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	<title>Alternative Film Guide &#187; Josef von Sternberg</title>
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	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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		<title>UNDERWORLD Screening</title>
		<link>http://www.altfg.com/blog/classics/underworld-josef-von-sternberg-brent/</link>
		<comments>http://www.altfg.com/blog/classics/underworld-josef-von-sternberg-brent/#comments</comments>
		<pubDate>Wed, 03 Jun 2009 01:39:15 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Alloy Orchestra]]></category>
		<category><![CDATA[Ben Hecht]]></category>
		<category><![CDATA[Charles Furthman]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Clive Brook]]></category>
		<category><![CDATA[Crime Movies]]></category>
		<category><![CDATA[Evelyn Brent]]></category>
		<category><![CDATA[George Bancroft]]></category>
		<category><![CDATA[Josef von Sternberg]]></category>
		<category><![CDATA[Los Angeles Screenings]]></category>
		<category><![CDATA[Robert N. Lee]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Underworld]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=12846</guid>
		<description><![CDATA[
Evelyn Brent, Clive Brook in Underworld

Josef von Sternberg&#8217;s 1927 crime classic Underworld will be screened on Friday,  June 19, at 8 p.m. at  the Academy of Motion Picture Arts and Sciences&#8216; Samuel Goldwyn Theater in Beverly Hills. The Alloy  Orchestra will perform their score for the film,  starring Clive Brook, Evelyn Brent, and George Bancroft. This  will be the Boston-based orchestra’s only Los Angeles performance of Underworld this year.
Underworld, called the precursor &#8212; or at least the most notable precursor &#8212; of the gangster genre of the 1930s, features a ruthless mobster (Bancroft), his mistress (Brent), and his lawyer (Brook). Inevitably, romance and bullets ensue.
In 1929, at the first Academy Awards ceremony, Underworld won an [...]]]></description>
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		</item>
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		<title>Best Films &#8211; 1928</title>
		<link>http://www.altfg.com/blog/classics/best-films-of-1928/</link>
		<comments>http://www.altfg.com/blog/classics/best-films-of-1928/#comments</comments>
		<pubDate>Fri, 03 Apr 2009 01:56:10 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[A Woman of Affairs]]></category>
		<category><![CDATA[Agnes Christine Johnson]]></category>
		<category><![CDATA[Bert Glennon]]></category>
		<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Brigitte Helm]]></category>
		<category><![CDATA[Carl Hoffman]]></category>
		<category><![CDATA[Clarence Brown]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Drums of Love]]></category>
		<category><![CDATA[Eleanor Boardman]]></category>
		<category><![CDATA[Emil Jannings]]></category>
		<category><![CDATA[Erich von Stroheim]]></category>
		<category><![CDATA[Forbidden Hours]]></category>
		<category><![CDATA[Frank Borzage]]></category>
		<category><![CDATA[Gloria Swanson]]></category>
		<category><![CDATA[Greta Garbo]]></category>
		<category><![CDATA[Harold Rosson]]></category>
		<category><![CDATA[Harry Carey]]></category>
		<category><![CDATA[Janet Gaynor]]></category>
		<category><![CDATA[Josef von Sternberg]]></category>
		<category><![CDATA[Jules Furthman]]></category>
		<category><![CDATA[King Vidor]]></category>
		<category><![CDATA[L'Argent]]></category>
		<category><![CDATA[Lars Hanson]]></category>
		<category><![CDATA[Laurence Stallings]]></category>
		<category><![CDATA[Lillian Gish]]></category>
		<category><![CDATA[Marcel L'Herbier]]></category>
		<category><![CDATA[Marion Davies]]></category>
		<category><![CDATA[Olga Baclanova]]></category>
		<category><![CDATA[Phyllis Haver]]></category>
		<category><![CDATA[Pierre Alcover]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Raoul Walsh]]></category>
		<category><![CDATA[Sadie Thompson]]></category>
		<category><![CDATA[Sally O'Neil]]></category>
		<category><![CDATA[Show People]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Storm over Asia]]></category>
		<category><![CDATA[Street Angel]]></category>
		<category><![CDATA[The Cardboard Lover]]></category>
		<category><![CDATA[The Crowd]]></category>
		<category><![CDATA[The Docks of New York]]></category>
		<category><![CDATA[The Last Command]]></category>
		<category><![CDATA[The Patsy]]></category>
		<category><![CDATA[The Trail of '98]]></category>
		<category><![CDATA[The Wedding March]]></category>
		<category><![CDATA[The Wind]]></category>
		<category><![CDATA[Victor Sjöström]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=10056</guid>
		<description><![CDATA[

Evelyn Brent, Emil Jannings in The Last Command
FILM
The Crowd
d: King Vidor; scr: King Vidor, James V. A. Weaver; titles: Joseph W. Farnham
The Docks of New York
d: Josef von Sternberg; scr: Jules Furthman; titles: Julian Johnson
The Last Command
d: Josef von Sternberg; scr: John F. Goodrich; titles: Herman J. Mankiewicz 
Sadie Thompson
  d &#38; scr: Raoul Walsh; titles: C. Gardner Sullivan
Street Angel
d: Frank Borzage; scr: Marion Orth, Philip Klein &#38; Henry Roberts Symonds; titles: H. H. Caldwell &#38; Katherine Hilliker
The Wind
d: Victor Sjöström; scr: Frances Marion
&#160;

L&#8217;Argent by Marcel L&#8217;Herbier
CHECK THESE OUT
L&#8217;Argent
d: Marcel L&#8217;Herbier; scr: Marcel L&#8217;Herbier &#38; Arthur Bernède
The Patsy
d: King Vidor; scr: Agnes Christine Johnson; titles: Ralph Spence
Show People
d: King Vidor; scr: Laurence Stallings &#38; Agnes Christine Johnson; titles: Ralph [...]]]></description>
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		<item>
		<title>Hedy Lamarr II: Arrival in Hollywood</title>
		<link>http://www.altfg.com/blog/classics/hedy-lamarr-ii-arrival-in-hollywood/</link>
		<comments>http://www.altfg.com/blog/classics/hedy-lamarr-ii-arrival-in-hollywood/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 23:07:24 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Hedy Lamarr]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Josef von Sternberg]]></category>
		<category><![CDATA[Louis B. Mayer]]></category>
		<category><![CDATA[Patrick Agan]]></category>
		<category><![CDATA[Samson and Delilah]]></category>
		<category><![CDATA[The Female Animal]]></category>
		<category><![CDATA[Tortilla Flat]]></category>
		<category><![CDATA[White Cargo]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=17255</guid>
		<description><![CDATA[
Hedy Lamarr in Tortilla Flat

Hedy Lamarr &#8211; Q&#038;A with Author Patrick Agan: Part I
Do you have a favorite Hedy Lamarr film and/or performance? 
 As for a favorite Lamarr performance, I would have to say Tortilla Flat is right up there. Her performance as the Mexican girl, Dolores, was amazing in its simplicity and clarity, and Karl Freund&#8217;s cinematography brought out an earthiness that she&#8217;d never shown before. This was a girl who knew she was beautiful, but she also knew there was much more to life than that and wasn&#8217;t ready to settle for anything less than a faithful husband with a job. Hedy had to go to the front office to get that part. The chemistry between her [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marlene Dietrich, Carole Lombard, Mae West, Cecil B. DeMille DVD Sets</title>
		<link>http://www.altfg.com/blog/actors/dietrich-lombard-west-demille/</link>
		<comments>http://www.altfg.com/blog/actors/dietrich-lombard-west-demille/#comments</comments>
		<pubDate>Wed, 25 Jan 2006 07:50:38 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Classics]]></category>
		<category><![CDATA[DVDs]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Pre-Code Hollywood]]></category>
		<category><![CDATA[Carole Lombard]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Claudette Colbert]]></category>
		<category><![CDATA[Gary Cooper]]></category>
		<category><![CDATA[Josef von Sternberg]]></category>
		<category><![CDATA[Mae West]]></category>
		<category><![CDATA[Marlene Dietrich]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=344</guid>
		<description><![CDATA[
Universal (owner of the Paramount films of the studio era) has announced the release of the following box sets: 
On April 4, three &#34;Glamour Collection&#34; sets:
The Carole Lombard Glamour Collection: 
Man of the World (1931), We&#8217;re Not Dressing (1934), Hands Across the Table (1935), The Princess Comes Across (1936), Love Before Breakfast (1936), and True Confession (1937).
 The Mae West Glamour Collection: 
Night After Night (1932), I&#8217;m No Angel (1933), Goin&#8217; to Town (1935), Go West Young Man (1936), and My Little Chickadee (1940, above).
The Marlene Dietrich Glamour Collection: 
Morocco (1930), Blonde Venus (1932), The Devil Is a Woman (1935), The Flame of New Orleans (1941), and Golden Earrings (1947).
On May 23:
The Cecil B. DeMille Collection: 
The Sign of the [...]]]></description>
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