Cannes 2009 Aftermath at the LA WEEKLY
Philippe Garnier on Cannes 2009, in the LA Weekly:
"By this time, news should be out everywhere that Cannes this year was a special vintage. Not only did most of the selected ‘usual suspects’ outdo themselves in big and unexpected ways — or, like Alain Resnais, find new resources and verve which, frankly, we didn’t know they had in them — but it is also a measure of how shockingly strong this year was that the fest still had room for very good fare in the 20-film Un Certain Regard sidebar, from Israeli first-timer Haim Tabakman’s Eyes Wide Open [above] to the wonderful Colombian entry The Wind Journeys by Ciro Guerra, in which an [...]
by Irene Young | May 28, 2009
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Tags: Alain Resnais, Caché, Cannes 2009, Cannes Film Festival, Christian Friedel, Ciro Guerra, Eyes Wide Open, Film Festivals, Funny Games, Haim Tabakman, Hidden, LA Weekly, Palme d'Or, Philippe Garnier, Scott Foundas, The White Ribbon, The Wind Journeys, Un Certain Regard
Cannes 2009: Palme d’Or Favorites
Palme d’Or 2009, Grand Prix, Special Jury Prize:
Alain Resnais‘ romantic fantasy Wild Grass (adapted by Alex Reval and Laurent Herbiet from Christian Gailly’s novel), about a man who becomes intrigued by a younger woman
Jacques Audiard’s tough prison drama A Prophet (written by Audiard, Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit)
Writer-director Michael Haneke’s The White Ribbon, about a northern German community enmeshed in a series of nasty events right before the beginning of World War I
Writer-director Jane Campion’s Bright Star, about the doomed love affair between British poet John Keats and his neighbor, Fanny Brawne
Photos: Courtesy Festival de Cannes
by Massimo David | May 22, 2009
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Tags: A Prophet, Abbie Cornish, Abdel Raouf Dafri, Alain Resnais, Alex Reval, André Dussollier, Ben Whishaw, Bright Star, Cannes 2009, Cannes Film Festival, Christian Gailly, Das Weisse Band, Fanny Brawne, Film Awards, Film Fetivals, Jacques Audiard, Jane Campion, John Keats, Laurent Herbiet, Les Herbes folles, Michael Haneke, Nicolas Peufaillit, Palme d'Or, Sabine Azéma, Tahar Rahim, The White Ribbon, Thomas Bidegain, Wild Grass
Luis Buñuel’s VIRIDIANA Screening
Viridiana, Luis Buñuel’s provocative 1961 Palme d’Or-winning classic proving that life is a bitch and then you play cards, will run at New York City’s Film Forum from Friday, April 24, through Thursday, April 30.
Inspired by a painting of Saint Viridiana kneeling on the floor before a crucifix and crown of thorns (and by Benito Pérez Galdós‘ novel Halma), co-written by Buñuel and Julio Alejandro, and financed by the lead actress’ rich husband, Viridiana stars Silvia Pinal (recently honored with a Lifetime Achievement Ariel Award), as a pious young nun who, before entering a cloister, goes visit her strange and reclusive uncle (Fernando Rey). There, while trying to do Good, she befriends the [...]
by Andre Soares | April 13, 2009
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Tags: Benito Perez Galdos, Blasphemy, Censorship, Classic Movies, Fernando Rey, Film Forum, Francisco Rabal, Janus Films, Last Supper, Luis Bunuel, New York Screenings, Nuns, Palme d'Or, Political Movies, Religion, Sex, Silvia Pinal, Socially Conscious Movies, Underground Movies, Viridiana
