Cannes 2009: Jane Campion, Alain Resnais, Brillante Mendoza, Johnnie To, Lou Ye

Peter Bradshaw on Bright Star (with Abbie Cornish and Ben Whishaw, above) in The Guardian:
"Jane Campion has put herself in line for her second Palme d’Or here at the Cannes film festival with a film which I think could be the best of her career; an affecting and deeply considered study of the last years in the short life of John Keats, and the ecstasy of loss which suffuses his love affair with Fanny Brawne – a love thwarted not due to illness, but to a pernicious web of money worries, social scruples and irrelevant male loyalties."
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Maggie Lee on Kinatay in The Hollywood Reporter:
"Festival darling Brillante Mendoza’s Kinatay is a long night’s journey into the [...]

Cannes 2009: Pedro Almodóvar’s BROKEN EMBRACES

Broken Embraces: Pedro Almodóvar on the set (top); Penélope Cruz as the heroine (bottom).
In the mystery-melodrama, a director and his female star begin a passionate love affair that leads to all sorts of trouble.

Wendy Ide in The [London] Times:
"Certainly, it is unmistakably an Almodovar film. Nobody else does richly-textured melodrama quite like him; nobody else can encourage such overwrought performances without unbalancing the film; nobody else shoots Penélope Cruz with a reverence which borders on fan-worship. But what’s missing here is the warmth and emotional honesty that infuses Almodovar’s most successful features. What’s missing is, arguably, Almodovar himself."
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Eric Kohn in indieWIRE:
"Pedro Almodovar offers nothing new in his [...]

Tribeca 2009: Woody Allen’s WHATEVER WORKS

Eric Kohn at indieWIRE:
"Marked by interchangeably trite and witty dialogue, Whatever Works is the definition of a minor Woody Allen movie. The director’s triumphant return to New York City after several years of European excursions finds him in familiar, if not exemplary, form. Most people on the Allen bandwagon will likely view this outing as a charming mediocrity."
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Frank Scheck in The Hollywood Reporter:
"Marking Woody Allen’s first NYC-shot film in five years, Whatever Works, falls somewhere in between his lesser London efforts Scoop and Cassandra’s Dream and his return to form with Vicky Cristina Barcelona. While this comedy starring Larry David doesn’t break any new ground for its creator in either style [...]

Lee Madden

Lee Madden, best known for directing Hell’s Angels ‘69, died of complications from pneumonia on April 9 in Camarillo, a town north of Los Angeles. He was 82.
The American International Pictures release Hell’s Angels ‘69, the tale of two brothers who plan on robbing Las Vegas’ Caesar’s Palace, was the Brooklyn-born Madden’s first feature. According to The Hollywood Reporter, it is the only fiction film in which the Oakland Hell’s Angels, including leader Sonny Barger, appeared.
Madden’s other features were the bikers vs. rednecks adaptation of The Magnificent Seven, Angel Unchained (1970), starring Tyne Daly and Don Stroud, and which Madden also wrote and produced; The Night God Screamed (1971), starring 1940s Fox star Jeanne [...]