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	<title>Alternative Film Guide &#187; Oscar 2001</title>
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	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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		<title>An Evening with Sarah Kernochan: MARJOE, THOTH Screenings</title>
		<link>http://www.altfg.com/blog/awards/marjoe-thoth-sarah-kernochan/</link>
		<comments>http://www.altfg.com/blog/awards/marjoe-thoth-sarah-kernochan/#comments</comments>
		<pubDate>Fri, 29 Dec 2006 00:09:08 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Documentaries]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Howard Smith]]></category>
		<category><![CDATA[Marjoe]]></category>
		<category><![CDATA[Marjoe Gortner]]></category>
		<category><![CDATA[Monday Nights with  Oscar]]></category>
		<category><![CDATA[New York Screenings]]></category>
		<category><![CDATA[Oscar 1972]]></category>
		<category><![CDATA[Oscar 2001]]></category>
		<category><![CDATA[Oscar Movies]]></category>
		<category><![CDATA[Sarah Kernochan]]></category>
		<category><![CDATA[Stephen Kaufman]]></category>
		<category><![CDATA[Thoth]]></category>

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		<description><![CDATA[
&#34;Oscar&#8217;s Docs: An Evening with Sarah Kernochan&#34; will kick off the Academy of Motion Picture Arts and Sciences&#8217;s  2007 &#8220;Monday Nights with Oscar&#8221; series, with screenings of Kernochan&#8217;s two Academy Award-winning documentaries, the feature Marjoe (above) and the short Thoth, on Monday, January 8, at 7 p.m. at the Academy Theater at Lighthouse International in New York City.
Hosted by historian and journalist Perry L. van der Meer, the presentation will feature a post-screening chat with Sarah Kernochan.
Thoth spotlights Stephen Kaufman, aka Thoth, a performance artist in New York&#8217;s Central Park. The scantily dressed Thoth performs  one-man operas, aka &#8220;prayformances,&#8221; with violin accompaniment, so as to try &#34;to bring divine inspiration and healing to the world.&#34;
Marjoe, co-directed by Kernochan [...]]]></description>
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		<title>TRAINING DAY &#8211; Denzel Washington, Ethan Hawke</title>
		<link>http://www.altfg.com/blog/film-reviews/training-day-fuqua-washington-hawke/</link>
		<comments>http://www.altfg.com/blog/film-reviews/training-day-fuqua-washington-hawke/#comments</comments>
		<pubDate>Mon, 18 Oct 2004 21:52:27 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Antoine Fuqua]]></category>
		<category><![CDATA[Crime Movies]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[Ethan Hawke]]></category>
		<category><![CDATA[Eva Mendes]]></category>
		<category><![CDATA[Macy Gray]]></category>
		<category><![CDATA[Oscar 2001]]></category>
		<category><![CDATA[Oscar Movies]]></category>
		<category><![CDATA[Training Day]]></category>

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		<description><![CDATA[
Training Day (2001)
Direction: Antoine Fuqua
Screenplay: David Ayer
Cast: Denzel Washington, Ethan Hawke, Scott Glenn, Tom Berenger, Harris Yulin, Macy Gray, Eva Mendes, Raymond J. Barry, Dr. Dre
&#160;

&#160;

Every few years, the Los Angeles Police Department gets embroiled in one scandal or other. The public is then told that the problem has been caused by a few bad apples; the system itself remains spotlessly clean. We get to taste quite a few of those bad apples in Training Day, a 2001 thriller that depicts a police culture embedded in corruption and violence. As such, the film could have become an early 21st-century Chinatown &#8212; a  reflection of a city and a society so corrupt that nothing and no one are what they [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>MULHOLLAND DR. &#8211; Naomi Watts &#8211; d: David Lynch</title>
		<link>http://www.altfg.com/blog/film-reviews/mulholland-drive-david-lynch/</link>
		<comments>http://www.altfg.com/blog/film-reviews/mulholland-drive-david-lynch/#comments</comments>
		<pubDate>Mon, 18 Oct 2004 01:01:24 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Angelo Badalamenti]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Films on Filmmaking]]></category>
		<category><![CDATA[Five-Star Gay Movies]]></category>
		<category><![CDATA[Five-Star Movies]]></category>
		<category><![CDATA[Five-Star Oscar Nominees]]></category>
		<category><![CDATA[Justin Theroux]]></category>
		<category><![CDATA[Laura Elena Harring]]></category>
		<category><![CDATA[Lesbian Interest]]></category>
		<category><![CDATA[Mulholland Dr.]]></category>
		<category><![CDATA[Naomi Watts]]></category>
		<category><![CDATA[Oscar 2001]]></category>
		<category><![CDATA[Oscar Movies]]></category>

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Mulholland Dr. (2001)
Direction and screenplay: David Lynch
Cast: Naomi Watts, Justin Theroux, Laura Elena Harring, Dan Hedaya, Ann Miller, Robert Forster, Lee Grant, Chad Everett, Billy Ray Cyrus
&#160;

&#160;

Mulholland Dr., David Lynch&#8217;s nightmarish take on Hollywood and on the pursuit of the &#34;American Dream,&#34; is impossible to pigeonhole as belonging to a particular genre. The film is part black comedy, part mystery thriller, part psychological drama, part horror movie &#8212; it boasts one of the most horrific endings ever filmed. The final result is a long, bizarre &#8212; and brilliant &#8212; journey through an ambitious actress&#8217; psyche; the most haunting such journey since the one undertaken in Sunset Blvd. more than half a century earlier.
Curiously, Mulholland Dr. was to have become a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>MONSTER&#8217;S BALL &#8211; Billy Bob Thornton, Halle Berry</title>
		<link>http://www.altfg.com/blog/film-reviews/monsters-ball-marc-forster/</link>
		<comments>http://www.altfg.com/blog/film-reviews/monsters-ball-marc-forster/#comments</comments>
		<pubDate>Thu, 14 Oct 2004 22:06:28 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Billy Bob Thornton]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Heath Ledger]]></category>
		<category><![CDATA[Marc Forster]]></category>
		<category><![CDATA[Monster's Ball]]></category>
		<category><![CDATA[Oscar 2001]]></category>
		<category><![CDATA[Oscar Movies]]></category>
		<category><![CDATA[Peter Boyle]]></category>
		<category><![CDATA[Sex]]></category>

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		<description><![CDATA[
Monster&#8217;s Ball (2001)
Director: Marc Forster
Screenplay: Milo Addica and Will Rokos
Cast: Billy Bob Thornton, Halle Berry, Heath Ledger, Peter Boyle, Sean Combs, Mos Def, Coronji Calhoun
&#160;


&#160;
In Monster&#8217;s Ball &#8212; the title refers to the macabre partying held the night before the execution of a death-row inmate &#8212;  first-time screenwriters Milo Addica and Will Rokos join forces with third-time feature-film director Marc Forster to create a motion picture  of powerful moments. Those range from the film&#8217;s dream-like introduction to an uncomfortable and surprisingly explicit sex scene. Other memorable sequences include the suicide of a young man in front of his stunned father, a  graphic electric chair execution, and the sight of a bereaved widow watching her son die in [...]]]></description>
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		<slash:comments>2</slash:comments>
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