European Film Awards 2009: Nominations
Tahar Rahim in A Prophet (top); Dev Patel, Freida Pinto in Slumdog Millionaire (middle); The White Ribbon by Michael Haneke (bottom)
Six films are vying for the top prize at the 2009 European Film Awards. They are:
Andrea Arnold’s Fish Tank, about a teenager (best actress nominee Katie Jarvis) upset that her mother has found herself a new boyfriend (Michael Fassbender)
Stephen Daldry’s The Reader, a melodrama starring Kate Winslet as a former Nazi guard who believes that being illiterate is worse than being an accomplice to mass murder
Jacques Audiard’s A Prophet, a prison drama about a toughie (best actor nominee Tahar Rahim) fighting his way to the top of the world behind bars
Danny Boyle’s Slumdog Millionaire, about a young man (best actor [...]
by Andre Soares | November 7, 2009
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Tags: A Prophet, Antichrist, Broken Embraces, Danny Boyle, European Film Awards, European Film Awards 2009, Film Awards, Fish Tank, Gianni Di Gregorio, Jacques Audiard, Kate Winslet, Let the Right One In, Michael Haneke, Mid-August Lunch, Penélope Cruz, Slumdog Millionaire, The White Ribbon
European Film Awards 2009
2009 European Film Awards
2009 European Film Award nominations: Nov. 7, 2009
2009 European Film Award winners: Bochum, Germany, on Dec. 12, 2009
("*" denotes the winner in each category)
Tahar Rahim in A Prophet (top); The White Ribbon by Michael Haneke (middle); Dev Patel in Slumdog Millionaire (bottom)
BEST EUROPEAN FILM
Fish Tank, UK
written and directed by Andrea Arnold
produced by Kees Kasander & Nick Laws
Låt den Rätte Komma In (Let the Right One In), Sweden
directed by Tomas Alfredson
written by John Ajvide Lindqvist
produced by John Nordling & Carl Molinder
Un Prophète (A Prophet), France
directed by Jacques Audiard
written by Jacques Audiard & Thomas Bidegain based on an original idea by [...]
by Andre Soares | November 7, 2009
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Tags: A Prophet, Danny Boyle, European Film Awards, European Film Awards 2009, Film Awards, Isabelle Huppert, Michael Haneke, Slumdog Millionaire, The Sound of Insects - Record of a Mummy, The White Ribbon
AFI FEST 2009: PRECIOUS, THE WHITE RIBBON, AJAMI
Precious: Based on the Novel “Push” by Sapphire by Lee Daniels (top); The White Ribbon by Michael Haneke (middle); Giovanna Mezzogiorno, Filippo Timi in Vincere by Marco Bellocchio (bottom)
Among the Sunday, Nov. 1, highlights at the AFI FEST 2009 at the Chinese Theater complex in Hollywood are:
Lu Chuan’s historical drama City of Life and Death, winner of the Golden Shell for best picture at the San Sebastian Film Festival
Claude Chabrol’s psychological mystery-drama Bellamy, his first collaboration with Gérard Depardieu
Lee Daniels‘ Precious: Based on the Novel “Push” by Sapphire, a strong possibility for the Oscar 2010 best picture shortlist and the Sundance 2009 US Narrative Jury Prize winner
Michael Haneke’s Palme d’Or winner and potential Oscar 2010 contender [...]
by Andre Soares | October 31, 2009
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Tags: AFI FEST, AFI FEST 2009, Ajami, Bellamy, City of Life and Death, Film Festivals, Gabourey Sidibe, Gérard Depardieu, Giovanna Mezzogiorno, Lee Daniels, Los Angeles Screenings, Marco Bellocchio, Precious: Based on the Novel Push by Sapphire, The White Ribbon, Vincere
Michael Haneke’s THE WHITE RIBBON Photos
Whether or not it gets a best picture Academy Award or BAFTA nomination, Michael Haneke’s Palme d’Or-winning The White Ribbon may end up as the best-reviewed film of 2009. At least in the United Kingdom.
“It is typical of Haneke, though, that he makes such strong suggestions so indirectly and purely through the sheer brilliant, precise power of his characterisations and superb conjuring up of an astonishing sense of time and place.” Dave Calhoun, Time Out
“The White Ribbon has an absolute confidence and mastery of its own cinematic language, and the performances Haneke elicits from his first-rate cast, particularly the children, are eerily perfect.” Peter Bradshaw, Guardian.co.uk
“White Ribbon“s made from material that haunts, grips and immerses." Totalfilm.com
“A visually stunning thinkpiece.” [...]
by Joan Lister | October 23, 2009
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Tags: Artificial Eye, Michael Haneke, Photos, Susanne Lothar, The White Ribbon, Ulrich Tukur
Oscar 2010: Early Predictions – Best Foreign Language Film
Best Foreign Language Film
Baaria, Giuseppe Tornatore (Italy)
An autobiographical tale set in the director’s Sicilian hometown
Forever Enthralled, Chen Kaige (China)
Biopic chronicling the life of Mei Lanfang, China’s greatest opera star.
I Killed My Mother, Xavier Dolan (Canada)
A young gay man has some serious issues with his mother.
A Prophet, Jacques Audiard (France)
Prison drama in which a young hood learns what it takes to reach the top of that small (and nasty) world.
The White Ribbon, Michael Haneke (Germany)
As a prelude to both World War I and World War II, a German village unexpectedly becomes the setting of numerous acts of cruelty.
Quality (much like fairness) is in the brain of the judge. (Of course, if we’re lucky enough to have a judge [...]
by Andre Soares | October 18, 2009
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Tags: 2010 Oscar, 2010 Oscar Predictions, A Prophet, About Elly, Academy Awards, Chen Kaige, Film Awards, Foreign Language Film Category, Forever Enthralled, Giuseppe Tornatore, I Killed My Mother, Involuntary, Jacques Audiard, Michael Haneke, The White Ribbon, The Wind Journeys, Time of Fear, Xavier Dolan
AFI FEST 2009: THE WHITE RIBBON / THE PROPHET Swap
AFI FEST 2009 presented by Audi has announced that Michael Haneke’s Palme d’Or winner and Oscar contender The White Ribbon will replace Jacques Audiard’s Cannes Grand Prix winner A Prophet in the festival’s line-up. Reason for the AFI FEST swap: "a recent change in the release date for A Prophet." Both films are being distributed in the US by Sony Pictures Classics.
The White Ribbon is set in a German farming village disturbed by inexplicable acts of cruelty just before the start of World War I. The film is due for release in the US on December 30. The film will screen on Sunday, November 1, at 7:00 PM.
Good that The White Ribbon will be screened; bad that A Prophet [...]
by Andre Soares | October 16, 2009
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Tags: A Prophet, AFI FEST, AFI FEST 2009, Film Festivals, Los Angeles Screenings, Michael Haneke, The White Ribbon
Oscar 2010: Early Predictions – Best Director
BEST DIRECTOR
The Hurt Locker, Kathryn Bigelow
The Lovely Bones, Peter Jackson (above, with Saoirse Ronan)
A Serious Man, Joel and Ethan Coen
Up in the Air, Jason Reitman (above, with George Clooney)
The White Ribbon, Michael Haneke
In all honesty, I don’t know who the hell will get a best direction nod this year — though I’m pretty sure it’ll be five of the ten directors listed in my "tentative" 2010 best picture Oscar list.
For the record, the other five not listed above are: Lone Scherfig for An Education; Grant Heslov for The Men Who Stare at Goats; Lee Daniels for Precious: Based on the Novel ‘Push’ by Sapphire; Steven Soderbergh for The Informant!, and Rob Marshall for Nine.
Unless, of course, Jane Campion manages to [...]
by Andre Soares | October 12, 2009
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Tags: 2010 Oscar, 2010 Oscar Predictions, A Serious Man, Academy Awards, Jane Campion, Jason Reitman, Joel and Ethan Coen, Kathryn Bigelow, Michael Haneke, Peter Jackson, The Hurt Locker, The Lovely Bones, The White Ribbon, Up in the Air
Oscar 2010: Early Predictions – Best Picture
BEST FILM
An Education, d: Lone Scherfig; scr: Nick Hornby
In Swinging (suburban) London, a teenager decides to have her first sexual experience with a man in his thirties.
The Hurt Locker, Kathryn Bigelow; scr: Mark Boal
An elite unit of the US Army must disarm bombs during combat in an "enemy" city in Iraq.
The Informant!, d: Steven Soderbergh; scr: Scott Z. Burns
A whistle-blower (who also happens to be a pathological liar) helps the US government nab an agribusiness conglomerate.
The Lovely Bones, Peter Jackson; scr: Jackson, Fran Walsh, Philippa Boyens
A murdered girl, now a heaven-resident, sees how life has changed in her small Pennsylvania town following her disappearance.
The Men Who Stare at Goats, d: Grant Heslov; scr: Peter Straughan
A journalist gets involved with US [...]
by Andre Soares | October 10, 2009
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Tags: 2010 Oscar, 2010 Oscar Predictions, A Serious Man, An Education, Best Picture Predictions, Film Awards, Nine, Precious: Based on the Novel Push by Sapphire, The Hurt Locker, The Informant, The Lovely Bones, The Men Who Stare at Goats, The White Ribbon, Up in the Air
Oscar 2010: Best Foreign Language Film, Short Film Deadline
The White Ribbon by Michael Haneke (top); I Killed My Mother by Xavier Donlan (middle); Police, Adjective by Corneliu Porumboiu (bottom)
The deadline to submit entries in the Live Action Short Film, Animated Short Film and Foreign Language Film categories to be considered for the 82nd Academy Awards: Thursday, October 1.
Complete entries must arrive at the Academy of Motion Picture Arts and Sciences by 5 p.m. PT that day.
As per the Academy’s press release, "in the short film categories, filmmakers must submit an entry form, one film print or copy in an approved digital format, and all other required materials by the deadline.
"In the Foreign Language Film category, filmmakers must submit entry forms, [...]
by Anna Robinson | September 24, 2009
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Tags: 2010 Oscar, Academy Awards, Corneliu Porumboiu, Film Awards, Foreign Language Film Category, I Killed My Mother, Michael Haneke, Police Adjective, The White Ribbon, Xavier Donlan
Cannes 2009 Aftermath at the LA WEEKLY
Philippe Garnier on Cannes 2009, in the LA Weekly:
"By this time, news should be out everywhere that Cannes this year was a special vintage. Not only did most of the selected ‘usual suspects’ outdo themselves in big and unexpected ways — or, like Alain Resnais, find new resources and verve which, frankly, we didn’t know they had in them — but it is also a measure of how shockingly strong this year was that the fest still had room for very good fare in the 20-film Un Certain Regard sidebar, from Israeli first-timer Haim Tabakman’s Eyes Wide Open [above] to the wonderful Colombian entry The Wind Journeys by Ciro Guerra, in which an [...]
by Irene Young | May 28, 2009
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Tags: Alain Resnais, Caché, Cannes 2009, Cannes Film Festival, Christian Friedel, Ciro Guerra, Eyes Wide Open, Film Festivals, Funny Games, Haim Tabakman, Hidden, LA Weekly, Palme d'Or, Philippe Garnier, Scott Foundas, The White Ribbon, The Wind Journeys, Un Certain Regard
Cannes 2009 Winners
One of the 2009 Cannes Film Festival’s clear favorites, Michael Haneke’s The White Ribbon, a stark tale about a small northern German town beset by strange happenings right before the beginning of World War I, took the Palme d’Or for best film. (Cannes 2009 winners list.)
"Happiness is very rare," said Haneke upon accepting his prize. "This is one moment in my life in which I’m very happy, and so are you, I believe," he added, speaking to his wife.
The White Ribbon also won the International Film Critics’ FIPRESCI Prize for best film in the official competition. And it’ll surely be Austria’s submission for the 2010 best foreign-language film Academy Award.
Another festival favorite, Jacques Audiard’s tough drama A [...]
by Andre Soares | May 24, 2009
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Tags: A Prophet, Antichrist, Cannes 2009, Cannes Awards, Cannes Film Festival, Charlotte Gainsbourg, Film Awards, Film Festivals, Fish Tank, Jacques Audiard, Michael Haneke, Tahar Rahim, The White Ribbon
Cannes Awards 2009
2009 Cannes Film Festival Awards
2009 Cannes Film Festival: May 13–24
IN COMPETITION – FEATURE FILMS
Palme d’Or DAS WEISSE BAND (The White Ribbon) directed by Michael HANEKE
Grand Prix UN PROPHÈTE (A Prophet) directed by Jacques AUDIARD
Jury Prize (tie) FISH TANK directed by Andrea ARNOLD and BAK-JWI (Thirst) directed by PARK Chan-Wook
Best Director Brillante MENDOZA for KINATAY
Best Actor Christoph WALTZ in INGLOURIOUS BASTERDS directed by Quentin TARANTINO
Best Actress Charlotte GAINSBOURG in ANTICHRIST directed by Lars von TRIER
Best Screenplay MEI Feng for CHUN FENG CHEN ZUI DE YE WAN (Spring Fever) directed by LOU Ye
Prix Vulcain: Artist-Technician Aitor BERENGUER, sound technician of the movie MAP OF THE SOUNDS OF TOKYO directed by Isabel COIXET
Lifetime achievement award for his [...]
by Andre Soares | May 24, 2009
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Tags: A Prophet, Alain Resnais, Brillante Mendoza, Cannes 2009, Cannes Awards, Cannes Film Festival, Charlotte Gainsbourg, Christoph Waltz, Film Awards, Film Festivals, Fish Tank, The White Ribbon, Thirst
Cannes 2009: Best Director Favorites
Best Director
Pedro Almodóvar for Broken Embraces
Jacques Audiard for A Prophet
Jane Campion for Bright Star
Michael Haneke for The White Ribbon
Alain Resnais for Wild Grass
Photos: Courtesy Festival de Cannes
by Massimo David | May 22, 2009
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Tags: A Prophet, Alain Resnais, Bright Star, Broken Embraces, Cannes 2009, Cannes Film Festival, Das Weisse Band, Film Awards, Film Festivals, Jacques Audiard, Jane Campion, Les Herbes folles, Los Abrazos rotos, Michael Haneke, Pedro Almodóvar, The White Ribbon, Wild Grass
Cannes 2009: Palme d’Or Favorites
Palme d’Or 2009, Grand Prix, Special Jury Prize:
Alain Resnais‘ romantic fantasy Wild Grass (adapted by Alex Reval and Laurent Herbiet from Christian Gailly’s novel), about a man who becomes intrigued by a younger woman
Jacques Audiard’s tough prison drama A Prophet (written by Audiard, Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit)
Writer-director Michael Haneke’s The White Ribbon, about a northern German community enmeshed in a series of nasty events right before the beginning of World War I
Writer-director Jane Campion’s Bright Star, about the doomed love affair between British poet John Keats and his neighbor, Fanny Brawne
Photos: Courtesy Festival de Cannes
by Massimo David | May 22, 2009
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Tags: A Prophet, Abbie Cornish, Abdel Raouf Dafri, Alain Resnais, Alex Reval, André Dussollier, Ben Whishaw, Bright Star, Cannes 2009, Cannes Film Festival, Christian Gailly, Das Weisse Band, Fanny Brawne, Film Awards, Film Fetivals, Jacques Audiard, Jane Campion, John Keats, Laurent Herbiet, Les Herbes folles, Michael Haneke, Nicolas Peufaillit, Palme d'Or, Sabine Azéma, Tahar Rahim, The White Ribbon, Thomas Bidegain, Wild Grass
Cannes 2009: Michael Haneke’s THE WHITE RIBBON
Dave Calhoun in Time Out London, via David Hudson’s The Daily:
"For quite some time at the beginning of Michael Haneke’s latest film, which is a two-and-a-half hour parable of political and social ideas set entirely in a north German village in 1913 and 1914, you wonder what you’re watching, how its disparate parts hang together and what it all might mean. More than ever, the playful, challenging, sometimes shocking director of Hidden, Funny Games and Time of the Wolf solidly resists answering the ‘what’s it all about?’ question and makes you work hard to make sense of what you’re seeing. As in Code Unknown, he resists focusing on one story or [...]
by Massimo David | May 21, 2009
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Tags: Austrian Cinema, Caché, Cannes 2009, Cannes Film Festival, Code Unknown, Das Weisse Band, Dave Calhoun, Drama, Eric Kohn, Film Festivals, Funny Games, Hidden, indieWIRE, Ingmar Bergman, Michael Haneke, Mike Goodridge, Mystery Movies, Political Movies, Screen Daily, Terrence Mallick, The White Ribbon, Time of the Wolf, Time Out London, Wendy Ide, Xan Brooks
Cannes 2009: Competition Films
Cannes Film Festival 2009: Competition Line-Up
Click on the photos to enlarge them.
Los abrazos rotos (Broken Embraces), Pedro Almodóvar, Spain
Fish Tank, Andrea Arnold, UK
Un prophète (A Prophet), Jacques Audiard, France
Vincere, Marco Bellocchio, Italy
Bright Star, Jane Campion, UK
Bakjwi (Thirst), Park Chan-wook, South-Korea
Map of the Sounds of Tokyo, Isabel Coixet, Spain
À l’origine (In the Beginning), Xavier Giannoli, France
Das weisse Band (The White Ribbon), Michael Haneke, Austria
Taking Woodstock, Ang Lee, USA
Palme d’Or Line-Up: Part II
by Deborah Arthur | May 13, 2009
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Tags: A Prophet, Bright Star, Broken Embraces, Cannes 2009, Cannes Film Festival, Film Festivals, Fish Tank, In the Beginning, The White Ribbon, Vincere
