston]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=16117</guid>
		<description><![CDATA[
Walter Huston in Abraham Lincoln

Griffith Masterworks 2: WAY DOWN EAST, THE AVENGING CONSCIENCE
The most anticipated (by me anyway) part of  this set is the twofer disc of Abraham Lincoln  and The Struggle. Long overshadowed by Griffith&#8217;s earlier work, these  have the distinction of being his final two films (from 1930 and 1931,  respectively), and his only attempts at talkies. By this point, Griffith&#8217;s career had been in  decline for several years, as newer and, frankly, greater talents eclipsed his  trailblazing innovations of a decade earlier. These two films were his last shots  at securing a place in the emerging film industry.
  For the son of a Confederate soldier,  Griffith was surprisingly [...]]]></description>
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