Grace Kelly on TCM: REAR WINDOW, THE COUNTRY GIRL

James Stewart, Grace Kelly in Rear Window

Turner Classic Movies‘ Grace Kelly series continues this Thursday, Nov. 12, with three of Kelly’s biggest hits, all from 1954: Dial M for Murder, Rear Window, and The Country Girl. Kelly, who died in 1982 following a car accident in Monaco, would have turned 80 on Nov. 12.
Some consider Dial M for Murder a minor Alfred Hitchcock effort. Personally, I find it more enjoyable than Hitchcock’s revered Rear Window. Part of the reason is a pair of deadly scissors found in the former but not in the latter; yet, I’d say that the chief reason is that neither one of Kelly’s leading men in Dial M for Murder is James Stewart. Instead, [...]

Grace Kelly: TO CATCH A THIEF, THE SWAN

Grace Kelly on TCM: Part I
Thanks to Kelly’s Oscar win, The Country Girl is interesting as a historical curiosity — it’s the sort of "gutsy" and "realistic" film adaptation of a respected stage play that was very popular among the filmgoing elite of the 1950s (e.g., Tea and Sympathy, A Hatful of Rain), but that I generally find both lame and artificial. Bing Crosby’s drunk is about as convincing as Kelly’s frumpish housewife (a role that should have gone to original choice Jennifer Jones), but that didn’t prevent a number of Academy members from making sure Crosby, director George Seaton, and the film itself received Academy Award nominations. Seaton, in fact, did win an Oscar for his [...]

Grace Kelly on TCM

Stating the obvious: most people take great pleasure in idealizing their idols — which is why idols are idols.
Whether we’re talking of gods, saints, prophets, or pop stars, the process is pretty much the same: flaws are expunged, deeds that never took place are turned into (at times miraculous) facts, the Pantheon of the Immortals becomes their abode following their earthly demise. (In some extreme cases — assorted gods, Elvis — the idol in question doesn’t die, period.)
Grace Kelly, Turner Classic Movies’ Star of the Month, is one of the lofty ones now dwelling in the aforementioned Pantheon. True, the flesh-and-bood Philadelphia-born (Nov. 12, 1929) woman (nee Grace Patricia Kelly) may have been quite different [...]

Best Films – 1947

Deborah Kerr, Kathleen Byron, David Farrar in Black Narcissus
FILM
Black Narcissus
d, scr: Michael Powell and Emeric Pressburger
Cheyenne
d: Raoul Walsh; scr: Alan Le May, Thames Williamson
Crossfire
d: Edward Dmytryk; scr: John Paxton
Down to Earth
d: Alexander Hall; scr: Edwin Blum, Don Hartman
The Ghost and Mrs. Muir
d: Joseph L. Mankiewicz; scr: Philip Dunne
Life with Father
d: Michael Curtiz; scr: Donald Ogden Stewart
Miracle on 34th Street
d, scr: George Seaton
Monsieur Vincent
d: Maurice Cloche; scr: Jean Bernard Luc, Jean Anouilh
Mourning Becomes Electra
d, scr: Dudley Nichols
Nicholas Nickleby
d: Alberto Cavalcanti; scr: John Dighton
The Perils of Pauline
d: George Marshall; scr: P. J. Wolfson, Frank Butler
 
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Body and Soul
d: Robert Rossen; scr: Abraham Polonsky
A Double Life
d: George Cukor; [...]

Best Films – 1943

Set in a 17th-century Danish village, Carl Theodor Dreyer’s masterful Vredens dag / Day of Wrath is a stark, but deeply felt indictment against religious fanaticism and intolerance. Moving performances by ingénue Lisbeth Modin and accused witch Anna Svierkier add a touch of humanity to the horrors shown on screen. It is not a coincidence that Vredens Dag was made in 1943, a time when Denmark was under Nazi occupation. The parallels — and the interconnectedness — between political and religious control are made quite clear in this harrowing masterwork.
 
FILM
Northern Pursuit
d: Raoul Walsh; scr: Frank Gruber, Alvah Bessie
This Land Is Mine
d: Jean Renoir; scr: Dudley Nichols
Vredens dag / Day of Wrath
d: Carl Theodor Dreyer; scr: Carl Dreyer, [...]