Bette Davis on TCM
No rare Bette Davis flicks on her Turner Classic Movies‘ "Summer Under the Stars" day, Saturday, Aug. 8.
That’s too bad, as TCM now has access to Columbia’s film library. They could have unearthed Davis’ early Columbia flick The Menace (1931), which isn’t very good, but it’s rare and it’s Bette Davis. Also, there’s the little-seen, Columbia-distributed, political drama Storm Center (1956), in which Davis co-stars with Kim Hunter, who happened to be blacklisted during the anti-Red hysteria of the 1950s. Well, maybe later in the year…
I can’t say I’m a huge Bette Davis fan, but I do like watching her. In fact, I find several of her performances to be among the best ever committed to [...]
by Andre Soares | August 7, 2009
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Tags: Bette Davis, Classic Movies, Dark Victory, Deception, Glenn Ford, In This Our Life, Summer Under the Stars, TCM, The Letter, The Man Who Came to Dinner, Turner Classic Movies
Best Films – 1941
Orson Welles in Citizen Kane
FILM
Cheers for Miss Bishop
d: Tay Garnett; scr: Sheridan Gibney, Adelaide Heilbron
Citizen Kane
d: Orson Welles; scr: Herman J. Mankiewicz, Orson Welles
The Devil and Miss Jones
d: Sam Wood; scr: Norman Krasna
Dumbo
d: Ben Sharpsteen; scr: Joe Grant, Dick Huemer and others
The Great Lie
d: Edmund Goulding; scr: Lenore J. Coffee
Here Comes Mr. Jordan
d: Alexander Hall; scr: Seton I. Miller, Sidney Buchman
The Lady Eve
d, scr: Preston Sturges
The Little Foxes
d: William Wyler; scr: Lillian Hellman
Manpower
d: Raoul Walsh; scr: Richard Macauley, Jerry Wald
The Sea Wolf
d: Michael Curtiz; scr: Robert Rossen
Sara Allgood, Roddy McDowall in How Green Was My Valley
CHECK THESE OUT
La Fille du puisatier / The Well-Digger’s Daughter
d, scr: Marcel Pagnol
How Green Was My Valley
d: John Ford; scr: Philip Dunne
Meet John Doe
d: [...]
by Andre Soares | April 4, 2009
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Tags: A Woman's Face, Alexander Hall, All That Money Can Buy, Ann Sheridan, Barbara Stanwyck, Bernard Herrmann, Best Films, Bette Davis, Blood and Sand, Carl Benton Reid, Charles Dingle, Cheers for Miss Bishop, Citizen Kane, Classic Movies, Claude Rains, Constance Bennett, Dumbo, Edmund Goulding, Edward G. Robinson, Edward Ward, Erich Wolfgang Korngold, Ernest Haller, Ernest Palmer, Gary Cooper, Greer Garson, Gregg Toland, Greta Garbo, Herbert Marshall, Here Comes Mr. Jordan, Herman J. Mankiewicz, How Green Was My Valley, Jean Arthur, Jerry Wald, Joan Crawford, John Ford, John Huston, Lillian Hellman, Major Barbara, Manpower, Marie Lohr, Martha Scott, Mary Astor, Michael Curtiz, Norman Krasna, Orson Welles, Patricia Collinge, Peter Lorre, Philip Dunne, Preston Sturges, Raimu, Ray June, Ray Rennahan, Reginald Gardiner, Richard Macaulay, Rita Hayworth, Robert Montgomery, Robert Morley, Robert Planck, Robert Rossen, Seton I. Miller, Simone Simon, Sol Polito, Spring Byington, Sydney Greenstreet, Tay Garnett, Teresa Wright, The Great Lie, The Lady Eve, The Letter, The Little Foxes, The Maltese Falcon, The Man Who Came to Dinner, The Sea Wolf, Thomas Mitchell, Tony Gaudio, Two-Faced Woman, Vivien Leigh, Walter Lang, William Wyler
Best Films – 1940
Henry Fonda in The Grapes of Wrath
FILM
The Blue Bird
d: Walter Lang; scr: Ernest Pascal
The Grapes of Wrath
d: John Ford; scr: Nunnally Johnson
Kitty Foyle
d: Sam Wood; scr: Dalton Trumbo
The Letter
d: William Wyler; scr: Howard Koch
The Mark of Zorro
d: Rouben Mamoulian; scr: John Tainton Foote, Garrett Fort, Bess Meredyth
Pinocchio
d: Hamilton Luske, Ben Sharpsteen; scr: Ted Sears, Otto Englander and others
Pride and Prejudice
d: Robert Z. Leonard; scr: Aldous Huxley, Jane Murfin
Rebecca
d: Alfred Hitchcock; scr: Robert E. Sherwood, Joan Harrison
Waterloo Bridge
d: Mervyn LeRoy; scr: S.N. Behrman, Hans Rameau, George Froeschel
Cary Grant, Rosalind Russell in His Girl Friday
CHECK THESE OUT
Busman’s Honeymoon / Haunted Honeymoon
d: Arthur B. Woods; scr: Monckton Hoffe, Angus MacPhail, Harold Goldman
His Girl Friday
d: Howard Hawks; scr: Charles Lederer
The Long Voyage Home
d: John [...]
by Andre Soares | April 4, 2009
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Tags: Aldous Huxley, Alfred Hitchcock, Alfred Newman, Anita Loos, Basil Rathbone, Bella Spewack, Bess Meredyth, Best Films, Bette Davis, Busman's Honeymoon, Cary Grant, Cedric Hardwicke, Charles Chaplin, Charles Lederer, Classic Movies, Constance Cummings, Edna May Oliver, Ernest Haller, Florence Bates, Frieda Inescort, George Barnes, Ginger Rogers, Greer Garson, Henry Fonda, Herbert Marshall, Herbert Stothart, His Girl Friday, Howard Hawks, Howard Koch, Irene Dunne, Irving Pichel, Jack Oakie, James Stephenson, Jane Darwell, Jane Murfin, Joan Crawford, Joan Fontaine, Joan Harrison, Joel McCrea, John Ford, Judith Anderson, Karl Freund, Kitty Foyle, Laurence Olivier, Leo McCarey, Marjorie Main, Mary Boland, Max Steiner, Melville Cooper, Mervyn LeRoy, Micheline Presle, Nunnally Johnson, Pinocchio, Pride and Prejudice, Ray Rennahan, Rebecca, Robert E. Sherwood, Robert Montgomery, Robert Z. Leonard, Rosalind Russell, Rouben Mamoulian, Roy Webb, Sam Spewack, Sam Wood, Susan and God, The Blue Bird, The Grapes of Wrath, The Great Dictator, The Letter, The Long Voyage Home, The Man I Married, The Mark of Zorro, The Philadelphia Story, Tyrone Power, Virginia City, Vivien Leigh, Walter Lang, Waterloo Bridge, William Wyler
THE LETTER – Jeanne Eagels
The Letter (1929)
Direction: Jean de Limur
Screenplay: Garrett Fort, from W. Somerset Maugham’s 1927 play
Cast: Jeanne Eagels, O. P. Heggie, Reginald Owen, Herbert Marshall, Irene Browne, Lady Tsen Mei, Tamaki Yoshiwara
Having seen William Wyler’s masterful 1940 adaptation of Somerset Maugham’s The Letter and having read quite a bit about Broadway star Jeanne Eagels‘ remarkable talent, I was expecting to find at least a modicum of quality in Jean de Limur’s 1929 version of the tale. I was greatly disappointed even though the plot is basically the same as the one found in the Wyler version:
Stuck on a Malayan rubber plantation with her aloof older husband (Reginald Owen), British subject Leslie Crosbie (Eagels) finds affection in the person of [...]
by Andre Soares | September 14, 2004
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Tags: Film Reviews, Herbert Marshall, Jean de Limur, Jeanne Eagels, Oscar 1929, Oscar Movies, Pre-Code Hollywood, Reginald Owen, The Letter, W. Somerset Maugham
