Cannes 2009: Michael Haneke’s THE WHITE RIBBON

 
Dave Calhoun in Time Out London, via David Hudson’s The Daily:
"For quite some time at the beginning of Michael Haneke’s latest film, which is a two-and-a-half hour parable of political and social ideas set entirely in a north German village in 1913 and 1914, you wonder what you’re watching, how its disparate parts hang together and what it all might mean. More than ever, the playful, challenging, sometimes shocking director of Hidden, Funny Games and Time of the Wolf solidly resists answering the ‘what’s it all about?’ question and makes you work hard to make sense of what you’re seeing. As in Code Unknown, he resists focusing on one story or [...]

Cannes 2009: Ken Loach, Ang Lee, Andrea Arnold, Jacques Audiard

Derek Elley on Looking for Eric (above, Ken Loach and Eric Cantona) in Variety:
"… helmer Ken Loach and writer Paul Laverty’s ninth feature together is a curious hybrid: Three movies — boilerplate, socially aware Loach; personal fantasy; romantic comedy — wrap around a central core of a hopeless soccer fanatic who’s given a second chance to sort out his life. As in many of Laverty’s scripts, problems of overall tone and character development aren’t solved by Loach’s easygoing direction, though when it works, Eric has many incidental pleasures."
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Anthony Kaufman on A Prophet at indieWIRE:
"If James Toback’s petty-criminal tale Fingers inspired Jacques Audiard’s previous The Beat That My Heart Skipped, it’s Martin Scorsese’s Goodfellas [...]