THE MERRY WIDOW d: Ernst Lubitsch

The Merry Widow (1934)
Direction: Ernst Lubitsch
Screenplay: Ernest Vajda and Samson Raphaelson; from Franz Lehár’s operetta
Cast: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton, Una Merkel, George Barbier, Minna Gombell, Sterling Holloway
 

 
The Merry Widow is not one of Ernst Lubitsch’s most discussed films. Critics generally tend to focus on his early Paramount talkies, such as One Hour with You (co-directed by George Cukor) and Trouble in Paradise, and his later comedies Ninotchka and To Be or Not to Be.
Yet, The Merry Widow is a superior musical, boasting sumptuous sets (production design by Cedric Gibbons), exquisite cinematography (courtesy of Oliver T. Marsh), a magnificently staged ballroom-dancing sequence, witty lines and situations (by Lubitsch collaborators Samson Raphaelson and Ernest Vajda, from Franz Lehár’s operetta), [...]

Best Films – 1937

Robert Taylor, Greta Garbo in Camille
FILM
The Awful Truth
d, scr: Leo McCarey
Camille
d: George Cukor; scr: Frances Marion, James Hilton, Zoe Akins
The Hurricane
d: John Ford; scr: Dudley Nichols, Oliver H. P. Garrett
The Last of Mrs. Cheyney
d: Richard Boleslawski; scr: Leon Gordon, Samson Raphaelson, Monckton Hoffe
Lost Horizon
d: Frank Capra; scr: Robert Riskin
Night Must Fall
d: Richard Thorpe; scr: John Van Druten
Les Perles de la couronne / Pearls of the Crown
d: Sacha Guitry, Christian-Jacque; scr: Sacha Guitry
The Prisoner of Zenda
d: John Cromwell; scr: Wells Root, John G. Balderstone, Donald Ogden Stewart
Quality Street
d: George Stevens; scr: Mortimer Offner, Allan Scott
Snow White and the Seven Dwarfs
d: David Hand; scr: Ted Sears, Richard Creedon and others
A Star Is Born
d: William A. Wellman; scr: Dorothy Parker, [...]

Best Films – 1934

Norma Shearer in The Barretts of Wimpole Street
FILM
The Barretts of Wimpole Street
d: Sidney Franklin; scr: Ernest Vajda, Claudine West, Donald Ogden Stewart
The Count of Monte Cristo
d: Rowland V. Lee; scr: Philip Dunne, Dan Totheroh, Rowland V. Lee
The Gay Divorcee
d: Mark Sandrich; scr: George Marion Jr., Dorothy Yost, Edward Kaufman
Hide-out
d: W. S. Van Dyke; scr: Albert Hackett, Frances Goodrich
The Merry Widow
d: Ernst Lubitsch; scr: Samson Raphaelson, Ernest Vajda
 

Fredric March, Evelyn Venable in Death Takes a Holiday
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Broadway Bill
d: Frank Capra; scr: Robert Riskin
Death Takes a Holiday
d: Mitchell Leisen; scr: Maxwell Anderson, Gladys Lehman
Gold
d: Karl Hartl; scr: Rolf E. Vanloo
Here Comes the Navy
d: Lloyd Bacon; scr: Earl Baldwin, Ben Markson
Maskerade / Masquerade in Vienna
d: Willi Forst; scr: [...]

Best Films – 1929

Alexandra Schmidt in Mother Krause’s Journey to Happiness
FILM
Eternal Love
d: Ernst Lubitsch; scr: Hans Kräly; titles: H. H. Caldwell, Katherine Hilliker
The Last of Mrs. Cheyney
d: Sidney Franklin; scr: Hans Kräly, Claudine West
The Love Parade
d: Ernst Lubitsch; scr: Ernest Vajda, Guy Bolton
Lucky Star
d: Frank Borzage; scr: Sonya Levien; dialogue: John Hunter Booth; titles: H. H. Caldwell, Katherine Hilliker
Mutter Krausens Fahrt ins Glück / Mother Krause’s Journey to Happiness
d: Piel Jutzi; scr: Willy Döll, Jan Fethke
On With the Show
d: Alan Crosland; scr: Robert Lord
The Pagan
d: W. S. Van Dyke; scr: Dorothy Farnum; titles: John Howard Lawson
The River
d: Frank Borzage; scr: Philip Klein, Dwight Cummings
The Thirteenth Chair
d: Tod Browning; scr: Elliott Clawson
 
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The Divine Lady
d: Frank Lloyd; scr: Forrest Halsey, Agnes [...]

Rouben Mamoulian Retrospective at Film Forum

"Mamoulian," a complete retrospective of Hollywood director Rouben Mamoulian (1897-1987), one of cinema’s greatest stylists and innovators, will run at the Film Forum from Friday, September 7 through Tuesday, September 18.
As per the Film Forum’s press release, Mamoulian was born in Tbilisi, Georgia, to an Armenian family. He worked at the Moscow Art Theater while attending university, and, following a chance meeting with industrialist/philanthropist George Eastman (founder of the Kodak film company) he moved to Rochester, New York, to direct plays.
Shortly thereafter he was on Broadway, directing Dorothy and Dubose Heyward’s Porgy, which became the basis for George Gershwin’s Porgy and Bess, a musical that Mamoulian would also direct. [See Porgy and Bess screening in New York.]
That initial [...]