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> <channel><title>Alt Film Guide &#187; indiewire</title> <atom:link href="http://www.altfg.com/blog/tag/indiewire/feed/" rel="self" type="application/rss+xml" /><link>http://www.altfg.com/blog</link> <description>The Oscars, film awards, new releases, Los Angeles screenings, movie classics, gay movies, film festivals, box office, foreign and independent films</description> <lastBuildDate>Sat, 11 Feb 2012 04:26:24 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>At indieWIRE: Peter Knegt and the Academy Awards in the 2000s</title><link>http://www.altfg.com/blog/awards/25-things-the-academy-got-right-in-the-2000s-123/</link> <comments>http://www.altfg.com/blog/awards/25-things-the-academy-got-right-in-the-2000s-123/#comments</comments> <pubDate>Wed, 25 Nov 2009 07:05:05 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=18818</guid> <description><![CDATA[At indieWIRE, Peter Knegt's &#34;For Your Consideration: 25 Things The Academy Got Right In The 2000s.&#34; Here are three snippets: 6 nominations and 3 wins for Pan’s Labyrinth (above, with Maribel Verdú and Ivana Baquero) &#34;&#8230; still managed to defy Academy tastes by taking the second most wins of any film in 2006 (after The Departed) and third most nominations &#8230;&#34; 8 nominations and 2 [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/awards/25-things-the-academy-got-right-in-the-2000s-123/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Toronto 2009: IndieWIRE&#039;s Critics&#039; Poll</title><link>http://www.altfg.com/blog/festivals/toronto-2009-indiewire-critics-poll/</link> <comments>http://www.altfg.com/blog/festivals/toronto-2009-indiewire-critics-poll/#comments</comments> <pubDate>Tue, 22 Sep 2009 21:07:47 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=16541</guid> <description><![CDATA[Michael Stuhlbarg in A Serious Man (top); Joel and Ethan Coen (bottom) Peter Knegt reports that an indieWIRE poll of &#34;more than 25&#34; film critics and bloggers (blogging film critics?) shows that the overwhelmingly favorite film screened at the 2009 Toronto Film Festival was Joel and Ethan Coen's A Serious Man (not to be confused with Tom Ford's A Single Man or the Michael Douglas [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/festivals/toronto-2009-indiewire-critics-poll/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Cannes 2009: Michael Haneke&#039;s THE WHITE RIBBON</title><link>http://www.altfg.com/blog/festivals/michael-haneke-the-white-ribbon-cannes-2009/</link> <comments>http://www.altfg.com/blog/festivals/michael-haneke-the-white-ribbon-cannes-2009/#comments</comments> <pubDate>Fri, 22 May 2009 03:16:44 +0000</pubDate> <dc:creator>Massimo David</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=12330</guid> <description><![CDATA[&#160; Dave Calhoun in Time Out London, via David Hudson's The Daily: &#34;For quite some time at the beginning of Michael Haneke's latest film, which is a two-and-a-half hour parable of political and social ideas set entirely in a north German village in 1913 and 1914, you wonder what you're watching, how its disparate parts hang together and what it all might mean. More than [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/festivals/michael-haneke-the-white-ribbon-cannes-2009/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Cannes 2009: Jane Campion, Alain Resnais, Brillante Mendoza, Johnnie To, Lou Ye</title><link>http://www.altfg.com/blog/festivals/jane-campion-alain-resnais-johnnie-to/</link> <comments>http://www.altfg.com/blog/festivals/jane-campion-alain-resnais-johnnie-to/#comments</comments> <pubDate>Thu, 21 May 2009 02:50:29 +0000</pubDate> <dc:creator>Massimo David</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=12277</guid> <description><![CDATA[Peter Bradshaw on Bright Star (with Abbie Cornish and Ben Whishaw, above) in The Guardian: &#34;Jane Campion has put herself in line for her second Palme d'Or here at the Cannes film festival with a film which I think could be the best of her career; an affecting and deeply considered study of the last years in the short life of John Keats, and the [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/festivals/jane-campion-alain-resnais-johnnie-to/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Cannes 2009: Ken Loach, Ang Lee, Andrea Arnold, Jacques Audiard</title><link>http://www.altfg.com/blog/festivals/ken-loach-ang-lee-arnold-audiard/</link> <comments>http://www.altfg.com/blog/festivals/ken-loach-ang-lee-arnold-audiard/#comments</comments> <pubDate>Thu, 21 May 2009 01:18:09 +0000</pubDate> <dc:creator>Massimo David</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=12272</guid> <description><![CDATA[Derek Elley on Looking for Eric (above, Ken Loach and Eric Cantona) in Variety: &#34;&#8230; helmer Ken Loach and writer Paul Laverty's ninth feature together is a curious hybrid: Three movies &#8212; boilerplate, socially aware Loach; personal fantasy; romantic comedy &#8212; wrap around a central core of a hopeless soccer fanatic who's given a second chance to sort out his life. As in many of [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/festivals/ken-loach-ang-lee-arnold-audiard/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Cannes 2009: Pedro Almodóvar&#039;s BROKEN EMBRACES</title><link>http://www.altfg.com/blog/festivals/pedro-almodovar-broken-embraces-cannes-2009/</link> <comments>http://www.altfg.com/blog/festivals/pedro-almodovar-broken-embraces-cannes-2009/#comments</comments> <pubDate>Wed, 20 May 2009 08:43:33 +0000</pubDate> <dc:creator>Massimo David</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=12221</guid> <description><![CDATA[Broken Embraces: Pedro Almodóvar on the set (top); Penélope Cruz as the heroine (bottom). In the mystery-melodrama, a director and his female star begin a passionate love affair that leads to all sorts of trouble. Wendy Ide in The [London] Times: &#34;Certainly, it is unmistakably an Almodovar film. Nobody else does richly-textured melodrama quite like him; nobody else can encourage such overwrought performances without unbalancing [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/festivals/pedro-almodovar-broken-embraces-cannes-2009/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Best Films of 2008: indieWIRE&#039;s Critics&#039; Poll</title><link>http://www.altfg.com/blog/film-movies/best-films-of-2008-indiewire-critics-poll/</link> <comments>http://www.altfg.com/blog/film-movies/best-films-of-2008-indiewire-critics-poll/#comments</comments> <pubDate>Sat, 27 Dec 2008 00:02:50 +0000</pubDate> <dc:creator>Andre Soares</dc:creator> <guid
isPermaLink="false">http://www.altfg.com/blog/?p=6067</guid> <description><![CDATA[The most curious thing about indieWIRE's 2008 poll of 105 North American film critics is that thus far only six of those critics' top-ten films have gone on to win awards (film/director/screenplay) from US/Canada critics' groups. WALL-E has been the top choice in the animated feature category and was even voted the best film of 2008 by the Los Angeles Film Critics Association, which, spreading [...]]]></description> <wfw:commentRss>http://www.altfg.com/blog/film-movies/best-films-of-2008-indiewire-critics-poll/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> </channel> </rss>
