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	<title>Alternative Film Guide &#187; Ed Harris</title>
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	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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		<title>THE ABYSS Screening</title>
		<link>http://www.altfg.com/blog/hollywood/the-abyss-james-cameron/</link>
		<comments>http://www.altfg.com/blog/hollywood/the-abyss-james-cameron/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 20:13:35 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Academy Film Archive]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Adventure Movies]]></category>
		<category><![CDATA[Dennis Skotak]]></category>
		<category><![CDATA[Ed Harris]]></category>
		<category><![CDATA[Hoyt Yeatman]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[John Bruno]]></category>
		<category><![CDATA[John Knoll]]></category>
		<category><![CDATA[Lee Orloff]]></category>
		<category><![CDATA[Leo Burmster]]></category>
		<category><![CDATA[Linwood Dunn]]></category>
		<category><![CDATA[Los Angeles Screenings]]></category>
		<category><![CDATA[Mary Elizabeth Mastrantonio]]></category>
		<category><![CDATA[Michael Biehn]]></category>
		<category><![CDATA[Mikael Salomon]]></category>
		<category><![CDATA[Oscar 1989]]></category>
		<category><![CDATA[Oscar Movies]]></category>
		<category><![CDATA[Pseudopod]]></category>
		<category><![CDATA[Science and Technology Council]]></category>
		<category><![CDATA[Science Fiction Movies]]></category>
		<category><![CDATA[The Abyss]]></category>
		<category><![CDATA[The Terminator]]></category>
		<category><![CDATA[Todd Graff]]></category>
		<category><![CDATA[Underwater Movies]]></category>
		<category><![CDATA[Visual Effects]]></category>

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		<description><![CDATA[

The Abyss, the costly, special-effect-laden, deep-sea adventure drama about underwater aliens and a bickering married couple, will be screened at a special 20th anniversary event by the  Academy of Motion Picture Arts and Sciences on Tuesday, June 23, at  7:30 p.m. at the Linwood Dunn Theater in Hollywood. 
This Academy screening will  premiere a newly struck 35mm print from the Academy Film Archive. Considering that The Abyss boasts awesome underwater cinematography and first-rate  visual and sound effects, this is a great chance to catch it on  the big screen. 

Presented  by the Academy’s Science and Technology Council, the evening will be  hosted by film historian and author Eric Lichtenfeld and will feature  [...]]]></description>
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		<title>National Society of Film Critics Awards 2006</title>
		<link>http://www.altfg.com/blog/awards/national-society-of-film-critics-awards-2005/</link>
		<comments>http://www.altfg.com/blog/awards/national-society-of-film-critics-awards-2005/#comments</comments>
		<pubDate>Sat, 07 Jan 2006 15:54:05 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Amy Adams]]></category>
		<category><![CDATA[Capote]]></category>
		<category><![CDATA[David Cronenberg]]></category>
		<category><![CDATA[Ed Harris]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Grizzly Man]]></category>
		<category><![CDATA[Head-On]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Reese Witherspoon]]></category>

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2006 National Society of Film Critics Awards
2006 National Society of Film Critics award winners: New York City on January 7, 2006
&#160;

Philip Seymour Hoffman, Catherine Keener in Capote
&#160;

Best Film: Capote  (12, on sixth ballot)
Runners-up: A History of Violence (11, on sixth ballot); 2046  (fifth ballot)
Best Foreign-Language Film:  Head-On by Fatih Akin (26)
Runner-up: 2046 by Wong Kar Wai (23);  Hidden by Michael Haneke (18)
Best Documentary: Grizzly Man  by Werner Herzog (60)
Runners-up: Darwin&#8217;s Nightmare by Hubert Sauper (27); Ballets russes by Daniel Geller and Dayna Goldfine (19)
Best Director:  David Cronenberg, A History of Violence (32)
Runners-up: Wong Kar Wai, 2046 (26); Bennett Miller, Capote (23)
 Best Actor: Philip Seymour Hoffman, Capote  (68)
Runners-up: Jeff Daniels, The Squid and [...]]]></description>
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		<title>THE HOURS d: Stephen Daldry</title>
		<link>http://www.altfg.com/blog/film-reviews/hours-stephen-daldry-streep-kidman-moore/</link>
		<comments>http://www.altfg.com/blog/film-reviews/hours-stephen-daldry-streep-kidman-moore/#comments</comments>
		<pubDate>Thu, 21 Oct 2004 17:18:40 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Hare]]></category>
		<category><![CDATA[Ed Harris]]></category>
		<category><![CDATA[Four-Star Gay Movies]]></category>
		<category><![CDATA[Four-Star Movies]]></category>
		<category><![CDATA[Four-Star Oscar Nominees]]></category>
		<category><![CDATA[Gay Interest]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[Lesbian Interest]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Michael Cunningham]]></category>
		<category><![CDATA[Mrs. Dalloway]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Oscar 2002]]></category>
		<category><![CDATA[Oscar Movies]]></category>
		<category><![CDATA[Stephen Daldry]]></category>
		<category><![CDATA[The Hours]]></category>
		<category><![CDATA[Toni Collette]]></category>
		<category><![CDATA[Virginia Woolf]]></category>

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The Hours (2002)
Direction: Stephen Daldry
Screenplay: David Hare, from Michael Cunningham&#8217;s novel
Cast: Meryl Streep, Nicole Kidman, Julianne Moore, Ed Harris, Toni Collette, Allison Janney, Claire Danes, Jeff Daniels, Stephen Dillane, John C. Reilly, Miranda Richardson, Eileen Atkins
&#160;

&#160;

Michael Cunningham&#8217;s Pulitzer-winning The Hours uses Virginia Woolf&#8217;s 1925 novel Mrs. Dalloway (whose working title was &#34;The Hours&#34;) as the link that binds its three leading female characters. Far apart in terms of time and space, those three disturbed, unhappy women have in common both the deadness of a life of self-abnegation and the living reality of death itself. 
Despite gaps in the narrative, Stephen Daldry&#8217;s stabs at melodrama, and one poor central performance, The Hours stands as an intelligent and deeply moving achievement. Most [...]]]></description>
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