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	<title>Alt Film Guide &#187; Trifling Women</title>
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	<description>thinking film</description>
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		<title>Phil Hall&#8217;s Top 50 Lost Films of All Time</title>
		<link>http://www.altfg.com/blog/classics/top-50-lost-films-film-threat/</link>
		<comments>http://www.altfg.com/blog/classics/top-50-lost-films-film-threat/#comments</comments>
		<pubDate>Tue, 08 Jan 2008 01:14:02 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Barbara La Marr]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Lost Films]]></category>
		<category><![CDATA[Phil Hall]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[Take It Out in Trade]]></category>
		<category><![CDATA[The Story of the Kelly Gang]]></category>
		<category><![CDATA[Trifling Women]]></category>

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		<description><![CDATA[At Film Threat, Phil Hall lists the &#34;Top 50 Lost Films of All Time.&#34; 
According to Hall, &#34;among the missing movies are the world&#8217;s first feature film [The Story of the Kelly Gang (1906), right], the first Technicolor feature [The Gulf Between (1917)], the first animated feature in both the silent and sound eras [El Apastol (1917) and Peludópolis (1931), respectively], the first werewolf movie [The Werewolf (1913)], the first appearance by Dracula [Drakula halála (1923)], the first kaiju film [King Kong Appears in Edo (1938)], and movies created by Charlie Chaplin [A Woman of the Sea (1926), directed by Josef von Sternberg, produced by Chaplin], Orson Welles [the 40-minute Too Much Johnson (1938)], Woody Allen [the alternate version of [...]]]></description>
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		<title>Rex Ingram Remembered</title>
		<link>http://www.altfg.com/blog/directors/rex-ingram-remembered/</link>
		<comments>http://www.altfg.com/blog/directors/rex-ingram-remembered/#comments</comments>
		<pubDate>Mon, 16 Jan 2006 09:14:13 +0000</pubDate>
		<dc:creator>Andre Soares</dc:creator>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Alice Terry]]></category>
		<category><![CDATA[Barbara La Marr]]></category>
		<category><![CDATA[Classic Movies]]></category>
		<category><![CDATA[Herbert Howe]]></category>
		<category><![CDATA[John F. Seitz]]></category>
		<category><![CDATA[June Mathis]]></category>
		<category><![CDATA[Ramon Novarro]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Rudolph Valentino]]></category>
		<category><![CDATA[Silent Films]]></category>
		<category><![CDATA[The Four Horsemen of the Apocalypse]]></category>
		<category><![CDATA[Trifling Women]]></category>

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		<description><![CDATA[
Since it&#8217;s still Jan. 15 in large chunks of the Pacific Ocean, I have enough time to briefly mention film director Rex Ingram (top right), whose birth &#8212; as Reginald Ingram Montgomery Hitchcock &#8212; took place in Dublin exactly 113 years ago. (Some sources claim Ingram was born in 1892, but in Rex Ingram: Master of the Silent Cinema author Liam O&#8217;Leary  clearly states that 1893 is the right date.)
While writing Beyond Paradise: The Life of Ramon Novarro, I often became more intrigued with two of the story&#8217;s top supporting players than with the biographical subject himself. One  was Novarro&#8217;s lover in the mid-1920s, columnist Herbert Howe, quite likely the wittiest writer to ever cover the Hollywood scene. [...]]]></description>
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