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> <channel><title>Alt Film Guide &#187; Frank Lloyd</title> <atom:link href="http://www.altfg.com/blog/tag/frank-lloyd/feed/" rel="self" type="application/rss+xml" /><link>http://www.altfg.com/blog</link> <description>The Oscars, film awards, new releases, Los Angeles screenings, movie classics, gay movies, film festivals, box office, foreign and independent films</description> <lastBuildDate>Sat, 11 Feb 2012 05:29:41 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>CAVALCADE Review &#8211; Clive Brook, Diana Wynyard d: Frank Lloyd</title><link>http://www.altfg.com/blog/classics/cavalcade-clive-brook-diana-wynyard-123/</link> <comments>http://www.altfg.com/blog/classics/cavalcade-clive-brook-diana-wynyard-123/#comments</comments> <pubDate>Fri, 11 Feb 2011 07:52:24 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=18849</guid> <description><![CDATA[CAVALCADE (1933) Direction: Frank Lloyd Cast: Clive Brook, Diana Wynyard, Herbert Mundin, Una O'Connor, Beryl Mercer, Irene Browne, Merle Tottenham, Frank Lawton, Ursula Jeans, Margaret Lindsay Screenplay: Reginald Berkeley, Sonya Levien; from Noel Coward's 1931 play Oscar Movies, Pre-Code Movies Herbert Mundin, Diana Wynyard, Clive Brook, Una O'Connor, Cavalcade Synopsis: Upstairs, Robert and Jane Marryot (Clive Brook, Diana Wynyard), and downstairs, Alfred and Ellen Bridges [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/classics/cavalcade-clive-brook-diana-wynyard-123/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Frank Lloyd IV: THE DIVINE LADY, BERKELEY SQUARE</title><link>http://www.altfg.com/blog/classics/frank-lloyd-the-divine-lady-berkeley-square-333/</link> <comments>http://www.altfg.com/blog/classics/frank-lloyd-the-divine-lady-berkeley-square-333/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:57:57 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20394</guid> <description><![CDATA[Frank Lloyd (below the camera), Gary Cooper, Clara Bow, Esther Ralston, Einar Hanson in Children of Divorce Frank Lloyd III: Silent Films Any movies Frank Lloyd wanted to make, but that he wasn't able to? What were his biggest financial and/or critical hits? His biggest flops? I am not aware of any films that Lloyd wanted desperately to make but could not. Certainly, he would [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/classics/frank-lloyd-the-divine-lady-berkeley-square-333/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Frank Lloyd III: Silent Films</title><link>http://www.altfg.com/blog/silent-films/frank-lloyd-cecil-b-demille-184/</link> <comments>http://www.altfg.com/blog/silent-films/frank-lloyd-cecil-b-demille-184/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:57:14 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20380</guid> <description><![CDATA[Jackie Coogan in Oliver Twist Frank Lloyd II: CAVALCADE, MUTINY ON THE BOUNTY In your book, you discuss a number of early Frank Lloyd efforts, including many rarities from the 1910s. I'm assuming you got to watch many of those films. The questions are: Are there many extant Frank Lloyd silents? How do they compare with the work of other major silent filmmakers who tackled [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/silent-films/frank-lloyd-cecil-b-demille-184/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Frank Lloyd II: CAVALCADE, MUTINY ON THE BOUNTY</title><link>http://www.altfg.com/blog/directors/frank-lloyd-cavalcade-mutiny-on-the-bounty-111/</link> <comments>http://www.altfg.com/blog/directors/frank-lloyd-cavalcade-mutiny-on-the-bounty-111/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:55:16 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20379</guid> <description><![CDATA[Pauline Frederick in Madame X Frank Lloyd: Q&#038;A with Anthony Slide &#8211; Part I Frank Lloyd's greatest strengths as a filmmaker? His greatest weaknesses? I have partly answered this question above. And I suppose, in a way, one might argue that his greatest strength &#8212; as a studio director &#8212; is also his greatest weakness. He put the studio first. He seldom went over-budget. He [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/directors/frank-lloyd-cavalcade-mutiny-on-the-bounty-111/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Frank Lloyd: Q&amp;A with Anthony Slide</title><link>http://www.altfg.com/blog/interviews/frank-lloyd-anthony-slide-438/</link> <comments>http://www.altfg.com/blog/interviews/frank-lloyd-anthony-slide-438/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:54:29 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20377</guid> <description><![CDATA[Frank Lloyd, Henry King, John Ford, Frank Borzage Among them, these four filmmakers share eight Oscar wins and four additional nominations Frank Lloyd Intro II First of all, why Frank Lloyd? An obvious response might be &#34;why not?&#34; While large, trade publishers are suffering from diminishing sales, it seems that &#34;small&#34; publishers and similar entities, including the &#34;vanity press&#34; and the self-publishing brigade, are expanding [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/interviews/frank-lloyd-anthony-slide-438/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>FRANK LLOYD: MASTER OF SCREEN MELODRAMA</title><link>http://www.altfg.com/blog/hollywood/frank-lloyd-master-of-screen-melodrama-112/</link> <comments>http://www.altfg.com/blog/hollywood/frank-lloyd-master-of-screen-melodrama-112/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:50:46 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20385</guid> <description><![CDATA[Milton Sills in The Sea Hawk (top); William Farnum in A Tale of Two Cities (bottom) Frank Lloyd Intro I: Two-Time Oscar Winner Unlike George Cukor, Henry Hathaway, Howard Hawks, William Wyler, or even John Ford, Frank Lloyd specialized in one movie genre: melodrama. From A Tale of Two Cities to Cavalcade, from The Sea Hawk to The Howards of Virginia, from Black Oxen to [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/hollywood/frank-lloyd-master-of-screen-melodrama-112/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Frank Lloyd: Two-Time Oscar Winner</title><link>http://www.altfg.com/blog/movie-books/frank-lloyd-two-time-oscar-winner-987/</link> <comments>http://www.altfg.com/blog/movie-books/frank-lloyd-two-time-oscar-winner-987/#comments</comments> <pubDate>Wed, 06 Jan 2010 06:48:14 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=20374</guid> <description><![CDATA[Like many other Hollywood filmmakers of the studio era, Frank Lloyd (1886-1960) is hardly remembered today despite his numerous box-office successes &#8212; e.g., The Sea Hawk (1924), Mutiny on the Bounty (1935), Wells Fargo (1937) &#8212; and no less than two Best Director Academy Awards, for The Divine Lady (1929) and Cavalcade (1933). With Frank Lloyd: Master of Screen Melodrama (BearManor Media, 2009), author and [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/movie-books/frank-lloyd-two-time-oscar-winner-987/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Best Films &#8211; 1938</title><link>http://www.altfg.com/blog/best-films-of/best-films-of-1938/</link> <comments>http://www.altfg.com/blog/best-films-of/best-films-of-1938/#comments</comments> <pubDate>Sat, 04 Apr 2009 01:16:12 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=11619</guid> <description><![CDATA[Lionel Barrymore, James Stewart, Jean Arthur, Edward Arnold in You Can't Take It with You FILM The Adventures of Robin Hood d: Michael Curtiz, William Keighley; scr: Seton I. Miller, Norman Reilly Raine Bringing Up Baby d: Howard Hawks; scr: Dudley Nichols, Hagar Wilde Dramatic School d: Robert B. Sinclair; scr: Ernest Vajda, Mary McCall Jr. L'Etrange Monsieur Victor d: Jean Grémillon; scr: Albert Valentin, [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/best-films-of/best-films-of-1938/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> </channel> </rss>
