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London 2009: Amanda Seyfried, Julianne Moore, Atom Egoyan

Actresses Amanda Seyfried and Julianne Moore pose with director Atom Egoyan and producer (and oftentimes director) Ivan Reitman as they attend the Chloe photocall during the Times BFI 53rd London Film Festival at the Mayfair Hotel on October 22. (Photo by Samir Hussein/Getty Images)

Amanda Seyfried, Julianne Moore (Photo by Samir Hussein/Getty Images)

Julianne Moore (Photo by Samir Hussein/Getty Images)

London 2009: Julianne Moore, Amanda Seyfried

Julianne Moore, a potential Oscar 2010 candidate for A Single Man, and Amanda Seyfried at the premiere of Atom Egoyan’s thriller Chloe during the Times BFI 53rd London Film Festival at the Vue West End on October 22. (Photo by Chris Jackson/Getty Images)

Julianne Moore, Amanda Seyfried attending the Chloe photocall during the Times BFI 53rd London Film Festival at the Mayfair Hotel on October 22. (Photo by Samir Hussein/Getty Images)

Amanda Seyfried (Photo by Samir Hussein/Getty Images)

AFI FEST 2009: A SINGLE MAN – Closing Night Gala

Colin Firth, Matthew Goode in A Single Man

AFI FEST 2009’s Closing Night Gala presentation, the US premiere of Tom Ford’s A Single Man, will take place at Grauman’s Chinese Theatre in Hollywood on Thursday, November 5. (The festival, with screenings in Santa Monica, actually ends on Nov. 7.)
Based on a Christopher Isherwood novel, A Single Man chronicles a day — possibly the last one — in the life of a gay British college professor (Venice 2009 best actor Colin Firth) in the Los Angeles of the mid-’60s, as he seriously considers suicide following the unexpected death of his partner (Matthew Goode).
Written by Ford and David Scearce, A Single Man also features Julianne Moore (a likely best supporting actress [...]

Oscar 2010: Early Predictions – Best Supporting Actress

Best Supporting Actress

Penélope Cruz, Nine
A film director’s seductive mistress (if she’s half as tantalizing in the film as she is in the above photo, Cruz deserves not only a nod but the golden statuette itself)

Anna Kendrick, Up in the Air
A professional downsizer’s trainee

Mo’Nique, Precious: Based on the Novel ‘Push’ by Sapphire
A pregnant, illiterate teen’s Mom from Hell

Julianne Moore, A Single Man (with Colin Firth)
A married alcoholic pining for an English professor — who just happens to be both gay and suicidal

Emma Thompson, An Education
A school headmistress in 1960s London

The most disputed acting category in the 2010 Oscar race. In addition to the aforementioned five actresses, five others who could easily land a nomination (in case their movies open [...]

American Film Market 2009

The 30th American Film Market (AFM) to be held in Santa Monica between Nov. 4-11 will screen 445 films in 27 languages, including 73 world premieres and 311 market premieres, to an expected 8,000-plus film buyers and industry professionals from more than 70 countries.
Films making their world and/or market premieres include Get Low (above, top photo), starring Bill Murray, Sissy Spacek and Robert Duvall (K5 International); Unthinkable, starring Samuel L. Jackson (Sierra Pictures); Harry Brown, starring Michael Caine and Emily Mortimer (HanWay Films); Within The Whirlwind, directed by Marleen Gorris and starring Emily Watson (Telepool GmbH); Coach, starring Hugh Dancy, Liane Balaban and Mamie Gummer (Lightning Entertainment); [...]

A SINGLE MAN Photos

Colin Firth in A Single Man (top); Firth and Matthew Goode play lovers in A Single Man (bottom)

Winner of the Queer Lion for best gay-themed film, A Single Man chronicles the emotional struggles of a suicidal middle-aged college professor mourning the sudden death of his partner of 16 years in a car accident. During that period — one day in 1962 in Los Angeles (a time when gay sex was still illegal in California) — the world is facing the Cuban missile crisis.
Loosely based on Christopher Isherwood’s 1964 novel, A Single Man was directed by fashion designer-turned-filmmaker Tom Ford, and adapted by Ford and David Scearce.

Colin Firth, Julianne Moore in A Single Man

Colin Firth won the best actor award [...]

Venice 2009: Julianne Moore, Colin Firth

Tom Ford, Julianne Moore, best actor winner Colin Firth, Nicholas Hoult, Matthew Goode at the premiere of Queer Lion winner (for best film with a gay theme) A Single Man at the 2009 Venice Film Festival
Photos: Courtesy Venice Film Festival
Click on the photos to enlarge them.

Colin Firth

Nicholas Hoult

Venice 2009: Jared Leto, Julianne Moore, Colin Firth

Designer-turned-director Tom Ford, Julianne Moore, best actor winner Colin Firth at the A Single Man premiere at the 2009 Venice Film Festival
Photos: Courtesy Venice Film Festival
Click on the photos to enlarge them.

Julianne Moore

Jared Leto at the Mr. Nobody photocall

Best Films – 2002

A man is dead. Who among the greedy, ruthless, amoral singing-and-dancing suspects stuck in the snowbound countryside mansion has done it? 8 women is an acquired taste, bien sûr. What seems silly the first time around becomes increasingly wittier and funnier — though no less bizarre — with each repeated viewing. Beautifully shot by Jeanne Lapoirie and chock-full of bitingly sardonic lines and situations (adapted by director François Ozon and Marina de Van, from Robert Thomas’ play), this murder musical is dotted with 8 of the brightest stars of the French cinema of the last 7 (!) decades.
More than seventy years after her film début, Danielle Darrieux, in full form both as an actress and as a singer, joins [...]

THE HOURS d: Stephen Daldry

The Hours (2002)
Direction: Stephen Daldry
Screenplay: David Hare, from Michael Cunningham’s novel
Cast: Meryl Streep, Nicole Kidman, Julianne Moore, Ed Harris, Toni Collette, Allison Janney, Claire Danes, Jeff Daniels, Stephen Dillane, John C. Reilly, Miranda Richardson, Eileen Atkins
 

 

Michael Cunningham’s Pulitzer-winning The Hours uses Virginia Woolf’s 1925 novel Mrs. Dalloway (whose working title was "The Hours") as the link that binds its three leading female characters. Far apart in terms of time and space, those three disturbed, unhappy women have in common both the deadness of a life of self-abnegation and the living reality of death itself.
Despite gaps in the narrative, Stephen Daldry’s stabs at melodrama, and one poor central performance, The Hours stands as an intelligent and deeply moving achievement. Most [...]

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