Best Films – 1927
Ramon Novarro, Norma Shearer in The Student Prince in Old Heidelberg
FILM
Breakfast at Sunrise
d: Malcolm St. Clair; scr: Fred De Gresac, Gladys Unger
The Enemy
d: Fred Niblo; scr: Willis Goldbeck, Agnes Christine Johnston; titles: John Colton
The Student Prince in Old Heidelberg
d: Ernst Lubitsch; scr: Hans Kräly; titles: Marion Ainslee, Ruth Cummings
The Unknown
d: Tod Browning; scr: Waldemar Young; titles: Joseph W. Farnham
The Valley of the Giants
d: Charles Brabin; scr: Gordon Rigby
George O’Brien, Janet Gaynor in Sunrise
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The Cat and the Canary
d: Paul Leni; scr: Alfred A. Cohn, Robert F. Hill; titles: Walter Anthony
Die Liebe der Jeanne Ney / The Love of Jeanne Ney
d: G. W. Pabst; scr: [...]
by Andre Soares | April 2, 2009
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Tags: Abel Gance, Benjamin Glazer, Best Films, Breakfast at Sunrise, Brigitte Helm, Charles Brabin, Classic Movies, Constance Talmadge, Ernest Palmer, Ernst Lubitsch, Flora Finch, Fred Niblo, Fritz Arno Wagner, H. H. Caldwell, Hal Mohr, Hans Kraly, Janet Gaynor, Jean Hersholt, Katherine Hilliker, Lon Chaney, Malcolm St. Clair, Marion Davies, Napoleon, Norma Shearer, Paul Leni, Ramon Novarro, Silent Films, Sunrise, Ted McCord, The Cat and the Canary, The Enemy, The Student Prince in Old Heidelberg, The Unknown, The Valley of the Giants, Tod Browning, Willis Goldbeck
Buster Keaton, SUNRISE, THE CAT AND THE CANARY: San Francisco Silent Film Festival Screenings
Martha Mattox, Laura La Plante in The Cat and the Canary (top); Buster Keaton in Our Hospitality (bottom)
The San Francisco Silent Film Festival will present a special series of screenings on Valentine’s Day, Saturday, February 14, at the Castro Theatre. The screening films are the Buster Keaton vehicle Our Hospitality (1923), the Russian comedy A Kiss from Mary Pickford (1927), F. W. Murnau’s Academy Award winner (for "Best Unique and Artistic Quality of Production") Sunrise (1927), and the haunted-house caper The Cat and the Canary (1927).
I haven’t seen either Our Hospitality or A Kiss from Mary Pickford. I’m not a silent-comedy fan, so Keaton films are usually a low priority (though I’ve stone-facedly sat through quite a few [...]
