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	<title>Alternative Film Guide &#187; The Story of Temple Drake</title>
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		<title>Miriam Hopkins Biography in the Works</title>
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		<pubDate>Sun, 03 Dec 2006 08:22:47 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Allan Ellenberger]]></category>
		<category><![CDATA[Anatole Litvak]]></category>
		<category><![CDATA[Becky Sharp]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Design for Living]]></category>
		<category><![CDATA[Dr. Jekyll and Mr. Hyde]]></category>
		<category><![CDATA[Ernst Lubitsch]]></category>
		<category><![CDATA[Miriam Hopkins]]></category>
		<category><![CDATA[Old Acquaintance]]></category>
		<category><![CDATA[The Story of Temple Drake]]></category>

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Though relatively forgotten and, when remembered, usually dismissed as a second-rate talent (quite possibly by those who have never seen her on film), Miriam Hopkins was actually a highly capable performer who worked with some of the most renowned directors in Hollywood history &#8212; Rouben Mamoulian, Ernst Lubitsch, and William Wyler, among them.
Hopkins was also a household name in the 1930s, a time when she co-reigned, at least for a brief while early in the decade, as one of the Queens of Paramount.
Apart from the fact that time tends to dim memories, that most early Paramount films are shamefully unavailable (thanks to thoughtless executives at Universal, the studio that now owns most of the Paramount classics), and that most U.S. [...]]]></description>
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