Nino Rota Articles
AMARCORD Review Pt.2 – Bruno Zanin, Magali Noël
Federico Fellini's Amarcord AMARCORD Review: Part I That most of the characters in the film, save one or two, either love or are indifferent to the Fascists is not a latter-day bourgeois forgiveness of their crimes, but a reflection of reality as it was in the 1930s. True, after the Fascists plunged Italy into the ruinous Second World War, they became reviled, but in the [...]