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	<title>Alternative Film Guide &#187; Robert Wise</title>
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	<link>http://www.altfg.com/blog</link>
	<description>thinking film</description>
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		<title>STAR TREK: THE MOTION PICTURE at the Egyptian</title>
		<link>http://www.altfg.com/blog/classics/star-trek-the-motion-picture-screening/</link>
		<comments>http://www.altfg.com/blog/classics/star-trek-the-motion-picture-screening/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 23:14:53 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[American Cinematheque]]></category>
		<category><![CDATA[Darin R. Dochterman]]></category>
		<category><![CDATA[Egyptian Theatre]]></category>
		<category><![CDATA[Leonard Nimoy]]></category>
		<category><![CDATA[Los Angeles Screenings]]></category>
		<category><![CDATA[Persis Khambatta]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Star Trek: The Motion Picture]]></category>
		<category><![CDATA[Stephen Collins]]></category>
		<category><![CDATA[Visual Effects]]></category>
		<category><![CDATA[William Shatner]]></category>

		<guid isPermaLink="false">http://www.altfg.com/blog/?p=16584</guid>
		<description><![CDATA[
DeForest Kelley, William Shatner, Stephen Collins, Leonard Nimoy in Star Trek: The Motion Picture

The director&#8217;s cut of Star Trek: The Motion Picture will be screened at the American Cinematheque&#8217;s Egyptian Theatre on Sunday, Sept. 27, at 5:30 pm. Pre-show elements begin at 5 pm.
As per the Cinematheque&#8217;s press release, &#34;this program will review the full spectrum of Star Trek’s visual achievements and its contributions to the art of narrative design for science fiction. Production Designers John Jefferies, Joseph R. Jennings, Herman Zimmerman and Scott Chambliss, along with moderator and VFX artist Darin R. Dochterman, will take us on a journey using visual clip pods based on design themes such as the ships, the bridge, alien worlds, gadgets &#38; gizmos, and [...]]]></description>
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		<title>THE LIMEY II &#8211; Terence Stamp</title>
		<link>http://www.altfg.com/blog/film-reviews/the-limey-terence-stamp-peter-fonda/</link>
		<comments>http://www.altfg.com/blog/film-reviews/the-limey-terence-stamp-peter-fonda/#comments</comments>
		<pubDate>Mon, 04 May 2009 18:04:33 +0000</pubDate>
		<dc:creator>Dan Schneider</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Amelia Heinle]]></category>
		<category><![CDATA[Barry Newman]]></category>
		<category><![CDATA[DVDs]]></category>
		<category><![CDATA[Gena Rowlands]]></category>
		<category><![CDATA[Jacques Tourneur]]></category>
		<category><![CDATA[Joe Dallesandro]]></category>
		<category><![CDATA[Lem Dobbs]]></category>
		<category><![CDATA[Lesley Ann Warren]]></category>
		<category><![CDATA[Luis Guzmán]]></category>
		<category><![CDATA[Melissa George]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Nicky Katt]]></category>
		<category><![CDATA[Peter Fonda]]></category>
		<category><![CDATA[Psychological Drama]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terence Stamp]]></category>
		<category><![CDATA[The Limey]]></category>
		<category><![CDATA[Thrillers]]></category>
		<category><![CDATA[Woody Allen]]></category>

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		<description><![CDATA[
THE LIMEY &#8211; Part I
Aside from memory, there are superbly rendered details that distill the characters: Wilson radiates  affection for Eduardo’s help in tracking down Valentine by fondly calling him  Sancho (as in Panza). All of these things &#8212; along with Eduardo’s and Elaine’s  motivations, and the portrayal of the relationship between the hitmen &#8212; work well. In fact, they work so well  precisely because there are no specifics, but generalities sharply   etched so that the viewer ‘feels,’ as well as understands, the motivations  and relationships. That allows the viewer to feel what goes on inside Wilson, thus creating a stronger identification with him than would be  gotten were all things laid [...]]]></description>
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		<title>Robert Mitchum Interviewed by Roger Ebert</title>
		<link>http://www.altfg.com/blog/actors/roger-ebert-interviews-robert-mitchum/</link>
		<comments>http://www.altfg.com/blog/actors/roger-ebert-interviews-robert-mitchum/#comments</comments>
		<pubDate>Thu, 06 Dec 2007 22:51:11 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Charles Laughton]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Deborah Kerr]]></category>
		<category><![CDATA[Out of the Past]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Shirley MacLaine]]></category>
		<category><![CDATA[The Night of the Hunter]]></category>
		<category><![CDATA[The Sundowners]]></category>

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Robert Mitchum in Charles Laughton&#8217;s The Night of the Hunter

Via Rogerebert.com:
&#34;He [Robert Mitchum] was my favorite movie star, and my favorite interview. He would tell you anything. He fearlessly maligned his directors, co-stars, even actors he had never worked with. ([Steve] McQueen? &#8216;He doesn&#8217;t bring much to the party.&#8217;) He was once called &#8216;the embodiment of film noir,&#8217; and that was about right.
&#34;In &#8216;From the Archives&#8217; this week, I&#8217;m reprinting four of the seven or eight interviews I did with Mitch. The first three take place between 1969 and 1971, during and after he made Ryan&#8217;s Daughter. The fourth is at a tribute some 20 years later. You get a sense of his irreverence, his refusal to take himself seriously, [...]]]></description>
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