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	<title>Alternative Film Guide &#187; Pascale Ferran</title>
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	<description>thinking film</description>
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		<title>César Awards 2007 Winners</title>
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		<pubDate>Sun, 25 Feb 2007 20:50:31 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[César Awards]]></category>
		<category><![CDATA[César Awards 2007]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Guillaume Canet]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Marina Hands]]></category>
		<category><![CDATA[Pascale Ferran]]></category>
		<category><![CDATA[Sabine Azéma]]></category>
		<category><![CDATA[Tell No One]]></category>
		<category><![CDATA[Valérie Lemercier]]></category>

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Marina Hands in Lady Chatterley by Pascale Ferran

Perhaps there&#8217;s hope for this evening&#8217;s Oscar ceremony.
On Saturday, I watched (most of) the French Academy of Film Arts and Sciences&#8216; 32nd César du cinéma ceremony held last night (late morning/early afternoon Los Angeles time) at the Théâtre du Châtelet in Paris.
The event, hosted by actress Valérie Lemercier and dedicated to recently deceased French film icon Philippe Noiret, was apparently directed by former U.S. vice president Al Gore, who made sure that winners and presenters attended a class or two at the Greer Garson School of Speech Making. (For those who don&#8217;t know: At the 1943 Academy Awards ceremony, best actress winner Garson supposedly gave the most long-winded acceptance speech in Oscar history.)
In [...]]]></description>
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		<title>César 2007 Nominations</title>
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		<pubDate>Thu, 15 Feb 2007 10:36:32 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Avenue Montaigne]]></category>
		<category><![CDATA[Cécile de France]]></category>
		<category><![CDATA[César 2007]]></category>
		<category><![CDATA[César Awards]]></category>
		<category><![CDATA[Days of Glory]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[François Cluzet]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Mélanie Laurent]]></category>
		<category><![CDATA[Pascale Ferran]]></category>
		<category><![CDATA[Private Fears in Public Places]]></category>
		<category><![CDATA[Rachid Bouchareb]]></category>
		<category><![CDATA[The Singer]]></category>

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Lambert Wilson, Laura Morante in Private Fears in Public Places (top); Marina Hands in Lady Chatterley (middle); Samy Naceri in Days of Glory (bottom)

The best thing about the 2007 César  nominations is the fact that Alain Resnais&#8216;  beautiful, haunting, magical  Coeurs / Private Fears in Public Places received a total of 8 nominations, including a best director nod for Resnais himself, and a best screenplay nod for Jean-Michel Ribes&#8216; adaptation of Alan Ayckbourn&#8217;s play.
The worst thing about the 2007 César  nominations is the fact that Alain Resnais&#8216; beautiful, haunting, magical  Coeurs / Private Fears in Public Places failed to receive a nomination in the best film category. Adding insult to injury, none of the film&#8217;s [...]]]></description>
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