UNDERWORLD Screening

Evelyn Brent, Clive Brook in Underworld

Josef von Sternberg’s 1927 crime classic Underworld will be screened on Friday, June 19, at 8 p.m. at the Academy of Motion Picture Arts and Sciences‘ Samuel Goldwyn Theater in Beverly Hills. The Alloy Orchestra will perform their score for the film, starring Clive Brook, Evelyn Brent, and George Bancroft. This will be the Boston-based orchestra’s only Los Angeles performance of Underworld this year.
Underworld, called the precursor — or at least the most notable precursor — of the gangster genre of the 1930s, features a ruthless mobster (Bancroft), his mistress (Brent), and his lawyer (Brook). Inevitably, romance and bullets ensue.
In 1929, at the first Academy Awards ceremony, Underworld won an [...]

Best Films – 1928

Evelyn Brent, Emil Jannings in The Last Command
FILM
The Crowd
d: King Vidor; scr: King Vidor, James V. A. Weaver; titles: Joseph W. Farnham
The Docks of New York
d: Josef von Sternberg; scr: Jules Furthman; titles: Julian Johnson
The Last Command
d: Josef von Sternberg; scr: John F. Goodrich; titles: Herman J. Mankiewicz
Sadie Thompson
d & scr: Raoul Walsh; titles: C. Gardner Sullivan
Street Angel
d: Frank Borzage; scr: Marion Orth, Philip Klein & Henry Roberts Symonds; titles: H. H. Caldwell & Katherine Hilliker
The Wind
d: Victor Sjöström; scr: Frances Marion
 

L’Argent by Marcel L’Herbier
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L’Argent
d: Marcel L’Herbier; scr: Marcel L’Herbier & Arthur Bernède
The Patsy
d: King Vidor; scr: Agnes Christine Johnson; titles: Ralph Spence
Show People
d: King Vidor; scr: Laurence Stallings & Agnes Christine Johnson; titles: Ralph [...]

Hedy Lamarr II: Arrival in Hollywood

Hedy Lamarr in Tortilla Flat

Hedy Lamarr – Q&A with Author Patrick Agan: Part I
Do you have a favorite Hedy Lamarr film and/or performance?
As for a favorite Lamarr performance, I would have to say Tortilla Flat is right up there. Her performance as the Mexican girl, Dolores, was amazing in its simplicity and clarity, and Karl Freund’s cinematography brought out an earthiness that she’d never shown before. This was a girl who knew she was beautiful, but she also knew there was much more to life than that and wasn’t ready to settle for anything less than a faithful husband with a job. Hedy had to go to the front office to get that part. The chemistry between her [...]

Marlene Dietrich, Carole Lombard, Mae West, Cecil B. DeMille DVD Sets

Universal (owner of the Paramount films of the studio era) has announced the release of the following box sets:
On April 4, three "Glamour Collection" sets:
The Carole Lombard Glamour Collection:
Man of the World (1931), We’re Not Dressing (1934), Hands Across the Table (1935), The Princess Comes Across (1936), Love Before Breakfast (1936), and True Confession (1937).
The Mae West Glamour Collection:
Night After Night (1932), I’m No Angel (1933), Goin’ to Town (1935), Go West Young Man (1936), and My Little Chickadee (1940, above).
The Marlene Dietrich Glamour Collection:
Morocco (1930), Blonde Venus (1932), The Devil Is a Woman (1935), The Flame of New Orleans (1941), and Golden Earrings (1947).
On May 23:
The Cecil B. DeMille Collection:
The Sign of the [...]