A LADY TO LOVE – Edward G. Robinson, Vilma Banky

A Lady to Love (1930)
Direction: Victor Sjöström
Screenplay: Sidney Howard; based on his play They Knew What They Wanted
Cast: Vilma Banky, Edward G. Robinson, Robert Ames, Richard Carle, Lloyd Ingraham, Anderson Lawler
 

Edward G. Robinson, Robert Ames, Vilma Banky in A Lady to Love
 

Edward G. Robinson was only 37 years old when he gave this hammy, scene-stealing, over-the-top performance as Tony, a middle-aged Italian grape grower in Napa Valley, California, in Victor Sjöström’s A Lady to Love. Robinson is loud, peripatetic, hyperkinetic, and his accent sometimes sounds a bit too much like Chico Marx’s. But it all works. It’s believable and true, even if not always sympathetic.
When Tony notices a pretty blonde waitress, Lena (Vilma Banky), at a [...]

San Francisco Silent Film Festival 2009

The Fall of the House of Usher (top); John Gilbert, Eleanor Boardman in Bardelys the Magnificent (middle); Douglas Fairbanks, Lupe Velez in The Gaucho (bottom)

Douglas Fairbanks, John Gilbert, and Lillian Gish are only a few of the superstars to be found at the 14th San Francisco Silent Film Festival, which will take place July 10-12 at the Castro Theatre. Among those scheduled to provide musical accompaniment to the on-screen action are the Mont Alto Motion Picture Orchestra, Philip Carli, Stephen Horne, Dennis James, and Donald Sosin.
Among the San Francisco Silent Film Festival’s highlights are:
The Gaucho (1927), an adventure tale involving faith and redemption, starring Douglas Fairbanks and Lupe Velez in her first important film role.
"A daring departure," is how [...]

Best Films – 1928

Evelyn Brent, Emil Jannings in The Last Command
FILM
The Crowd
d: King Vidor; scr: King Vidor, James V. A. Weaver; titles: Joseph W. Farnham
The Docks of New York
d: Josef von Sternberg; scr: Jules Furthman; titles: Julian Johnson
The Last Command
d: Josef von Sternberg; scr: John F. Goodrich; titles: Herman J. Mankiewicz
Sadie Thompson
d & scr: Raoul Walsh; titles: C. Gardner Sullivan
Street Angel
d: Frank Borzage; scr: Marion Orth, Philip Klein & Henry Roberts Symonds; titles: H. H. Caldwell & Katherine Hilliker
The Wind
d: Victor Sjöström; scr: Frances Marion
 

L’Argent by Marcel L’Herbier
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L’Argent
d: Marcel L’Herbier; scr: Marcel L’Herbier & Arthur Bernède
The Patsy
d: King Vidor; scr: Agnes Christine Johnson; titles: Ralph Spence
Show People
d: King Vidor; scr: Laurence Stallings & Agnes Christine Johnson; titles: Ralph [...]

Best Films – 1926

Mary Pickford in Sparrows
FILM
Dancing Mothers
d: Herbert Brenon; scr: Forrest Halsey
Don Juan
d: Alan Crosland; scr: Bess Meredyth; titles: Walter Anthony, Maude Fulton
Kid Boots
d: Frank Tuttle; scr: Luther Reed, Tom Gibson; titles: George Marion Jr.
The Scarlet Letter
d: Victor Sjöström (aka Victor Seastrom); scr: Frances Marion
The Show
d: Tod Browning; scr: Waldemar Young; titles: Joseph W. Farnham
Sparrows
d: William Beaudine; scr: C. Gardner Sullivan; titles: George Marion Jr.
The Volga Boatman
d: Cecil B. DeMille; scr: Lenore J. Coffee
 
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You Never Know Women
d: William A. Wellman; scr: Benjamin Glazer
Old Ironsides
d: James Cruze; scr: Dorothy Arzner, Harry Carr, Walter Woods; titles: Rupert Hughes
Mare Nostrum
d: Rex Ingram; scr: Willis Goldbeck
Tell It to the Marines
d: George Hill; scr: Richard Schayer; titles: Joseph W. Farnham
 
ACTOR
John Barrymore
Don Juan
Eddie Cantor
Kid Boots
John Gilbert
The [...]

Best Films – 1924

Erich von Stroheim’s masterpiece and one of the best silent films ever made, Greed remains a powerful indictment against the deadly sin of the title. Based on Frank Norris‘ McTeague, the film revolves around the misdeeds of a California dentist (Gibson Gowland, center), his miserly wife (ZaSu Pitts, left), and her former lover (Jean Hersholt, not in the above picture), all of whom sacrifice their selves to the all-powerful God of Dollar Bills. Stroheim’s initial cut had 47 reels, though eventually Greed was pared down to 10 reels (approximately 2h15m). That is all that is known to survive from the original film. But in spite of the drastic cuts, many of Stroheim’s magnificently perverted excesses are very much [...]