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Noel Coward Articles

CAVALCADE Review – Clive Brook, Diana Wynyard d: Frank Lloyd

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CAVALCADE (1933) Direction: Frank Lloyd Cast: Clive Brook, Diana Wynyard, Herbert Mundin, Una O'Connor, Beryl Mercer, Irene Browne, Merle Tottenham, Frank Lawton, Ursula Jeans, Margaret Lindsay Screenplay: Reginald Berkeley, Sonya Levien; from Noel Coward's 1931 play Oscar Movies, Pre-Code Movies Herbert Mundin, Diana Wynyard, Clive Brook, Una O'Connor, Cavalcade Synopsis: Upstairs, Robert and Jane Marryot (Clive Brook, Diana Wynyard), and downstairs, Alfred and Ellen Bridges [...]




BRIEF ENCOUNTER Review – Celia Johnson, Trevor Howard – d: David Lean

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BRIEF ENCOUNTER (1945) Direction: David Lean Cast: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey, Cyril Raymond Screenplay: David Lean, Ronald Neame, Anthony Havelock-Allan; from Noel Coward's play Still Life Oscar Movies Highly Recommended Celia Johnson, Trevor Howard, Brief Encounter Synopsis: A married doctor (Trevor Howard) and a housewife (Celia Johnson) have an adulterous (and platonic) affair. The Pros: Shadow-bathed, smoke-enshrouded railway stations (cinematography by [...]




BOOM! Review Pt. II: Elizabeth Taylor, Richard Burton, Noel Coward

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Joseph Losey's BOOM! Review Pt. I That evening, the Witch is seen roaming around at night howling "Sissy! Sissy!" He ends up in Chris' bedroom, pleading that Chris go home with him to Capri. The Witch then collapses on the bed. At that point, it's Chris' turn to wander around. He ends up in Miss Black's bedroom. When he leaves, he is confronted by a [...]




BOOM! d: Joseph Losey Scr: Tennessee Williams

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Boom! (1968) Direction: Joseph Losey Screenplay: Tennessee Williams; from his play The Milk Train Doesn't Stop Here Anymore Cast: Elizabeth Taylor, Richard Burton, Noel Coward, Joanna Shimkus, Michael Dunn, Romolo Valli Elizabeth Taylor, Boom! If you've never seen Elizabeth Taylor and Richard Burton's 1968 vanity production Boom!, don't feel singled out. Boom! bombed at the box office almost as soon as it blasted on the [...]




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