Irene Jacob in Three Colors: Red by Krzysztof Kieslowski

HomeAboutContactArchivesHelp WantedSyndicate / Subscribe

Bonnie and Clyde (1967) by Arthur Penn, with Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons, Michael J. Pollard

Press Release:

Editor Dede Allen, edited Odds Against Tomorrow, Dog Day Afternoon, Bonnie and Clyde, RedsNew York, NY — Directors Sidney Lumet and Arthur Penn and the Academy of Motion Picture Arts and Sciences will come together to salute three-time Oscar®-nominated film editor Dede Allen on Tuesday, November 7, at 7:30 p.m. at the Academy Theater at Lighthouse International in New York City.

The Academy members-only event, hosted by Peter Travers, senior film editor at Rolling Stone, will highlight her career through film clips and feature a conversation with Allen and directors Lumet, Penn, and film editors Jerry Greenberg, Richard Marks and Craig McKay.

In a career spanning nearly 50 years, Allen began as a messenger at Columbia Pictures. Her first editing job came in 1959 in Robert Wise’s Odds against Tomorrow. She went on to edit Robert Rossen’s The Hustler and Elia Kazan’s America America.

In 1967, she edited Penn’s Bonnie and Clyde, which launched an editing style that has been imitated ever since. It made Allen one of the most sought-after professionals in the industry.

Allen received Academy Award® nominations for her work on Dog Day Afternoon, Reds (shared with McKay) and Wonder Boys, and she has represented film editors on the Academy Board of Governors for nine terms through July of this year.

The Academy Theater at Lighthouse International is located at 111 East 59th Street in New York City. Doors open at 7 p.m.

For more information, call (888) 778-7575.

Photo: © A.M.P.A.S.

 

Tom Cruise, Paula Wagner, MGM and the New United Artists

John Howard Lawson Remembered

More AFI FEST 2006 Premieres

Jules Dassin for the Honorary Oscar?

Penelope Cruz AFI FEST Tribute

 

 

Trackback URI | Comments RSS

Leave a Reply

 

Note: All comments are moderated. Different views and opinions are welcome, but abusive/bigoted/flaming comments will NOT be approved. Also, please be aware that the Alternative Film Guide has NO contact information for the talent mentioned in this blog or any information pertaining to or access to distributors'/producers' film prints.