Copenhagen Gay & Lesbian Film Festival 2009

Copenhagen Gay & Lesbian Film Festival 2009 poster (top); Alexandre and Victor Carril in Give Me Your Hand (middle); Hello My Name Is Lesbian by Iben Haahr Andersen, Minna Grooss (bottom)

The 2009 edition of the Copenhagen Gay & Lesbian Film Festival runs Oct. 16-25.
Among the festival’s "themes" this year are "Documenting Denmark," "Daddy Cool," "Cry for Me Argentina," and "Bollywood Goes Gay."

Rückenwind by Jan Krüger (top); Daddy’s Love by Mette Aakerholm (middle); Nobody Passes Perfectly by Saskia Bisp (bottom)

Screening films include Jan Krüger’s Rückenwind, which follows a young couple (Sebastian Schlecht, Eric Golub) on a bike trip in the woods that turns nightmarish after they meet with a lone mother and her shy teenage son; Iben Haahr [...]

Best Films – 1924

Erich von Stroheim’s masterpiece and one of the best silent films ever made, Greed remains a powerful indictment against the deadly sin of the title. Based on Frank Norris‘ McTeague, the film revolves around the misdeeds of a California dentist (Gibson Gowland, center), his miserly wife (ZaSu Pitts, left), and her former lover (Jean Hersholt, not in the above picture), all of whom sacrifice their selves to the all-powerful God of Dollar Bills. Stroheim’s initial cut had 47 reels, though eventually Greed was pared down to 10 reels (approximately 2h15m). That is all that is known to survive from the original film. But in spite of the drastic cuts, many of Stroheim’s magnificently perverted excesses are very much [...]

CASABLANCA IV – Ingrid Bergman

Humphrey Bogart, Ingrid Bergman in Casablanca

CASABLANCA III – Humphrey Bogart
That brings me to the last and least of the trio of star performances: Ingrid Bergman’s rather mediocre portrayal of Ilsa Lund. First, it’s not a truly bad performance, but it’s nowhere near great. One need only look at contemporaneous performances by, say, Katharine Hepburn, Joan Crawford, Bette Davis, or even Judy Garland, to see how much Bergman pales in contrast. Ilsa is a pawn, a toy, a heroine whose life is the plaything of the two men in her life — and, incidentally, isn’t it interesting how similar in facial construction both Henreid and Bogart are? A fortuitous development that adds some [...]