Thomas Sotinel Articles

Manohla Dargis on Gaspar Noé's Enter the Void, in the New York Times: "Although he remains dedicated to shaking up viewer s, to getting under their skins and into their nervous systems, Mr. Noé [above, top photo] has mellowed. Despite its unpromising title, Enter the Void, his entry at this year’s festival, is an exceptional work, though less because of its story, acting or any [...]

Peter Bradshaw on Bright Star (with Abbie Cornish and Ben Whishaw, above) in The Guardian: "Jane Campion has put herself in line for her second Palme d'Or here at the Cannes film festival with a film which I think could be the best of her career; an affecting and deeply considered study of the last years in the short life of John Keats, and the [...]

Broken Embraces: Pedro Almodóvar on the set (top); Penélope Cruz as the heroine (bottom). In the mystery-melodrama, a director and his female star begin a passionate love affair that leads to all sorts of trouble. Wendy Ide in The [London] Times: "Certainly, it is unmistakably an Almodovar film. Nobody else does richly-textured melodrama quite like him; nobody else can encourage such overwrought performances without unbalancing [...]