Best Films – 1924
Erich von Stroheim’s masterpiece and one of the best silent films ever made, Greed remains a powerful indictment against the deadly sin of the title. Based on Frank Norris‘ McTeague, the film revolves around the misdeeds of a California dentist (Gibson Gowland, center), his miserly wife (ZaSu Pitts, left), and her former lover (Jean Hersholt, not in the above picture), all of whom sacrifice their selves to the all-powerful God of Dollar Bills. Stroheim’s initial cut had 47 reels, though eventually Greed was pared down to 10 reels (approximately 2h15m). That is all that is known to survive from the original film. But in spite of the drastic cuts, many of Stroheim’s magnificently perverted excesses are very much [...]
by Andre Soares | April 2, 2009
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Tags: Best Films, Classic Movies, Conrad Veidt, Douglas Fairbanks, Eleanor Boardman, Emil Jannings, Enid Bennett, Erich von Stroheim, George Hackathorne, Gibson Gowland, Greed, He Who Gets Slapped, Laura La Plante, Lon Chaney, Norma Shearer, Richard Barthelmess, Silent Films, The Enchanted Cottage, The Last Laugh, The Sea Hawk, The Thief of Bagdad, The Turmoil, Victor Sjöström, ZaSu Pitts
Best Films – 1945
Celia Johnson, Trevor Howard in Brief Encounter
FILM
Blithe Spirit
d: David Lean; scr: Noel Coward
Boule de suif / Angel and Sinner
d: Christian-Jaque; scr: Henri Jeanson
Brief Encounter
d: David Lean; scr: Noel Coward, Anthony Havelock-Allan, David Lean, Ronald Neame
Dead of Night
d: Alberto Cavalcanti, Charles Crichton, Basil Dearden, Robert Hamer; scr: John Baines, Angus MacPhail
Les Enfants du paradis / Children of Paradise
d: Marcel Carné; scr: Jacques Prévert
Leave Her to Heaven
d: John M. Stahl; scr: Jo Swerling
Love Letters
d: William Dieterle; scr: Ayn Rand
Mildred Pierce
d: Michael Curtiz; scr: Ranald McDougall, Catherine Turney
A Royal Scandal
d: Otto Preminger; scr: Edwin Justus Mayer
State Fair
d: Walter Lang; scr: Paul Green, Oscar Hammerstein II, Sonya Levien
A Tree Grows in Brooklyn
d: Elia Kazan; scr: Tess Slesinger, Frank [...]
by Andre Soares | August 31, 2004
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Tags: A Royal Scandal, A Song to Remember, A Tree Grows in Brooklyn, Alberto Cavalcanti, Aldo Fabrizi, Alexis Smith, Along Came Jones, Angel and Sinner, Ann Blyth, Anna Magnani, Anthony Havelock-Allan, Ayn Rand, Basil Dearden, Best Films, Blithe Spirit, Boris Karloff, Boule de suif, Brief Encounter, Caesar and Cleopatra, Casey Robinson, Catherine Turney, Celia Johnson, Charles Coburn, Charles Crichton, Children of Paradise, Classic Movies, Claude Rains, Confidential Agent, Constance Cummings, Cyril Raymond, David Lean, Dead of Night, DeWitt Bodeen, Donna Reed, Dorothy McGuire, Douglas Slocombe, Edward Cronjager, Edward G. Robinson, Edwin Justus Mayer, Eleanor Parker, Elia Kazan, Ernest Haller, Eve Arden, Federico Fellini, Frank Davis, Franz Waxman, Gary Cooper, Gene Lockhart, Gene Tierney, Harry Stradling, Henri Jeanson, Herman J. Mankiewicz, Ivan the Terrible, Jacques Prevert, James Dunn, Jennifer Jones, Jo Swerling, Joan Blondell, Joan Crawford, Joan Lorring, John Cromwell, John M. Stahl, Kay Hammond, Leave Her to Heaven, Lee Garmes, Leon Shamroy, Les Enfants du Paradis, Love Letters, Marcel Carne, Margaret Rutherford, María Casarès, Max Steiner, Michael Curtiz, Michael Redgrave, Micheline Presle, Mildred Pierce, Nob Hill, Noel Coward, Open City, Oscar Hammerstein II, Otto Preminger, Pavel Kadochnikov, Peggy Ann Garner, Pierre Brasseur, Pride of the Marines, Ranald McDougall, Rhapsody in Blue, Richard Rodgers, Robert Hamer, Robert Krasker, Roma citta aperta, Ronald Neame, Scarlet Street, Sergio Amidei, State Fair, Tallulah Bankhead, Ted Tetzlaff, Tess Slesinger, The Body Snatcher, The Corn Is Green, The Enchanted Cottage, The House on 92nd Street, The Picture of Dorian Gray, The Southerner, The Woman in the Window, They Were Expendable, Tony Gaudio, Trevor Howard, Victor Young, Vincent Price, Walter Lang, William Dieterle, Zachary Scott