Jack Cardiff

Cinematographer and director Jack Cardiff, one of the early masters of color cinematography, has died. He was 94.
Cardiff’s work as a cinematographer was quite eclectic, ranging from his partnership with Michael Powell and Emeric Pressburger in the British-made Black Narcissus (1945) and The Red Shoes (1948) to prestigious international productions such as John Huston’s The African Queen (1951) and King Vidor’s War and Peace (1956), and to low-brow commercial fare such as Conan the Destroyer (1984) and Rambo: First Blood Part II (1985).
I’ve never watched Conan or Rambo, but I have watched more than 20 of Cardiff’s 60 or so features, and I can testify that whether working in art-house or commercial fare, Cardiff’s cinematography was invariably one [...]

Best Films – 1940

Henry Fonda in The Grapes of Wrath
FILM
The Blue Bird
d: Walter Lang; scr: Ernest Pascal
The Grapes of Wrath
d: John Ford; scr: Nunnally Johnson
Kitty Foyle
d: Sam Wood; scr: Dalton Trumbo
The Letter
d: William Wyler; scr: Howard Koch
The Mark of Zorro
d: Rouben Mamoulian; scr: John Tainton Foote, Garrett Fort, Bess Meredyth
Pinocchio
d: Hamilton Luske, Ben Sharpsteen; scr: Ted Sears, Otto Englander and others
Pride and Prejudice
d: Robert Z. Leonard; scr: Aldous Huxley, Jane Murfin
Rebecca
d: Alfred Hitchcock; scr: Robert E. Sherwood, Joan Harrison
Waterloo Bridge
d: Mervyn LeRoy; scr: S.N. Behrman, Hans Rameau, George Froeschel
 

Cary Grant, Rosalind Russell in His Girl Friday
CHECK THESE OUT
Busman’s Honeymoon / Haunted Honeymoon
d: Arthur B. Woods; scr: Monckton Hoffe, Angus MacPhail, Harold Goldman
His Girl Friday
d: Howard Hawks; scr: Charles Lederer
The Long Voyage Home
d: John [...]

Rouben Mamoulian Retrospective at Film Forum

"Mamoulian," a complete retrospective of Hollywood director Rouben Mamoulian (1897-1987), one of cinema’s greatest stylists and innovators, will run at the Film Forum from Friday, September 7 through Tuesday, September 18.
As per the Film Forum’s press release, Mamoulian was born in Tbilisi, Georgia, to an Armenian family. He worked at the Moscow Art Theater while attending university, and, following a chance meeting with industrialist/philanthropist George Eastman (founder of the Kodak film company) he moved to Rochester, New York, to direct plays.
Shortly thereafter he was on Broadway, directing Dorothy and Dubose Heyward’s Porgy, which became the basis for George Gershwin’s Porgy and Bess, a musical that Mamoulian would also direct. [See Porgy and Bess screening in New York.]
That initial [...]