<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Alternative Film Guide &#187; Alice Terry</title>
	<atom:link href="http://www.altfg.com/blog/tag/alice-terry/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
	<lastBuildDate>Sun, 22 Nov 2009 09:26:32 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.6</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Marsha Hunt Discusses Anthony Dexter</title>
		<link>http://www.altfg.com/blog/actors/marsha-hunt-anthony-dexter/</link>
		<comments>http://www.altfg.com/blog/actors/marsha-hunt-anthony-dexter/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 06:38:15 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Allan Ellenberger]]></category>
		<category><![CDATA[Anthony Dexter]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Columbia]]></category>
		<category><![CDATA[Marsha Hunt]]></category>
		<category><![CDATA[Rudolph Valentino]]></category>
		<category><![CDATA[Valentino]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=15085</guid>
		<description><![CDATA[In his blog, Allan Ellenberger speaks with Marsha Hunt about Anthony Dexter, who played Rudolph Valentino in the 1951 biopic Valentino (right), and with whom Hunt co-starred in a stage production of The King and I. 
Here are a couple of quotes:
&#34;Of course I remember Valentino. By the age of eight I had already seen The Sheik and his films with Vilma Banky. Valentino smoldered, didn’t he? That was fine with me. I got his message loud and clear, even at a young age.&#34;
&#8230;
&#34;One of the first things that struck me  about Tony Dexter was – and I don’t mean that it was obtrusive – but he  didn’t have an ego. And I was amazed during rehearsals, this [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/actors/marsha-hunt-anthony-dexter/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Best Films &#8211; 1926</title>
		<link>http://www.altfg.com/blog/silent-films/best-films-of-1926/</link>
		<comments>http://www.altfg.com/blog/silent-films/best-films-of-1926/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 23:54:46 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Alan Crosland]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Don Juan]]></category>
		<category><![CDATA[Flesh and the Devil]]></category>
		<category><![CDATA[Florence Vidor]]></category>
		<category><![CDATA[Frances Marion]]></category>
		<category><![CDATA[George Hill]]></category>
		<category><![CDATA[Gertrude Astor]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[John Gilbert]]></category>
		<category><![CDATA[Kid Boots]]></category>
		<category><![CDATA[Lillian Gish]]></category>
		<category><![CDATA[Mare Nostrum]]></category>
		<category><![CDATA[Mary Pickford]]></category>
		<category><![CDATA[Renée Adorée]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Sparrows]]></category>
		<category><![CDATA[Tell It to the Marines]]></category>
		<category><![CDATA[The Scarlet Letter]]></category>
		<category><![CDATA[The Show]]></category>
		<category><![CDATA[The Volga Boatman]]></category>
		<category><![CDATA[Victor Sjöström]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=4317</guid>
		<description><![CDATA[

Mary Pickford in Sparrows
FILM
Dancing Mothers
d: Herbert Brenon; scr: Forrest Halsey
Don Juan
d: Alan Crosland; scr: Bess Meredyth; titles: Walter Anthony, Maude Fulton
Kid Boots
d: Frank Tuttle; scr: Luther Reed, Tom Gibson; titles: George Marion Jr.
The Scarlet Letter
d: Victor Sjöström (aka Victor Seastrom); scr: Frances Marion
The Show
d: Tod Browning; scr: Waldemar Young; titles: Joseph W. Farnham
Sparrows
d: William Beaudine; scr: C. Gardner Sullivan; titles: George Marion Jr.
The Volga Boatman
d: Cecil B. DeMille; scr: Lenore J. Coffee
&#160;
CHECK THESE OUT
You Never Know Women
d: William A. Wellman; scr: Benjamin Glazer
Old Ironsides
d: James Cruze; scr: Dorothy Arzner, Harry Carr, Walter Woods; titles: Rupert Hughes
Mare Nostrum
d: Rex Ingram; scr: Willis Goldbeck
Tell It to the Marines
d: George Hill; scr: Richard Schayer; titles: Joseph W. Farnham
&#160;
ACTOR
John Barrymore
Don Juan
Eddie Cantor
Kid Boots
John Gilbert
The [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/silent-films/best-films-of-1926/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Best Films &#8211; 1923</title>
		<link>http://www.altfg.com/blog/silent-films/best-films-of-1923/</link>
		<comments>http://www.altfg.com/blog/silent-films/best-films-of-1923/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 20:41:14 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[A Woman of Paris]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Cameo Kirby]]></category>
		<category><![CDATA[Charles Chaplin]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[D. W. Griffith]]></category>
		<category><![CDATA[Edna Purviance]]></category>
		<category><![CDATA[Eleanor Boardman]]></category>
		<category><![CDATA[G. W. Bitzer]]></category>
		<category><![CDATA[John F. Seitz]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[John Gilbert]]></category>
		<category><![CDATA[Karl Brown]]></category>
		<category><![CDATA[Lewis Stone]]></category>
		<category><![CDATA[Mae Marsh]]></category>
		<category><![CDATA[Nita Naldi]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Scaramouche]]></category>
		<category><![CDATA[Souls for Sale]]></category>
		<category><![CDATA[The Covered Wagon]]></category>
		<category><![CDATA[The Ten Commandments]]></category>
		<category><![CDATA[The White Rose]]></category>
		<category><![CDATA[Willis Goldbeck]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=4311</guid>
		<description><![CDATA[

I must admit that I&#8217;m not a fan of Charles Chaplin&#8217;s comedies. Heresies aside, I did very much enjoy Chaplin&#8217;s dramatic A Woman of Paris, an attempt to turn his frequent leading lady Edna Purviance into a star. The film was a box-office success (despite rumors to the contrary), but Purviance&#8217;s career never took off. That is unfortunate, as she gives a moving performance in this tale of lost love and single motherhood. She is with Carl Miller in the photo. Things are obviously not going very well for the couple, but Purviance is surely suffering in style.
&#160;
FILM
Cameo Kirby
d: John Ford; scr: Robert N. Lee
Scaramouche
d: Rex Ingram; scr: Willis Goldbeck
The White Rose
d, scr: D. W. Griffith
A Woman of Paris
d, scr: [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/silent-films/best-films-of-1923/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Best Films &#8211; 1922</title>
		<link>http://www.altfg.com/blog/silent-films/best-films-of-1922/</link>
		<comments>http://www.altfg.com/blog/silent-films/best-films-of-1922/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 19:24:10 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Back Pay]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[F. W. Murnau]]></category>
		<category><![CDATA[Frank Borzage]]></category>
		<category><![CDATA[John Gilbert]]></category>
		<category><![CDATA[Max Schreck]]></category>
		<category><![CDATA[Monte Cristo]]></category>
		<category><![CDATA[Moran of the Lady Letty]]></category>
		<category><![CDATA[Nosferatu the Vampire]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Seena Owen]]></category>
		<category><![CDATA[The Prisoner of Zenda]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=4305</guid>
		<description><![CDATA[

Ok, so Max Schreck (literally, Max Fright) was not romantic leading man material, but he did quite well for himself as the creepiest vampire of them all, Nosferatu. Those who think of director F. W. Murnau as the creator of film poetry in pictures such as Sunrise and Tabu should realize that Murnau was equally adept at creating sheer horror. No other vampire movie I&#8217;ve seen is as eerie as Nosferatu the Vampire. Max Schreck&#8217;s ratman-like presence, of course, is an enormous help.
&#160;
FILM
Monte Cristo
d: Emmett J. Flynn; scr: Bernard McConville
Nosferatu, eine Symphonie des Grauens / Nosferatu the Vampire
d: F. W. Murnau; scr: Henrik Galeen
The Prisoner of Zenda
d: Rex Ingram; scr: Mary O&#8217;Hara 
&#160;
CHECK THESE OUT
Back Pay
d: Frank Borzage; scr: Frances [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/silent-films/best-films-of-1922/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Best Films &#8211; 1921</title>
		<link>http://www.altfg.com/blog/silent-films/best-films-of-1921/</link>
		<comments>http://www.altfg.com/blog/silent-films/best-films-of-1921/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 18:22:34 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Agnes Ayres]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Charles Rosher]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Jewel Carmen]]></category>
		<category><![CDATA[John F. Seitz]]></category>
		<category><![CDATA[June Mathis]]></category>
		<category><![CDATA[Karl Struss]]></category>
		<category><![CDATA[Nobody]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Richard Barthelmess]]></category>
		<category><![CDATA[Roland West]]></category>
		<category><![CDATA[Rudolph Valentino]]></category>
		<category><![CDATA[The Affairs of Anatol]]></category>
		<category><![CDATA[The Conquering Power]]></category>
		<category><![CDATA[The Four Horsemen of the Apocalypse]]></category>
		<category><![CDATA[Tol'able David]]></category>
		<category><![CDATA[Wanda Hawley]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=4301</guid>
		<description><![CDATA[

  A sensation in its day, Rex Ingram&#8217;s film adaptation of Vicente Blasco Ibáñez&#8217;s The Four Horsemen of the Apocalypse, from a screenplay by June Mathis, catapulted Mathis&#8217; protégé Rudolph Valentino to superstardom. Ingram&#8217;s wife, the highly capable Alice Terry, played the romantic interest. More than 80 years after its initial release, The Four Horsemen remains a powerful cinematic experience.
&#160;
FILM
The Conquering Power
d: Rex Ingram; scr: June Mathis
The Four Horsemen of the Apocalypse
d: Rex Ingram; scr: June Mathis
Nobody
d: Roland West; scr: Roland West, Charles H. Smith
&#160;

Wallace Reid, Bebe Daniels in The Affairs of Anatol
CHECK THESE OUT
The Affairs of Anatol
d: Cecil B. DeMille; scr: Jeanie Macpherson 
&#160;

Richard Barthelmess in Tol&#8217;able David
ACTOR
Richard Barthelmess
Tol&#8217;able David
Jackie Coogan
The Kid
Ralph Lewis
The Conquering Power
&#160;

  Kenneth Harlan, [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/silent-films/best-films-of-1921/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rex Ingram: Part II</title>
		<link>http://www.altfg.com/blog/classics/rex-ingram/</link>
		<comments>http://www.altfg.com/blog/classics/rex-ingram/#comments</comments>
		<pubDate>Mon, 16 Jan 2006 09:15:11 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Baroud]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Ivan Petrovich]]></category>
		<category><![CDATA[Liam O'Leary]]></category>
		<category><![CDATA[Pierre Batcheff]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Rosita Garcia]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[The Garden of Allah]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=16375</guid>
		<description><![CDATA[
Rex Ingram with off-screen girlfriend Rosita Garcia in Baroud

Rex Ingram Part I
Without MGM&#8217;s financial and distribution support, Ingram managed to direct only two more films: The Three Passions (1928), released in the U.S. via United Artists, and his only talkie, the somewhat amateurish adventure tale Baroud (1931), starring Novarro look-alike Pierre Batcheff (who would commit suicide a couple of years later) and Ingram himself as a dashing legionnaire in North Africa. Baroud got few bookings.
With his film career over, Ingram spent much of his time reading and studying Islam. (He had become fascinated with Arab culture while filming The Arab in Tunisia in the mid-1920s.) According to several reports, he became a Muslim in the early 1930s, though the free-thinking [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/classics/rex-ingram/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rex Ingram Remembered</title>
		<link>http://www.altfg.com/blog/directors/rex-ingram-remembered/</link>
		<comments>http://www.altfg.com/blog/directors/rex-ingram-remembered/#comments</comments>
		<pubDate>Mon, 16 Jan 2006 09:14:13 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Barbara La Marr]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Herbert Howe]]></category>
		<category><![CDATA[John F. Seitz]]></category>
		<category><![CDATA[June Mathis]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Rudolph Valentino]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[The Four Horsemen of the Apocalypse]]></category>
		<category><![CDATA[Trifling Women]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=307</guid>
		<description><![CDATA[
Since it&#8217;s still Jan. 15 in large chunks of the Pacific Ocean, I have enough time to briefly mention film director Rex Ingram (top right), whose birth &#8212; as Reginald Ingram Montgomery Hitchcock &#8212; took place in Dublin exactly 113 years ago. (Some sources claim Ingram was born in 1892, but in Rex Ingram: Master of the Silent Cinema author Liam O&#8217;Leary  clearly states that 1893 is the right date.)
While writing Beyond Paradise: The Life of Ramon Novarro, I often became more intrigued with two of the story&#8217;s top supporting players than with the biographical subject himself. One  was Novarro&#8217;s lover in the mid-1920s, columnist Herbert Howe, quite likely the wittiest writer to ever cover the Hollywood scene. [...]]]></description>
		<wfw:commentRss>http://www.altfg.com/blog/directors/rex-ingram-remembered/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
