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Mark Keizer is a member of the Los Angeles Film Critics Association. He also co-hosts the IGN Digigods podcast and serves as executive producer of Studio E!, which airs Monday nights at 8 on E! Entertainment Television.


Author Archives: Mark Keizer


'Sully' Movie: Tom Hanks Is Latest Clint Eastwood All-American Hero

'Sully' movie with Tom Hanks as pilot Chesley Sullenberger: Clint Eastwood homage to 'the durable, honorable American male.' 'Sully' movie review: 'Taut, straightforward' drama features Clint Eastwood's latest all-American hero When considering Sully, Clint Eastwood's taut, straightforward account of heroism on trial, it helps to remember that the title character's name works as both noun and verb. And one can see how Eastwood was drawn to both meanings. The noun, of course, is the nickname of airline pilot Chesley Sullenberger, who saved the lives of 155 passengers and crew on January 15, 2009, by pulling off a daring water landing after a flock of birds took out both engines of his US Airways flight minutes after it took off from […]


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'Sully' Movie: Tom Hanks Is Latest Clint Eastwood All-American Hero



'Star Trek Beyond' Review: Gay Sulu Problematic in New Series' 'Most Satisfying' Entry

'Star Trek Beyond' with Chris Pine as Captain Kirk: Will movie franchise reboot achieve 'escape velocity'? 'Star Trek Beyond' review: Movie franchise needs to boldly go where J.J. Abrams has never gone before We're never told what “beyond” refers to in Star Trek Beyond, the 13th film in the venerated sci-fi series. But here's a theory: if the franchise is to regain its footing after the tepid returns of Star Trek Into Darkness, it will have to move beyond J.J. Abrams, the writer/director who used his brand of copycat magic to relaunch the series in 2009. In our reboot era, he's got the canny ability to provide older audiences with enough familiarity to keep them under the tent while giving […]


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'Star Trek Beyond' Review: Gay Sulu Problematic in New Series' 'Most Satisfying' Entry



'It's So Easy and Other Lies': Guns N' Roses Bassist Duff McKagan Fall and Rise

'It's So Easy and Other Lies' movie: Biographical documentary of Guns N' Roses bassist Duff McKagan. 'It's So Easy and Other Lies' movie review: Biographical documentary of Guns N' Roses bassist Duff McKagan fails to develop unique idea Any rock and roll documentary that begins with a quote from Upton Sinclair's The Jungle and ends with a reference to Norman Rockwell is gunning for something uncommonly rich and thoughtful. Here, the high-toned references are awkwardly applied to the story of Duff McKagan, Seattle-born bassist of the loud and legendary Guns N' Roses and subject of the documentary It's So Easy and Other Lies. In the annals of rock music, McKagan's tale is sadly typical, at least for those who survive […]


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'It's So Easy and Other Lies': Guns N' Roses Bassist Duff McKagan Fall and Rise



'X-Men: Apocalypse' Review: Weaker Film Despite 'Artist' Bryan Singer & Profound Themes

'X-Men: Apocalypse' with Oscar Isaac in the supervillainous title role. 'X-Men: Apocalypse' review: Step back for series, but latest 'X-Men' movie 'works well enough' There's a three-way brawl going on in the Marvel universe, but it doesn't involve Spider-Man, Captain America, or Deadpool. Instead, the combatants are the three major movie studios who've divvied up the film rights to Marvel characters in licensing deals, some of which go back decades. In this corner we have Sony, makers of a Spider-Man series that has sunk so low since 2004's Spider-Man 2 that they punted the character back to our second combatant, Marvel Studios. In 2004, after years of seeing the majors compromise their intellectual property by making horrible film adaptations, they […]


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'X-Men: Apocalypse' Review: Weaker Film Despite 'Artist' Bryan Singer & Profound Themes



'Money Monster' Review: Plot Contrivances & Dishonesty Ruin Jodie Foster Message Film

'Money Monster' with George Clooney and Jack O'Connell: TV celebrity and unwise investor/hostage taker. 'Money Monster' review: Jodie Foster movie suffers from both qualitative and intellectual disconnect Sometimes there's a difference between what a movie thinks it is and what it actually is. Usually it's a qualitative disconnect, as in “this movie thinks it's exciting but it's actually boring” or “this movie assumes Kevin Hart is funny when, in fact, he's not.” In the case of Money Monster, the divide is also an intellectual versus anti-intellectual one. The fourth film directed by Jodie Foster fancies itself a ripped from the headlines wail from the bottom of the economic ladder. A thriller-cum-exposé into how Wall Street and big media suckered average […]


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'Money Monster' Review: Plot Contrivances & Dishonesty Ruin Jodie Foster Message Film



'The Boss' Movie: Melissa McCarthy Flounders in Husband's 'Limp Comedy'

'The Boss' movie: Melissa McCarthy funny only with certain directors, the right material. 'The Boss' movie review: Melissa McCarthy founders in husband Ben Falcone's 'limp comedy' At this point no one would dispute that Melissa McCarthy is one of the funniest people on the planet. However, after the limp comedies Tammy and now The Boss, there is something else not in dispute: Melissa McCarthy is funny only with certain filmmakers and with scripts that would work even without the benefit of her gifts. One can imagine Bridesmaids and Spy being perfectly fine comedies had someone been cast other than McCarthy. Add her physicality, ad-lib abilities, and razor-sharp timing and you've got two films that were among the funniest of their […]


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'The Boss' Movie: Melissa McCarthy Flounders in Husband's 'Limp Comedy'



'Batman v Superman: Dawn of Justice' Review: DC Movies' Grim Self-Importance

'Batman V Superman: Dawn of Justice': 'Grim and ponderous' DC Comics adaptation starring Henry Cavill and Ben Affleck. 'Batman v Superman: Dawn of Justice' review: Self-important 'hip and affected pessimism' According to no less an expert then director Zack Snyder, when saying the title of his relentlessly grave, monochromatic, and humorless superhero epic, Batman v Superman: Dawn of Justice, do not say “versus.” Just say the letter “v.” And savor the thought because it's the only instance of economy in a film that otherwise revels in its unholy excess of words, sounds, pixels, edits, explosions, and regard for its own importance. Make no mistake: to those tasked with guiding the fortunes of corporate behemoths (in this instance, Warner Bros., the […]


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'Batman v Superman: Dawn of Justice' Review: DC Movies' Grim Self-Importance



'Steve Jobs' Movie: Michael Fassbender Career-Making Performance in 'Riveting' Biopic

'Steve Jobs' movie poster. 'Steve Jobs' movie: 'Riveting, high speed' biopic starring Michael Fassbender at his best On the outside, computers are clean, symmetrical slabs of molded polycarbonate; pleasant, or at least inoffensive, to look at. On the inside, however, the part most consumers don't see, is a bento box of circuit boards, memory chips, wires, graphics cards, and cooling systems, busily processing and moving the innumerable pieces of information that make the unit work flawlessly or, occasionally, crash. What director Danny Boyle's ferocious three-act rocket ride, Steve Jobs, teaches us about its eponymous tech icon, is that he was much like a computer: on the outside, clad in his signature black turtleneck and jeans, he was trim, bespectacled and […]


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'Steve Jobs' Movie: Michael Fassbender Career-Making Performance in 'Riveting' Biopic





FILM ARCHIVES

'King Kong' Review: Naomi Watts Can't Save Overblown Peter Jackson Remake
'Fahrenheit 9/11' Review: Michael Moore and The Burning Bush
'The Big Question': God and 'The Passion of the Christ'
'Vera Drake' Review: Imelda Staunton Outstanding in Illegal Abortion Drama
AMERICA THE BEAUTIFUL Darryl Roberts
'Straw Dogs' Review: Infamous Rape Scene
'7 Faces of Dr. Lao': Tony Randall Brilliantly Shows Things Are Not As They Seem
9:06 - Igor Samobor - Igor Sterk
Emma Thomas & Husband Christopher Nolan + Woman in Red Jennifer Lawrence & Danny Boyle: The Oscars
'Brokeback Mountain' Analysis: Technical Brilliance, Iconic Character
'Shame,' Michael Fassbender and the Oscars: The Academy vs. NC-17 Movies?
TWELVE YEARS A SLAVE Release Date: 2013 Oscar Race Heats Up
'Edge of Tomorrow' Review: Tom Cruise Makes Sci-Fi Movie 'Exceptionally Entertaining'
'Selma' Movie Review: Politically Salient History in 'Beautiful' Film
'Lord Montagu' Documentary: Anti-Gay Persecution Victim Became Successful Entrepreneur