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<channel>
	<title>Alternative Film Guide &#187; Alain Resnais</title>
	<atom:link href="http://www.altfg.com/blog/tag/alain-resnais/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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			<item>
		<title>Scott Foundas on Alain Resnais</title>
		<link>http://www.altfg.com/blog/directors/scott-foundas-on-alain-resnais/</link>
		<comments>http://www.altfg.com/blog/directors/scott-foundas-on-alain-resnais/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 22:07:03 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Los Angeles County Museum of Art]]></category>
		<category><![CDATA[Los Angeles Screenings]]></category>
		<category><![CDATA[Scott Foundas]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=16884</guid>
		<description><![CDATA[
Last Year in Marienbad by Alain Resnais

In the L.A. Weekly, Scott Foundas on Alain Resnais, the subject of a month-long retrospective at the Los Angeles County Museum of Art:
&#34;&#8217;They say that a director always makes the same film,&#8217; says Resnais when  I meet him on a damp Paris morning earlier this month, his beige overcoat  ­ the same one he seems to be wearing in every photograph ever taken of  him ­ turned up at the collar, his gleaming sneakers nearly the same  shade of white as his swept-back hair. &#8216;I try to make, as François  Truffaut said, the next film in opposition to the one that came before.  I’m not sure if I [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cannes 2009 Aftermath at the LA WEEKLY</title>
		<link>http://www.altfg.com/blog/festivals/cannes-2009-aftermath/</link>
		<comments>http://www.altfg.com/blog/festivals/cannes-2009-aftermath/#comments</comments>
		<pubDate>Thu, 28 May 2009 20:06:03 +0000</pubDate>
		<dc:creator>Irene Young</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Caché]]></category>
		<category><![CDATA[Cannes 2009]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Christian Friedel]]></category>
		<category><![CDATA[Ciro Guerra]]></category>
		<category><![CDATA[Eyes Wide Open]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Funny Games]]></category>
		<category><![CDATA[Haim Tabakman]]></category>
		<category><![CDATA[Hidden]]></category>
		<category><![CDATA[LA Weekly]]></category>
		<category><![CDATA[Palme d'Or]]></category>
		<category><![CDATA[Philippe Garnier]]></category>
		<category><![CDATA[Scott Foundas]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<category><![CDATA[The Wind Journeys]]></category>
		<category><![CDATA[Un Certain Regard]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12674</guid>
		<description><![CDATA[
Philippe Garnier on Cannes 2009, in the LA Weekly:
&#34;By this time, news should be out everywhere that Cannes this year was a special vintage. Not only did most of the selected  &#8216;usual suspects&#8217; outdo themselves in big and unexpected ways — or, like Alain Resnais,  find new resources and verve which, frankly, we didn’t know they had in  them — but it is also a measure of how shockingly strong this year was  that the fest still had room for very good fare in the 20-film Un  Certain Regard sidebar, from Israeli first-timer Haim Tabakman’s  Eyes Wide Open [above] to the wonderful Colombian entry The Wind Journeys by  Ciro Guerra, in which an [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cannes Awards 2009</title>
		<link>http://www.altfg.com/blog/awards/cannes-2009-awards/</link>
		<comments>http://www.altfg.com/blog/awards/cannes-2009-awards/#comments</comments>
		<pubDate>Sun, 24 May 2009 14:07:53 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Brillante Mendoza]]></category>
		<category><![CDATA[Cannes 2009]]></category>
		<category><![CDATA[Cannes Awards]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Charlotte Gainsbourg]]></category>
		<category><![CDATA[Christoph Waltz]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Fish Tank]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<category><![CDATA[Thirst]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12380</guid>
		<description><![CDATA[
2009 Cannes Film Festival Awards
 2009 Cannes Film Festival: May 13&#8211;24
&#160;

IN COMPETITION &#8211; FEATURE FILMS

Palme d&#8217;Or DAS WEISSE BAND (The White Ribbon) directed by Michael HANEKE

Grand Prix UN PROPHÈTE (A Prophet) directed by Jacques AUDIARD


 Jury Prize (tie)  FISH TANK directed by Andrea ARNOLD and BAK-JWI (Thirst) directed by PARK Chan-Wook

Best Director  Brillante MENDOZA for KINATAY

Best Actor Christoph WALTZ in INGLOURIOUS BASTERDS directed by Quentin TARANTINO

 Best Actress Charlotte GAINSBOURG in ANTICHRIST directed by Lars von TRIER

Best Screenplay MEI Feng for CHUN FENG CHEN ZUI DE YE WAN (Spring Fever) directed by LOU Ye

 Prix Vulcain: Artist-Technician Aitor BERENGUER, sound technician of the movie MAP OF THE SOUNDS OF TOKYO directed by Isabel COIXET

Lifetime achievement award for his [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cannes 2009: Best Director Favorites</title>
		<link>http://www.altfg.com/blog/festivals/cannes-2009-best-director-favorites/</link>
		<comments>http://www.altfg.com/blog/festivals/cannes-2009-best-director-favorites/#comments</comments>
		<pubDate>Sat, 23 May 2009 05:39:30 +0000</pubDate>
		<dc:creator>Massimo David</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Bright Star]]></category>
		<category><![CDATA[Broken Embraces]]></category>
		<category><![CDATA[Cannes 2009]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Das Weisse Band]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Jacques Audiard]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[Les Herbes folles]]></category>
		<category><![CDATA[Los Abrazos rotos]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Pedro Almodóvar]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<category><![CDATA[Wild Grass]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12400</guid>
		<description><![CDATA[





Best Director
Pedro Almodóvar for Broken Embraces
Jacques Audiard for A Prophet
Jane Campion for Bright Star
Michael Haneke for The White Ribbon
Alain Resnais for Wild Grass
&#160;
Photos: Courtesy Festival de Cannes
&#160;

]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/festivals/cannes-2009-best-director-favorites/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cannes 2009: Palme d&#8217;Or Favorites</title>
		<link>http://www.altfg.com/blog/festivals/cannes-2009-palme-dor-favorites/</link>
		<comments>http://www.altfg.com/blog/festivals/cannes-2009-palme-dor-favorites/#comments</comments>
		<pubDate>Sat, 23 May 2009 05:35:02 +0000</pubDate>
		<dc:creator>Massimo David</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Abbie Cornish]]></category>
		<category><![CDATA[Abdel Raouf Dafri]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Alex Reval]]></category>
		<category><![CDATA[André Dussollier]]></category>
		<category><![CDATA[Ben Whishaw]]></category>
		<category><![CDATA[Bright Star]]></category>
		<category><![CDATA[Cannes 2009]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Christian Gailly]]></category>
		<category><![CDATA[Das Weisse Band]]></category>
		<category><![CDATA[Fanny  Brawne]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Film Fetivals]]></category>
		<category><![CDATA[Jacques Audiard]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[John Keats]]></category>
		<category><![CDATA[Laurent Herbiet]]></category>
		<category><![CDATA[Les Herbes folles]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Nicolas Peufaillit]]></category>
		<category><![CDATA[Palme d'Or]]></category>
		<category><![CDATA[Sabine Azéma]]></category>
		<category><![CDATA[Tahar Rahim]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<category><![CDATA[Thomas Bidegain]]></category>
		<category><![CDATA[Wild Grass]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12397</guid>
		<description><![CDATA[




Palme d&#8217;Or 2009, Grand Prix, Special Jury Prize:
Alain Resnais&#8216; romantic fantasy Wild Grass (adapted by Alex Reval and Laurent Herbiet from Christian Gailly&#8217;s novel), about a man who becomes intrigued by a younger woman
Jacques Audiard&#8217;s tough prison drama A Prophet (written by Audiard, Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit)
Writer-director Michael Haneke&#8217;s The White Ribbon, about a northern German community enmeshed in a series of nasty events right before the beginning of World War I
Writer-director Jane Campion&#8217;s Bright Star, about the doomed love affair between British poet John Keats and his neighbor, Fanny Brawne
&#160;
Photos: Courtesy Festival de Cannes
&#160;

]]></description>
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		</item>
		<item>
		<title>Cannes 2009: Jane Campion, Alain Resnais, Brillante Mendoza, Johnnie To, Lou Ye</title>
		<link>http://www.altfg.com/blog/festivals/jane-campion-alain-resnais-johnnie-to/</link>
		<comments>http://www.altfg.com/blog/festivals/jane-campion-alain-resnais-johnnie-to/#comments</comments>
		<pubDate>Thu, 21 May 2009 02:50:29 +0000</pubDate>
		<dc:creator>Massimo David</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Abbie Cornish]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[André Dussollier]]></category>
		<category><![CDATA[Ben Whishaw]]></category>
		<category><![CDATA[Bright Star]]></category>
		<category><![CDATA[Brillante Mendoza]]></category>
		<category><![CDATA[Cannes 2009]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Fanny  Brawne]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Gay Interest]]></category>
		<category><![CDATA[Howard Feinstein]]></category>
		<category><![CDATA[indieWIRE]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[Jean-Pierre Melville]]></category>
		<category><![CDATA[John Keats]]></category>
		<category><![CDATA[Johnnie To]]></category>
		<category><![CDATA[Johnny Hallyday]]></category>
		<category><![CDATA[Kinatay]]></category>
		<category><![CDATA[Les Herbes folles]]></category>
		<category><![CDATA[Lou Ye]]></category>
		<category><![CDATA[Photos]]></category>
		<category><![CDATA[Screen Daily]]></category>
		<category><![CDATA[Spring Fever]]></category>
		<category><![CDATA[The Hollywood Reporter]]></category>
		<category><![CDATA[Thomas Sotinel]]></category>
		<category><![CDATA[Vengeance]]></category>
		<category><![CDATA[Wild Grass]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12277</guid>
		<description><![CDATA[
Peter Bradshaw on Bright Star (with Abbie Cornish and Ben Whishaw, above) in The Guardian:
&#34;Jane Campion has put herself in line for her second Palme d&#8217;Or here at the Cannes film festival with a film which I think could be the best of her career; an affecting  and deeply considered study of the last years in the short life of John Keats,  and the ecstasy of loss which suffuses his love affair with Fanny  Brawne – a love thwarted not due to illness, but to a pernicious web of  money worries, social scruples and irrelevant male loyalties.&#34;
***

Maggie Lee on Kinatay in The Hollywood Reporter:
&#34;Festival darling Brillante Mendoza&#8217;s Kinatay is a long  night&#8217;s journey into the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE LIMEY II &#8211; Terence Stamp</title>
		<link>http://www.altfg.com/blog/film-reviews/the-limey-terence-stamp-peter-fonda/</link>
		<comments>http://www.altfg.com/blog/film-reviews/the-limey-terence-stamp-peter-fonda/#comments</comments>
		<pubDate>Mon, 04 May 2009 18:04:33 +0000</pubDate>
		<dc:creator>Dan Schneider</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Amelia Heinle]]></category>
		<category><![CDATA[Barry Newman]]></category>
		<category><![CDATA[DVDs]]></category>
		<category><![CDATA[Gena Rowlands]]></category>
		<category><![CDATA[Jacques Tourneur]]></category>
		<category><![CDATA[Joe Dallesandro]]></category>
		<category><![CDATA[Lem Dobbs]]></category>
		<category><![CDATA[Lesley Ann Warren]]></category>
		<category><![CDATA[Luis Guzmán]]></category>
		<category><![CDATA[Melissa George]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Nicky Katt]]></category>
		<category><![CDATA[Peter Fonda]]></category>
		<category><![CDATA[Psychological Drama]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terence Stamp]]></category>
		<category><![CDATA[The Limey]]></category>
		<category><![CDATA[Thrillers]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=11296</guid>
		<description><![CDATA[
THE LIMEY &#8211; Part I
Aside from memory, there are superbly rendered details that distill the characters: Wilson radiates  affection for Eduardo’s help in tracking down Valentine by fondly calling him  Sancho (as in Panza). All of these things &#8212; along with Eduardo’s and Elaine’s  motivations, and the portrayal of the relationship between the hitmen &#8212; work well. In fact, they work so well  precisely because there are no specifics, but generalities sharply   etched so that the viewer ‘feels,’ as well as understands, the motivations  and relationships. That allows the viewer to feel what goes on inside Wilson, thus creating a stronger identification with him than would be  gotten were all things laid [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Critics&#8217; Choices</title>
		<link>http://www.altfg.com/blog/awards/richard-corliss-critics-article/</link>
		<comments>http://www.altfg.com/blog/awards/richard-corliss-critics-article/#comments</comments>
		<pubDate>Fri, 14 Dec 2007 00:56:17 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[André Dussollier]]></category>
		<category><![CDATA[Away from Her]]></category>
		<category><![CDATA[Cries and Whispers]]></category>
		<category><![CDATA[Critics Choices]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Julie Christie]]></category>
		<category><![CDATA[Private Fears in Public Places]]></category>
		<category><![CDATA[Richard Corliss]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/awards/richard-corliss-critics-article/</guid>
		<description><![CDATA[
In Time, Richard Corliss on the New York Film Critics&#8216; picks: 
 &#34;I sprinted down the corridors of TIME this afternoon, eager to spread the news of the New York Film Critics Circle voting for the year&#8217;s best films. The winner, in the film, director, screenplay and supporting actor categories? The Coen brothers&#8216; No Country for Old Men, which three different people told me they&#8217;d been meaning to see. The runner-up, with wins for best actor and cinematographer? There Will Be Blood, an audience-punishing epic that doesn&#8217;t open for another two weeks. Best actress? Julie Christie, in Away From Her [above, with Gordon Pinsent], which earned less than $5 million in its North American release.
&#34;I didn&#8217;t even tell them that [...]]]></description>
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		</item>
		<item>
		<title>César Awards 2007 Winners</title>
		<link>http://www.altfg.com/blog/awards/cesar-awards-2007-winners/</link>
		<comments>http://www.altfg.com/blog/awards/cesar-awards-2007-winners/#comments</comments>
		<pubDate>Sun, 25 Feb 2007 20:50:31 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[César Awards]]></category>
		<category><![CDATA[César Awards 2007]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Guillaume Canet]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Marina Hands]]></category>
		<category><![CDATA[Pascale Ferran]]></category>
		<category><![CDATA[Sabine Azéma]]></category>
		<category><![CDATA[Tell No One]]></category>
		<category><![CDATA[Valérie Lemercier]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/archives/2007/02/25/cesar-awards-2007-winners/</guid>
		<description><![CDATA[
Marina Hands in Lady Chatterley by Pascale Ferran

Perhaps there&#8217;s hope for this evening&#8217;s Oscar ceremony.
On Saturday, I watched (most of) the French Academy of Film Arts and Sciences&#8216; 32nd César du cinéma ceremony held last night (late morning/early afternoon Los Angeles time) at the Théâtre du Châtelet in Paris.
The event, hosted by actress Valérie Lemercier and dedicated to recently deceased French film icon Philippe Noiret, was apparently directed by former U.S. vice president Al Gore, who made sure that winners and presenters attended a class or two at the Greer Garson School of Speech Making. (For those who don&#8217;t know: At the 1943 Academy Awards ceremony, best actress winner Garson supposedly gave the most long-winded acceptance speech in Oscar history.)
In [...]]]></description>
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		<item>
		<title>César 2007 Nominations</title>
		<link>http://www.altfg.com/blog/awards/cesar-awards-2007-nominations/</link>
		<comments>http://www.altfg.com/blog/awards/cesar-awards-2007-nominations/#comments</comments>
		<pubDate>Thu, 15 Feb 2007 10:36:32 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Avenue Montaigne]]></category>
		<category><![CDATA[Cécile de France]]></category>
		<category><![CDATA[César 2007]]></category>
		<category><![CDATA[César Awards]]></category>
		<category><![CDATA[Days of Glory]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[François Cluzet]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Mélanie Laurent]]></category>
		<category><![CDATA[Pascale Ferran]]></category>
		<category><![CDATA[Private Fears in Public Places]]></category>
		<category><![CDATA[Rachid Bouchareb]]></category>
		<category><![CDATA[The Singer]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/archives/2007/02/15/cesar-awards-2007-nominations/</guid>
		<description><![CDATA[


Lambert Wilson, Laura Morante in Private Fears in Public Places (top); Marina Hands in Lady Chatterley (middle); Samy Naceri in Days of Glory (bottom)

The best thing about the 2007 César  nominations is the fact that Alain Resnais&#8216;  beautiful, haunting, magical  Coeurs / Private Fears in Public Places received a total of 8 nominations, including a best director nod for Resnais himself, and a best screenplay nod for Jean-Michel Ribes&#8216; adaptation of Alan Ayckbourn&#8217;s play.
The worst thing about the 2007 César  nominations is the fact that Alain Resnais&#8216; beautiful, haunting, magical  Coeurs / Private Fears in Public Places failed to receive a nomination in the best film category. Adding insult to injury, none of the film&#8217;s [...]]]></description>
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		</item>
		<item>
		<title>Étoiles d&#8217;Or 2007</title>
		<link>http://www.altfg.com/blog/awards/etoiles-dor-2006/</link>
		<comments>http://www.altfg.com/blog/awards/etoiles-dor-2006/#comments</comments>
		<pubDate>Sat, 27 Jan 2007 19:57:11 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Cécile de France]]></category>
		<category><![CDATA[Days of Glory]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[François Cluzet]]></category>
		<category><![CDATA[Jean Dujardin]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Mauvaise foi]]></category>
		<category><![CDATA[Philippe Lioret]]></category>
		<category><![CDATA[Tell No One]]></category>

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		<description><![CDATA[
2007 Étoiles d&#8217;Or
French Film Critics&#8217; 2007 Étoile d&#8217;Or winners: Espace Pierre Cardin in Paris on January 22, 2007
(&#34;*&#34; denotes the winner in each category)
&#160;


Marina Hands in Lady Chatterley (top); Sami Bouajila in Days of Glory (bottom)
&#160;

Best French Film / Etoile d&#8217;Or du Meilleur film français (ex-aequo):
* Lady Chatterley by Pascale Ferran
* Indigènes / Days of Glory by Rachid Bouchareb
Coeurs / Private Fears in Public Places  by Alain Resnais
 Best First French Film / Etoile d&#8217;Or du Premier film français:
* Mauvaise foi by Roschdy Zem
Pardonnez-moi / Forgive Me  by Maïwenn
Le Pressentiment by Jean-Pierre Darroussin
Best Documentary / Etoile d&#8217;Or du Documentaire français:
* Kigali, des images contre un massacre / Kigali, Images Against a Massacre by Jean-Christophe Klotz
Dans la peau de [...]]]></description>
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		</item>
		<item>
		<title>The DGA vs. the Academy: 1960s</title>
		<link>http://www.altfg.com/blog/awards/the-dga-vs-the-academy-1960s/</link>
		<comments>http://www.altfg.com/blog/awards/the-dga-vs-the-academy-1960s/#comments</comments>
		<pubDate>Sat, 30 Dec 2006 11:03:49 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[DGA Awards]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Hiroshima mon amour]]></category>
		<category><![CDATA[Jules Dassin]]></category>
		<category><![CDATA[Never on Sunday]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=17934</guid>
		<description><![CDATA[


Eiji Okada, Emmanuelle Riva in Hiroshima, mon amour (top); Melina Mercouri, Jules Dassin in Never on Sunday (bottom)

The DGA vs. the Academy: 1950s
1960
DGA (14): Vincente Minnelli for Bells Are Ringing, Walter Lang for Can-Can, Delbert Mann for The Dark at the Top of the Stairs, Richard Brooks for Elmer Gantry, Alain Resnais for Hiroshima, mon amour, Vincente Minnelli for Home from the Hill, Carol Reed for Our Man in Havana, Charles Walters for Please Don&#8217;t Eat the Daisies, and Lewis Gilbert for Sink the Bismarck!, Vincent J. Donehue for Sunrise at Campobello 
AMPAS: Jules Dassin for Never on Sunday
&#160;
1961
DGA (21): Robert Stevenson for The Absent Minded Professor, Blake Edwards for Breakfast at Tiffany&#8217;s, William Wyler for The Children&#8217;s Hour, Anthony [...]]]></description>
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