J.D. Salinger and the Movies

Upon learning of author J.D. Salinger’s death at the age of 91, I immediately thought of Phil Alden Robinson’s Academy Award-nominated 1989 drama Field of Dreams, in which Kevin Costner’s character sets out to find a reclusive writer played by James Earl Jones.

In W.P Kinsella’s novel Shoeless Joe, the character is Salinger himself, but not surprisingly, the reclusive real-life Salinger refused to allow the use of his name in the film. Hence, Robinson and Universal were able to cast a black actor in the role of "Terence Mann."
According to the IMDb, the only feature based on a work by Salinger — in this case the short story "Uncle Wiggily in Connecticut" — is Mark Robson’s 1949 melodrama My Foolish [...]

Best Films – 1938

Lionel Barrymore, James Stewart, Jean Arthur, Edward Arnold in You Can’t Take It with You
FILM
The Adventures of Robin Hood
d: Michael Curtiz, William Keighley; scr: Seton I. Miller, Norman Reilly Raine
Bringing Up Baby
d: Howard Hawks; scr: Dudley Nichols, Hagar Wilde
Dramatic School
d: Robert B. Sinclair; scr: Ernest Vajda, Mary McCall Jr.
L’Etrange Monsieur Victor
d: Jean Grémillon; scr: Albert Valentin, Charles Spaak, Marcel Achard
Four Daughters
d: Michael Curtiz; scr: Lenore J. Coffee, Julius J. Epstein
If I Were King
d: Frank Lloyd; scr: Preston Sturges
The Lady Vanishes
d: Alfred Hitchcock; scr: Sidney Gilliat, Frank Launder
Marie Antoinette
d: W. S. Van Dyke; scr: Claudine West, Donald Ogden Stewart, Ernest Vajda
Vivacious Lady
d: George Stevens; scr: P. J. Wolfson, Ernest Pagano
You Can’t Take It with You
d: Frank Capra; scr: Robert Riskin
 

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CASABLANCA Vs. EVERYBODY COMES TO RICK’S

Worth checking out:
Martin N. Kriegl’s brief 2004 essay on the differences (in html) between Murray Burnett and Joan Alison’s "Everybody Comes to Rick’s," the unproduced play that was the basis for Casablanca, and the film’s screenplay credited to Philip G. Epstein, Julius J. Epstein, and Howard Koch.
Here are a couple of snippets from Kriegl’s text:
"Upon first reading both stage play and screenplay, one is tempted to jump to the conclusion that Casablanca is one of the rare occasions where a story, through adaptation from one medium to another, is elevated from a mediocre (if promising) source material to a gem of rare beauty. …
"The character Rick, a former rebel with apparently inviolable values and principles, who has lost [...]

CASABLANCA V d: Michael Curtiz

CASABLANCA IV – Ingrid Bergman
Casablanca is part of a two-disc DVD package, put out by Warner Bros. Disc one has the film in a transfer (1.33:1 aspect ratio) stunningly free of blemishes. The disc also has two theatrical trailers (the original and re-release trailers); an introduction by Bogart’s widow, Lauren Bacall; and two commentaries. The lesser one is by film historian Rudy Behlmer. It’s loaded with information on the making of the film, but Behlmer is just reading from a script of Warner Bros. inter-office memos about the film, and few of the facts are scene-specific. Behlmer’s monotone is also rather off-putting, and he rarely ventures an idea or [...]

Best Films – 1944

John Hodiak, Tallulah Bankhead in Lifeboat

FILM
I Bambini ci guardano / The Children Are Watching Us
d: Vittorio De Sica; scr: Cesare Zavattini, Vittorio De Sica, Cesare Giulio Viola, Adolfo Franci, Margherita Maglione, Gherardo Gherardi
Crime by Night
d: William Clemens; scr: Joel Malone, Richard Weil
Dragon Seed
d: Harold S. Bucquet, Jack Conway; scr: Jane Murfin, Marguerite Roberts
Laura
d: Otto Preminger; scr: Jay Dratter, Samuel Hoffenstein, Betty Reinhardt
Lifeboat
d: Alfred Hitchcock; scr: Jo Swerling
Mr. Skeffington
d: Vincent Sherman; scr: Julius J. Epstein, Phillip G. Epstein
This Happy Breed
d: David Lean; scr: Anthony Havelock-Allan, David Lean, Ronald Neame
The Uninvited
d: Lewis Allen; scr: Dodie Smith
 

Jennifer Jones, Robert Walker, Joseph Cotten in Since You Went Away
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Arsenic and Old Lace
d: Frank Capra; scr: Julius J. Epstein, Phillip G. Epstein
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