Douglas Fairbanks Jr. Centennial: THE PRISONER OF ZENDA Screening
Ronald Colman in The Prisoner of Zenda: Never a dull moment, whether fighting Douglas Fairbanks Jr. or romancing Madeleine Carroll
Celebrating Douglas Fairbanks Jr.’s 100th birthday, the Academy of Motion Picture Arts and Sciences will screen The Prisoner of Zenda (1937) on Wednesday, December 9, at 8 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Oscar-winning visual-effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt will examine the photographic and sound effects used in this Ruritanian classic directed by John Cromwell, and also starring Ronald Colman, Madeleine Carroll, and Mary Astor.
As a plus, the evening will feature rare behind-the-scenes color footage of The Prisoner of Zenda from the Academy Film Archive’s [...]
by Andre Soares | December 8, 2009
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Tags: Academy of Motion Picture Arts and Sciences, Ben Burtt, Classic Movies, Craig Barron, David O. Selznick, Douglas Fairbanks Jr, James Wong Howe, John Cromwell, Los Angeles Screenings, Madeleine Carroll, Oscar Movies, Ronald Colman, The Prisoner of Zenda
Linwood Dunn: Celebrating a Visual Effects Pioneer – CITIZEN KANE Screening
"Linwood Dunn: Celebrating a Visual Effects Pioneer," will explore the work of special effects artist Linwood Dunn (above, lower photo), including the techniques he used in creating optical effects for Orson Welles’ Citizen Kane, on Friday, October 9, at 8 p.m. at the Academy of Motion Picture Arts and Sciences’ appropriately named Linwood Dunn Theater in Hollywood. A newly struck print of Citizen Kane from the Academy Film Archive will be screened. This event is sold out, but standby tickets may become available.
Presented by the Academy’s Science and Technology Council, "Linwood Dunn" will be hosted by Oscar-winning visual effects artist and Academy governor Craig Barron. The evening will also [...]
by Andre Soares | October 2, 2009
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Tags: Academy of Motion Picture Arts and Sciences, Citizen Kane, Classic Movies, Craig Barron, Linwood Dunn, Los Angeles Screenings, Orson Welles, Oscar 1941, Oscar Movies, Ruth Warrick, Science and Technology Council, Visual Effects
Cary Grant, Douglas Fairbanks Jr. in GUNGA DIN Screening
George Stevens‘ rousingly politically incorrect — and for the most part much admired — action-adventure tale Gunga Din will have a special screening on Friday, June 12, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences‘ Samuel Goldwyn Theater in Beverly Hills. Prior to the film, Oscar winners Ben Burtt and Craig Barron will discuss the sound and visual effects used in this 1939 classic starring Cary Grant, Douglas Fairbanks Jr., and Victor McLaglen.
Gunga Din will also will be presented in New York City on Monday, June 15, at 7:30 p.m. at the Academy Theater.
Written by Joel Sayre and Fred Guiol, from a story by Ben Hecht and Charles MacArthur, which [...]
by Andre Soares | June 10, 2009
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Tags: Academy of Motion Picture Arts and Sciences, Academy Theater, Batman Returns, Ben Burtt, Ben Hecht, Cary Grant, Charles MacArthur, Classic Movies, Craig Barron, Douglas Fairbanks Jr, ET, Film Series, George Stevens, Gunga Din, Indiana Jones and the Last Crusade, Indiana Jones and the Temple of Doom, Joan Fontaine, Los Angeles Screenings, Lost Horizon, Molly Haskell, New York Screenings, Raiders of the Lost Ark, Reginald Sheffield, Robert Osborne, Rudyard Kipling, Sam Jaffe, Sound Editing, Star Wars, Steven Spielberg, TCM, The Curious Case of Benjamin Button, Thuggees, Turner Classic Movies, Victor McLaglen, Visual Effects, WALL-E
Fantastic Reality: The Magic and Mystery of Movie Matte Painting
Forbidden Planet (top); Spartacus (bottom)
The Academy of Motion Picture Arts and Sciences‘ Science and Technology Council will showcase the art of matte painting on Monday, December 10, at 8 p.m. at the Linwood Dunn Theater in Hollywood.
As per the Academy’s press release, "Fantastic Reality: The Magic and Mystery of Movie Matte Painting," hosted by Oscar nominee and Academy Visual Effects Branch governor Craig Barron, "will explore the long history of the traditional method of creating ‘virtual sets,’ in which oil paints are brushed and daubed onto a few square feet of glass or wood to be composited later with live action footage. The recent transition into the new frontiers of software and pixels will also be examined."
In conjunction with [...]