Best Films – 1922
Ok, so Max Schreck (literally, Max Fright) was not romantic leading man material, but he did quite well for himself as the creepiest vampire of them all, Nosferatu. Those who think of director F. W. Murnau as the creator of film poetry in pictures such as Sunrise and Tabu should realize that Murnau was equally adept at creating sheer horror. No other vampire movie I’ve seen is as eerie as Nosferatu the Vampire. Max Schreck’s ratman-like presence, of course, is an enormous help.
FILM
Monte Cristo
d: Emmett J. Flynn; scr: Bernard McConville
Nosferatu, eine Symphonie des Grauens / Nosferatu the Vampire
d: F. W. Murnau; scr: Henrik Galeen
The Prisoner of Zenda
d: Rex Ingram; scr: Mary O’Hara
CHECK THESE OUT
Back Pay
d: Frank Borzage; scr: Frances [...]
by Andre Soares | April 2, 2009
| Subscribe / Syndicate
Tags: Alice Terry, Back Pay, Best Films, Classic Movies, F. W. Murnau, Frank Borzage, John Gilbert, Max Schreck, Monte Cristo, Moran of the Lady Letty, Nosferatu the Vampire, Ramon Novarro, Rex Ingram, Seena Owen, Silent Films, The Prisoner of Zenda
Buster Keaton, SUNRISE, THE CAT AND THE CANARY: San Francisco Silent Film Festival Screenings
Martha Mattox, Laura La Plante in The Cat and the Canary (top); Buster Keaton in Our Hospitality (bottom)
The San Francisco Silent Film Festival will present a special series of screenings on Valentine’s Day, Saturday, February 14, at the Castro Theatre. The screening films are the Buster Keaton vehicle Our Hospitality (1923), the Russian comedy A Kiss from Mary Pickford (1927), F. W. Murnau’s Academy Award winner (for "Best Unique and Artistic Quality of Production") Sunrise (1927), and the haunted-house caper The Cat and the Canary (1927).
I haven’t seen either Our Hospitality or A Kiss from Mary Pickford. I’m not a silent-comedy fan, so Keaton films are usually a low priority (though I’ve stone-facedly sat through quite a few [...]
