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	<title>Alternative Film Guide &#187; From Here to Eternity</title>
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	<description>thinking film</description>
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		<title>Burt Lancaster, Deborah Kerr, Montgomery Clift: FROM HERE TO ETERNITY Screening</title>
		<link>http://www.altfg.com/blog/classics/burt-lancaster-deborah-kerr-from-here-to-eternity/</link>
		<comments>http://www.altfg.com/blog/classics/burt-lancaster-deborah-kerr-from-here-to-eternity/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 00:24:34 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Daniel Taradash]]></category>
		<category><![CDATA[Deborah Kerr]]></category>
		<category><![CDATA[Donna Reed]]></category>
		<category><![CDATA[Ernest Borgnine]]></category>
		<category><![CDATA[Frank Sinatra]]></category>
		<category><![CDATA[Fred Zinnemann]]></category>
		<category><![CDATA[From Here to Eternity]]></category>
		<category><![CDATA[Joan Crawford]]></category>
		<category><![CDATA[Los Angeles Screenings]]></category>
		<category><![CDATA[Montgomery Clift]]></category>
		<category><![CDATA[Oscar 1953]]></category>
		<category><![CDATA[Oscar Movies]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=18391</guid>
		<description><![CDATA[

Deborah Kerr and Burt Lancaster make love in From Here to Eternity(top); Montgomery Clift and Frank Sinatra do a little (sorta) lovemaking of their own later on in the film (bottom)

Fred Zinnemann&#8217;s 1953 Academy Award-winning drama From Here to Eternity, starring Burt Lancaster, Montgomery Clift,  Deborah Kerr, Donna Reed, and Frank Sinatra, will be screened by the Academy of Motion Picture Arts and Sciences on  Wednesday, November 18, at 7:30 p.m. at the Samuel Goldwyn Theater in  Beverly Hills. The presentation will feature the premiere of a new digital  restoration, as well as an onstage discussion with Ernest  Borgnine, who has a supporting role in the film.
Adapted by Daniel Taradash from  James Jones&#8216; bestselling [...]]]></description>
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		<title>Deborah Kerr on TCM</title>
		<link>http://www.altfg.com/blog/actors/deborah-kerr-movies-tcm/</link>
		<comments>http://www.altfg.com/blog/actors/deborah-kerr-movies-tcm/#comments</comments>
		<pubDate>Wed, 12 Aug 2009 20:16:18 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[An Affair to Remember]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Deborah Kerr]]></category>
		<category><![CDATA[Edward My Son]]></category>
		<category><![CDATA[From Here to Eternity]]></category>
		<category><![CDATA[Summer Under the Stars]]></category>
		<category><![CDATA[TCM]]></category>
		<category><![CDATA[Tea and Sympathy]]></category>
		<category><![CDATA[Turner Classic Movies]]></category>

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		<description><![CDATA[Deborah Kerr&#8217;s day in the Turner Classic Movies&#34;Summer Under the Stars&#34; series will feature two TCM premieres: The Day Will Dawn / The Avengers, a British-made 1942 spy drama, and Leo McCarey&#8217;s  An Affair to Remember (1957), one of Kerr&#8217;s best-known films.
 I haven&#8217;t seen The Day Will Dawn, but An Affair to Remember is an effective romantic comedy-drama, with both Kerr and Cary Grant in top form as the couple who fail to meet as near to heaven as possible, but who go on loving one another, anyways.
As I&#8217;ve said before in this blog, Deborah Kerr is one of my favorite dozen or so actors. Her performances, however cool and composed on the surface, always carry within them [...]]]></description>
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		<title>Fred Zinnemann: Top Oscar Directors for Actors</title>
		<link>http://www.altfg.com/blog/actors/fred-zinnemann-top-oscar-directors-for-actors-iv/</link>
		<comments>http://www.altfg.com/blog/actors/fred-zinnemann-top-oscar-directors-for-actors-iv/#comments</comments>
		<pubDate>Sun, 28 Jan 2007 13:48:44 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Deborah Kerr]]></category>
		<category><![CDATA[Donna Reed]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Fred Zinnemann]]></category>
		<category><![CDATA[From Here to Eternity]]></category>
		<category><![CDATA[Gary Cooper]]></category>
		<category><![CDATA[High Noon]]></category>

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		<description><![CDATA[Fred Zinnemann began his career during the studio era, but kept on going, however sporadically, long after most of his contemporaries had retired. Even so, today his name means little for most audiences and critics alike. Why?
Quite possibly because, like William Wyler&#8217;s, Zinnemann&#8217;s relatively small oeuvre (21 narrative feature films) covers just about every film genre there is: Western (High Noon), romance (From Here to Eternity), socially conscious drama (The Search), historical drama (A Man for All Seasons), adventure (Five Days One Summer), thriller (The Day of the Jackal), crime (Act of Violence), comedy (My Brother Talks to Horses), and musical (Oklahoma).
Most film critics and historians are no different than most simpletons. They tend to value work that can be [...]]]></description>
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