Cannes 2009: INGLOURIOUS BASTERDS

Brad Pitt in Inglourious Basterds

Richard Corliss/Mary Corliss in Time:
"… Inglourious Basterds — first word as in "glower," second as in "turds" — is an alternative history of World War II from the writer-director of Pulp Fiction, the Palme d’Or winner 15 years ago. As with all of his recent work — the two Kill Bill movies and Death Proof — Basterds draws portraits of strong women facing down evil men; and in Shoshanna (Mélanie Laurent) and Third Reich screen star Bridget von Hammersmark (Diane Kruger) he’s created two of his fullest female portraits. But Basterds is long and, for the hypercharged auteur, surprisingly wan. It has to be declared a misfire."
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J. Hoberman in The Village Voice:
"So what is [...]

Jack Cardiff

Cinematographer and director Jack Cardiff, one of the early masters of color cinematography, has died. He was 94.
Cardiff’s work as a cinematographer was quite eclectic, ranging from his partnership with Michael Powell and Emeric Pressburger in the British-made Black Narcissus (1945) and The Red Shoes (1948) to prestigious international productions such as John Huston’s The African Queen (1951) and King Vidor’s War and Peace (1956), and to low-brow commercial fare such as Conan the Destroyer (1984) and Rambo: First Blood Part II (1985).
I’ve never watched Conan or Rambo, but I have watched more than 20 of Cardiff’s 60 or so features, and I can testify that whether working in art-house or commercial fare, Cardiff’s cinematography was invariably one [...]