A TALE OF TWO CITIES d: Jack Conway

A Tale of Two Cities (1935)
Direction: Jack Conway
Screenplay: W. P. Lipscomb and S. N. Behrman; from Charles Dickens’ novel
Cast: Ronald Colman, Elizabeth Allan, Edna May Oliver, Reginald Owen, Basil Rathbone, Blanche Yurka, Donald Woods, Lucille La Verne, Henry B. Walthall, H. B. Warner, Walter Catlett, Fritz Leiber, Isabel Jewell, Tully Marshall, Mitchell Lewis, Robert Warwick
 

 

Although not as widely known as other big Old Hollywood productions, David O. Selznick’s film adaptation of Charles Dickens’s A Tale of Two Cities, set during the time of the French Revolution, is far, far better than most of the other period dramas made during the studio era.
Starring former silent-screen heartthrob Ronald Colman; featuring respected supporting players such as Edna May Oliver, [...]

QUEEN CHRISTINA – Greta Garbo, John Gilbert

Queen Christina (1933)
Direction: Rouben Mamoulian
Screenplay: H. M. Harwood and S. N. Behrman
Cast: Greta Garbo, John Gilbert, Ian Keith, Lewis Stone, Elizabeth Young, C. Aubrey Smith, Reginald Owen, David Torrence
 

 

One of the most ambitious productions of the early 1930s, Queen Christina remains surprisingly modern in its execution thanks in large part to Rouben Mamoulian’s assured hand. Those looking for historical accuracy in the film, however, will be greatly disappointed, for credited screenwriters H. M. Harwood and S. N. Behrman kept themselves busy concocting a highly fictionalized version of the Swedish queen; one who experiences an all-consuming and ultimately tragic love affair with a Spanish envoy. (Garbo biographer Mark Vieira explains [see below] that credited screenwriter — and close Garbo friend [...]

THE LETTER – Jeanne Eagels

The Letter (1929)
Direction: Jean de Limur
Screenplay: Garrett Fort, from W. Somerset Maugham’s 1927 play
Cast: Jeanne Eagels, O. P. Heggie, Reginald Owen, Herbert Marshall, Irene Browne, Lady Tsen Mei, Tamaki Yoshiwara

 
Having seen William Wyler’s masterful 1940 adaptation of Somerset Maugham’s The Letter and having read quite a bit about Broadway star Jeanne Eagels‘ remarkable talent, I was expecting to find at least a modicum of quality in Jean de Limur’s 1929 version of the tale. I was greatly disappointed even though the plot is basically the same as the one found in the Wyler version:
Stuck on a Malayan rubber plantation with her aloof older husband (Reginald Owen), British subject Leslie Crosbie (Eagels) finds affection in the person of [...]