Claudia Cardinale Remembers Luchino Visconti

At Cafebabel.com, there’s a curious chat with screen legend Claudia Cardinale and French newcomer Alexandre Styker. Here’s a brief quote from the piece:
"’I would have liked to have worked with Visconti too,’ the young man [Styker] continues to discuss his unrealised dreams. ‘Of course,’ Claudia replies, ‘the man was a genius! I made four films with him, he took me all over the world and showered me with gifts.’ So he was a real character, the legendary Italian director? ‘He used to say that I was a kitten that could be stroked, but a kitten with claws. Visconti was a man of the theatre, you couldn’t move a muscle if he didn’t want you [...]

National Film Registry 2008: A FACE IN THE CROWD, JOHNNY GUITAR

2008 National Film Registry

Burt Lancaster, Ava Gardner in The Killers

National Film Registry 2008 Article
Film information from the National Film Registry press release
The Asphalt Jungle (1950)
John Huston’s brilliant crime drama contains the recipe for a meticulously planned robbery, but the cast of criminal characters features one too many bad apples. Sam Jaffe, as the twisted mastermind, uses cash from corrupt attorney Emmerich (Louis Calhern) to assemble a group of skilled thugs to pull off a jewel heist. All goes as planned — until an alert night watchman and a corrupt cop enter the picture. Marilyn Monroe has a memorable bit part as Emmerich’s "niece."
Deliverance (1972)
Four Atlanta professionals (Burt Reynolds, Ned Beatty, Ronnie Cox and [...]

Fred Zinnemann: Top Oscar Directors for Actors

Fred Zinnemann began his career during the studio era, but kept on going, however sporadically, long after most of his contemporaries had retired. Even so, today his name means little for most audiences and critics alike. Why?
Quite possibly because, like William Wyler’s, Zinnemann’s relatively small oeuvre (21 narrative feature films) covers just about every film genre there is: Western (High Noon), romance (From Here to Eternity), socially conscious drama (The Search), historical drama (A Man for All Seasons), adventure (Five Days One Summer), thriller (The Day of the Jackal), crime (Act of Violence), comedy (My Brother Talks to Horses), and musical (Oklahoma).
Most film critics and historians are no different than most simpletons. They tend to value work that can be [...]

Best Films – 1946

Rita Hayworth, Glenn Ford in Gilda
FILM
Anna and the King of Siam
d: John Cromwell; scr: Talbot Jennings, Sally Benson
The Best Years of Our Lives
d: William Wyler; scr: Robert E. Sherwood
Cloak and Dagger
d: Fritz Lang; scr: Albert Maltz, Ring Lardner Jr.
From This Day Forward
d: John Berry; scr: Hugo Butler, Garson Kanin
Gilda
d: Charles Vidor; scr: Marion Parsonnet
Margie
d: Henry King; scr: F. Hugh Herbert
A Night in Casablanca
d: Archie Mayo; scr: Joseph Fields, Roland Kibbee, Frank Tashlin
Le Père tranquille / Mr. Orchid
d: René Clément; scr: Noël-Noël
Sciuscià / Shoeshine
d: Vittorio De Sica; scr: Cesare Zavattini, Sergio Amidei, Adolfo Franci, Cesare Giulio Viola
The Spiral Staircase
d: Robert Siodmak; scr: Mel Dinelli
 
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My Darling Clementine
d: John Ford; scr: [...]