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	<title>Alternative Film Guide &#187; Private Fears in Public Places</title>
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	<description>thinking film</description>
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		<title>Critics&#8217; Choices</title>
		<link>http://www.altfg.com/blog/awards/richard-corliss-critics-article/</link>
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		<pubDate>Fri, 14 Dec 2007 00:56:17 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[André Dussollier]]></category>
		<category><![CDATA[Away from Her]]></category>
		<category><![CDATA[Cries and Whispers]]></category>
		<category><![CDATA[Critics Choices]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Julie Christie]]></category>
		<category><![CDATA[Private Fears in Public Places]]></category>
		<category><![CDATA[Richard Corliss]]></category>

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In Time, Richard Corliss on the New York Film Critics&#8216; picks: 
 &#34;I sprinted down the corridors of TIME this afternoon, eager to spread the news of the New York Film Critics Circle voting for the year&#8217;s best films. The winner, in the film, director, screenplay and supporting actor categories? The Coen brothers&#8216; No Country for Old Men, which three different people told me they&#8217;d been meaning to see. The runner-up, with wins for best actor and cinematographer? There Will Be Blood, an audience-punishing epic that doesn&#8217;t open for another two weeks. Best actress? Julie Christie, in Away From Her [above, with Gordon Pinsent], which earned less than $5 million in its North American release.
&#34;I didn&#8217;t even tell them that [...]]]></description>
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		<title>César 2007 Nominations</title>
		<link>http://www.altfg.com/blog/awards/cesar-awards-2007-nominations/</link>
		<comments>http://www.altfg.com/blog/awards/cesar-awards-2007-nominations/#comments</comments>
		<pubDate>Thu, 15 Feb 2007 10:36:32 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Avenue Montaigne]]></category>
		<category><![CDATA[Cécile de France]]></category>
		<category><![CDATA[César 2007]]></category>
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		<category><![CDATA[Days of Glory]]></category>
		<category><![CDATA[Film Awards]]></category>
		<category><![CDATA[François Cluzet]]></category>
		<category><![CDATA[Lady Chatterley]]></category>
		<category><![CDATA[Mélanie Laurent]]></category>
		<category><![CDATA[Pascale Ferran]]></category>
		<category><![CDATA[Private Fears in Public Places]]></category>
		<category><![CDATA[Rachid Bouchareb]]></category>
		<category><![CDATA[The Singer]]></category>

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Lambert Wilson, Laura Morante in Private Fears in Public Places (top); Marina Hands in Lady Chatterley (middle); Samy Naceri in Days of Glory (bottom)

The best thing about the 2007 César  nominations is the fact that Alain Resnais&#8216;  beautiful, haunting, magical  Coeurs / Private Fears in Public Places received a total of 8 nominations, including a best director nod for Resnais himself, and a best screenplay nod for Jean-Michel Ribes&#8216; adaptation of Alan Ayckbourn&#8217;s play.
The worst thing about the 2007 César  nominations is the fact that Alain Resnais&#8216; beautiful, haunting, magical  Coeurs / Private Fears in Public Places failed to receive a nomination in the best film category. Adding insult to injury, none of the film&#8217;s [...]]]></description>
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